This exquisite lithograph by Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the folio De memoire d'homme (In living memory), originates from the 1950 edition published by Editions Bordas, Paris, under the direction of Pierre Bordas, Editeur, Paris; printed by Mourlot Freres, Paris, October 25, 1950. Created in dialogue with Tristan Tzara’s poetic text, this work reflects Picasso’s fluid postwar graphic language, uniting expressive economy with psychological resonance in a distilled and evocative composition.
Executed as a lithograph on velin d'Arches paper, this work measures 13 x 9.75 inches (33.02 x 24.77 cm). Unsigned and unnumbered as issued. The impression demonstrates the refined technical execution of Mourlot Freres and the collaborative synergy between poet, publisher, and master printer that defines this landmark edition.
Artwork Details:
Artist: Pablo Picasso (1881–1973)
Title: Sans titre (Untitled), from De memoire d'homme (In living memory)
Medium: Lithograph on velin d'Arches paper
Dimensions: 13 x 9.75 inches (33.02 x 24.77 cm)
Inscription: Unsigned and unnumbered as issued
Date: 1950
Publisher: Editions Bordas, Paris, under the direction of Pierre Bordas, Editeur, Paris
Printer: Mourlot Freres, Paris
Catalogue Raisonne: Bloch, Georges. Pablo Picasso: Catalogue of the Printed Graphic Work 1904–1967. Kornfeld & Klipstein, 1968, illustrations 1014–47; Cramer, Patrick. Pablo Picasso, The Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1983, illustration 59
Condition: Well preserved, consistent with age and medium
Provenance: From the folio De memoire d'homme (In living memory), published 1950
Notes:
Excerpted from the folio (translated from French), This publication, the original edition of the poem, De memoire d'homme by Tristan Tzara, has been completed and printed on the presses of the Master Printer G. Girard, in Paris, October 25, 1950. The nine original lithographs of Pablo Picasso were drawn on the hand press by Mourlot Freres, the stones having been erased after printing. This edition is composed of: XXX examples on Hollande Van Gelder Zonen, accompanied by a series of lithographs on Japon, and signed by the author and the illustrator and numbered from I to XXX, the first two being printed in the names of the author and the illustrator; CCC examples on Arches, numbered from XXXI to CCCXXX, initialed by the author; XX non-commercial examples, on Alfa mousse, marked with H. C. I to H. C. XX.
About the Publication:
De memoire d'homme (In living memory), published in Paris in 1950 by Editions Bordas under the direction of Pierre Bordas, represents a significant postwar collaboration between literature and modern art. The folio presents Tristan Tzara’s poem in dialogue with nine original lithographs by Pablo Picasso, uniting avant garde poetry and graphic experimentation within a finely produced illustrated edition. Printed on distinguished papers including Hollande Van Gelder Zonen and Arches, and executed in collaboration with Mourlot Freres, the publication exemplifies the tradition of French livre d'artiste production in the mid twentieth century. The careful printing process, the erasure of lithographic stones after printing, and the structured division of the edition underscore the deliberate craftsmanship and exclusivity associated with this project. As a major illustrated book of Picasso’s mature period, De memoire d'homme occupies an important place within the history of twentieth century art publishing, embodying the intellectual and aesthetic exchange between leading figures of modern poetry and visual art.
About the Artist:
Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso’s career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version "O") achieved a record-breaking sale of $179,365,000 at Christie's, New York, on May 11, 2015, affirming Picasso's enduring legacy as one of the most influential and valuable artists in history.
Pablo Picasso Sans titre Untitled De memoire d'homme In living memory 1950 lithograph Editions Bordas Mourlot Freres Modernism.