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John James Audubon
Roseate Spoonbill /// John James Audubon Natural History Ornithology Water Bird

1840-1844

$2,800
£2,092.99
€2,445.24
CA$3,938.86
A$3,986.43
CHF 2,285.71
MX$48,350.47
NOK 26,581.89
SEK 27,057.80
DKK 18,279.02

About the Item

Artist: John James Audubon (American, 1785-1851) Title: "Roseate Spoonbill" (Plate 362, No. 73) Portfolio: The Birds of America (First Royal Octavo Edition) Year: 1840-1844 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 1,200 Printer: John T. Bowen, Philadelphia, PA Publisher: John James Audubon and J.B. Chevalier, New York, NY and Philadelphia, PA Sheet size: 6.75" x 10.44" Image size: 5" x 7.63" Reference: Ayer/Zimmer page 22; Bennett page 5; McGill/Wood page 208; Nissen No. IVB 51; Reese No. 34; Sabin No. 2364; Tyler App. I Condition: In excellent condition Very rare The "Roseate Spoonbill" is one of the very top, absolute most desirable birds from Audubon's famous "Birds of America" series Notes: Provenance: private collection - Fleming Island, FL. Lithography and hand-coloring by American artist John T. Bowen (1801-c.1856). Comes from Audubon's famous seven volume portfolio "The Birds of America", (First Royal Octavo Edition) (1840-1844), which consists of 500 hand-colored lithographs. Based on a composition painted in Florida in 1831 or 1832. "This beautiful and singular bird" was prized for its wings and tail feathers which were made into fans in St. Augustine. The roseate spoonbill is a gregarious wading bird of the ibis and spoonbill family, Threskiornithidae. It is a resident breeder in both South and North America. The roseate spoonbill's pink color is diet-derived, consisting of the carotenoid pigment canthaxanthin, like the American flamingo. To make 'The Birds of America' more affordable and widely available, in 1839 John James Audubon began the first octavo edition, a smaller version of the folio which was printed and hand-colored by J. T. Bowen in Philadelphia. Employing a new invention, the camera lucida, the images were reduced in size, rendered in intermediate drawings by John James Audubon and his son John Woodhouse, and then drawn onto lithographic stones. These miniatures exhibit a remarkable amount of attention to quality and detail, as well as a meticulous fidelity to the larger works. Some compositional changes were made in order to accommodate the smaller format. Like the Havell edition, John James Audubon’s first octavo edition was sold by subscription and distributed in parts, five at a time. However, the octavo editions were issued in proper phylogenic, or species order. These prints also bear the plate number in the upper right-hand corner and the subscription number in the upper left. The first edition of approximately 1,200 sets was completed in five years from 1839 to 1844. A total of 500 images comprise the First Royal Octavo Edition. Biography: John James Audubon (April 26, 1785, Les Cayes, Saint-Domingue (later Haiti) – January 27, 1851 (aged 65) Manhattan, New York, U.S.), born Jean-Jacques Audubon, was an American ornithologist, naturalist, and painter. He was notable for his expansive studies to document all types of American birds and for his detailed illustrations that depicted the birds in their natural habitats. His major work, a color-plate book entitled The Birds of America (1827–1839), is considered one of the finest ornithological works ever completed. Audubon identified 25 new species.
  • Creator:
    John James Audubon (1785-1851, American, French)
  • Creation Year:
    1840-1844
  • Dimensions:
    Height: 6.75 in (17.15 cm)Width: 10.44 in (26.52 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Saint Augustine, FL
  • Reference Number:
    1stDibs: LU121214114452

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By John James Audubon

Located in Saint Augustine, FL

Artist: John James Audubon (American, 1785-1851) Title: "Florida Cormorant" (Plate 417, No. 84) Portfolio: The Birds of America (First Royal Octavo Edition) Year: 1840-1844 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 1,200 Printer: John T. Bowen, Philadelphia, PA Publisher: John James Audubon and J.B. Chevalier, New York, NY and Philadelphia, PA Sheet size: 6.5" x 10.44" Image size: 3.75" x 6.25" Reference: Ayer/Zimmer page 22; Bennett page 5; McGill/Wood page 208; Nissen No. IVB 51; Reese No. 34; Sabin No. 2364; Tyler App. I Condition: Some minor discoloration upper center in margin. In excellent condition with strong colors Notes: Provenance: private collection - Cleveland, OH. Lithography and hand-coloring by American artist John T. Bowen (1801-c.1856). Comes from Audubon's famous seven volume portfolio "The Birds of America", (First Royal Octavo Edition) (1840-1844), which consists of 500 hand-colored lithographs. Based on a composition painted in the Florida Keys on April 26, 1832, Audubon's forty-seventh birthday. The double-crested cormorant (Nannopterum auritum) is a member of the cormorant family of water birds. It is found near rivers and lakes and in coastal areas and is widely distributed across North America, from the Aleutian Islands in Alaska down to Florida and Mexico. Measuring 70–90 cm (28–35 in) in length, it is entirely black except for a bare patch of orange-yellow facial skin and some extra plumage that it exhibits in the breeding season when it grows a double crest in which black feathers are mingled with white. Five subspecies are recognized. It mainly eats fish and hunts by swimming and diving. Its feathers, like all cormorants, are not waterproof, and it must dry them out after spending time in the water. Once threatened by the use of DDT, the numbers of this bird have increased markedly in recent years. To make 'The Birds of America' more affordable and widely available, in 1839 John James Audubon began the first octavo edition, a smaller version of the folio which was printed and hand-colored by J. T. Bowen in Philadelphia. Employing a new invention, the camera lucida, the images were reduced in size, rendered in intermediate drawings by John James Audubon and his son John Woodhouse, and then drawn onto lithographic stones. These miniatures exhibit a remarkable amount of attention to quality and detail, as well as a meticulous fidelity to the larger works. Some compositional changes were made in order to accommodate the smaller format. Like the Havell edition, John James Audubon’s first...

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