Patricia A. Pearce

Fine Teal Mesh and Rods Collograph

1980s

Delicate and layered Collotype on heavy bond paper by Patricia A. Pearce (American, b. 1948). The background is a lithograph, and the ribbons have been painted by hand over the top. ...

Dramatic embossed collograph titled "Altered Illusions 4" by Patricia A. Pearce (American, b. 1948). Numbered, titled, and signed along the bottom edge . No frame. Image size: 28"H x...

Abstract print by Patricia A. Pearce (American, b. 1948). This piece is unsigned, but was acquired with a collection of other Peace work. Presented in a new gray mat with foamcore ba...

Dramatic embossed collagraph titled "Altered Illusions 1" by Patricia A. Pearce (American, b. 1948). Titled and signed along the bottom edge (image altered for better viewing). Presented in a new off-white mat with foam core backing. Mat size: 32"H x 27"W Paper size: 28"H x 22.25"W Patricia Pearce (American, b. 1948) is a California artist who attended San Francisco State and UC Irvine and was the Adjunct Professor of Fine Art at the College of San Mateo. Her early work on paper explored images of garments using various printmaking techniques. Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-step process. Awards include Grade Prize, 3rd Biennial Exhibition of Prints, Wakayama Japan; Grant, Peninsula Community Foundation. Collections: Nieman Marcus, San Francisco; Wells Fargo...

Ruth has a degree in Fine Art and a Master’s degree in Art & Design. Her work has been shown in venues all over the UK as well as overseas, including USA, France and Spain, and is re...

Blue II (Deconstructivism) - 2015 - about the narrative potential of images. 40x50cm, Edition of 10, digital C-Print, based on a Polaroid, Artist Inventory 3963. Signature label...

Title: Non Scientific Time 32 color screenprint on 100% rag handmade, shaped deckle edged paper. hand signed in pencil, stamped and numbered. Sandy Kinnee is known for paper making...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Celebration B, Lino-cut on Drawing paper Edition: 3 of 5, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...