Paul Jenkins

"Composition, " an Original Color Lithograph by Paul Jenkins

1965

"Dreaming of the Next One" is an original mixed media painting on paper by Dan Muller. The artist signed the piece lower right. It features abstract shapes in the primary colors plus...

"Abstract" is a color lithograph by Gerard Titus-Carmel. It features a mix of biomorphic and geometric/structural shapes in sepia tones. Artwork is not signed or numbered 8 1/4" x...

Wisconsin artist Dan Muller's "Color Weights" is a mixed media artwork comprised of red, yellow, and blue geometric shapes executed by watercolor, cut and pasted paper, and India ink...

"Light on Water" is an original 13 color lithograph with pochoir from 4 aluminum plates and 1 mylar stencil. It was created by the artist Emmi Whitehors...

Paul Jenkins, American (1923–2012) Date: 1969 Lithograph, signed, dated and numbered in pencil Edition of AP Size: 63 in. x 43.5 in. (160.02 cm x 110.49 cm) Frame Size: 67.5 x 47.5 i...

Paul Jenkins - Composition - Original Lithograph 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) Mourlot Press, 1964 Paul Jenkins, American (1923 - 2012) Paul Jenkins, an artist originally associated with abstract expressionism, exhibits in his mature works a redefining of color, light and space on the canvas surface. Born in Kansas City, Missouri in 1923, Jenkins worked as a teenager in a ceramics factory, where he was first exposed to color intensity and the creation of form. From age 14 to 18, he studied drawing and painting at the city's Art Institute. Initially interested in drama, Jenkins received a fellowship to the Cleveland Playhouse, then continued his dramatic studies in Pittsburgh at the Drama School of the Carnegie Institute of Technology. Deciding to become an artist, Jenkins moved to New York City in 1948 and studied at the Art Students League. During Jenkins's three years at the League, Yasuo Kuniyoshi and Morris Kantor were his influential instructors. While Jenkins continued to live and paint in New York City, his personal explorations took a metaphysical turn, which would ultimately become dominant in his work. P.D. Ouspensky's The Search of the Miracu/ous changed the artist's thoughts on human growth and limitations, while the Chinese I Ching, through its thematic emphasis on constant change, heightened his interest in flowing paint on canvas. Painting for Jenkins became an intuitive, almost mystical process. He commented, "I paint what God is to me." In 1953, Jenkins traveled to Paris, where, a year later, he had his first one-man show. While working at the American Artists Center, he continued to experiment with flowing paints, pouring pigment in streams of various thicknesses, with white thin spills as linear overlays. Jenkins's intent was to deny stasis and create a literal and metaphysical sense of dynamism, while maintaining a sense of unity. Beginning in 1958, Jenkins titled each canvas Phenomena, with additional identifying words. He believed the work to be descriptive of the discovery process inherent in each painting. Paralleling his beliefs, the artist's paintings have undergone subtle but definite changes. Beginning in the early 1 960s, a shift of color saturation and exposure of the white areas gave Jenkins's canvases an enhanced feeling of illumination. If Jenkins's technique is unorthodox, he is in many other ways a traditional artist. He works in an acrylic medium on traditional linen canvas or fine rag paper. Often he uses an ivory knife...

A lithograph from the portfolio "Seeing Voices", a collection that also includes several poems. This abstract piece by Paul Jenkins is signed and numbered on the front of the print i...

Phenomenon Tidefinder is a lithograph by American artist Paul Jenkins (1923 - 2012), dated 1969, signed, dated and numbered in pencil, edition 27/100. The print presents Jenkins's si...