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Francisco Goya
Esto Es Peor, From the suite Los Desastres De La Guerra

1810-1813

Price:$1,200
$1,500List Price

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Curarlos y a Otra  - Etching by Francisco Goya - 1863

Curarlos y a Otra - Etching by Francisco Goya - 1863

By Francisco Goya

Located in Roma, IT

Curarlos y a otra is an original artwork realized by the great Spanish artist Francisco Goya in 1810. Original etching on paper. The artwork belongs to the famous print collection L...

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Tan Barbara la Seguridad Como el Delito - Etching by Francisco Goya - 1867

Tan Barbara la Seguridad Como el Delito - Etching by Francisco Goya - 1867

By Francisco Goya

Located in Roma, IT

The custody is as barbarous as the crime (Tan barbara la seguridad como el delito) is an artwork realied by Francisco Goya y Lucientes, 1867. Paris: Delâtre, 1867. Etching and burin. cm. 10.5x8.4.Sheet 21x16.2. Excellent proof of III state and first edition after the appearance of the letter and the bevel of the plate, published in the Gazette des Beau-Arts, vol. XXII, p. 196. Ref. Harris 26 Intact sheet with wide margins. Slight exposure yellowing around image. Francisco José de Goya y Lucientes (Fuendetodos, March 30, 1746 - Bordeaux, April 16, 1828) was a Spanish painter and engraver. Considered the pioneer of modern art, he was one of the greatest Spanish painters who lived between the late eighteenth and early nineteenth centuries. His paintings, drawings and etchings of him reflected the ongoing historical upheavals and influenced the most important contemporary and following century painters. Goya is often referred to as the last of the old masters and the first of the moderns. Born into a middle-class family in 1746 in Aragon, he was a pupil of painting from the age of 14 to José Luzán y Martínez, later moving to Madrid to study with Anton Raphael Mengs. In 1786 he became court painter to the Spanish crown and this first part of his career was characterized by numerous portraits of members of the Spanish aristocracy and royal family, as well as by the production of rococo tapestries for the royal palace. In 1793 he suffered from an undiagnosed serious illness which left him deaf, after which his work became progressively darker and more pessimistic. His subsequent paintings seem to reflect a bleak vision of existence, which contrasts with his resounding social ascent: in 1799, in fact, he became Primer Pintor de Cámara (First Court Painter), the highest rank for a Spanish court painter . In late 1799, commissioned by Godoy, he completed his Maja desnuda, a remarkably bold nude for the time and clearly inspired by the style of Diego Velázquez. In the early 19th century he painted The Family of Charles IV, again influenced by Velázquez. In 1807, Napoleon led the Grand Army in the Peninsular War against Spain. During the conflict Goya remained in Madrid and, although he never expressed his thoughts in public, it seems that these facts affected him deeply, as can be seen from some of his works such as The Disasters of War, The 2nd of May 1808, The 3rd May 1808. Other works of his maturity include a wide variety of paintings concerning madness, asylums, witches, fantastic creatures, and religious and political corruption, which suggest that he feared for his mental and physical health. His later period culminates with the Black Paintings of 1819-1823, made in the Quinta del Sordo, his home on the outskirts of Madrid where he lived, disillusioned by political and social developments in Spain, in a situation of almost isolation. Finally, in 1824, Goya decided to abandon Spain to retire to the French city of Bordeaux...

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Tan Bárbara la Seguridad Como el Delito - Etching after Francisco Goya - 1881

Tan Bárbara la Seguridad Como el Delito - Etching after Francisco Goya - 1881

By Francisco Goya

Located in Roma, IT

Tan bárbara la seguridad como el delito (The custody is as barbarous as the crime) is a black and White Etching after Francisco Goya, published in 1881-1886 . Good Conditions. Edit...

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Al Conde Palatino - Origina Etching by Francisco Goya - 1868

Al Conde Palatino - Origina Etching by Francisco Goya - 1868

By Francisco Goya

Located in Roma, IT

Al Conde Palatino is an original etching realized by Francisco Goya and published in 1799. Original etching on wove paper. This beautiful Etching belongs to the Third Edition of th...

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Esta no lo es Menos  - Etching by Francisco Goya - 1863

Esta no lo es Menos - Etching by Francisco Goya - 1863

By Francisco Goya

Located in Roma, IT

Esta no lo es menos is an original artwork realized by the great Spanish artist Francisco Goya in 1810. Original Etching on paper. The artwork belongs to the famous series "Los D...

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Esta usted…pues ..eh!como digo…cuidado from Los Caprichos by Francisco Goya-1799

Esta usted…pues ..eh!como digo…cuidado from Los Caprichos by Francisco Goya-1799

By Francisco Goya

Located in Roma, IT

Esta usted… pues.. eh!como digo… cuidado from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching and aquati...

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Si Son de Otro Linage   - Etching by Francisco Goya - 1863

Si Son de Otro Linage - Etching by Francisco Goya - 1863

By Francisco Goya

Located in Roma, IT

Si son de otro linage is an original artwork realized by the great Spanish artist Francisco Goya in 1810. Original Etching on paper. The artwork belongs to the famous series "Los...

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Nadie se conoce - Etching by Francisco Goya - 1868

Nadie se conoce - Etching by Francisco Goya - 1868

By Francisco Goya

Located in Roma, IT

Nadie se conoce is an original artwork realized by the Spanish artist Francisco Goya and published for the first time in 1799. Original etching on paper. The plate is part of the T...

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“Allá va eso”, Los Caprichos. Framed engraving. Original by GOYA Y LUCIENTES

“Allá va eso”, Los Caprichos. Framed engraving. Original by GOYA Y LUCIENTES

By Francisco De Goya

Located in Madrid, ES

“There goes that”, Los Caprichos. Framed engraving. Original by GOYA Y LUCIENTES, Francisco. It has damage. The original was an etching belonging to the series Los Caprichos by Fran...

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This artwork titled "Brave Moor Gazul" from the suite "La Tauromaquia" engraved between 1815 and 1816, is a photogravure on creme wove paper after renown Spanish artist Francisco Jose De Goya...

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This artwork from the suite "La Tauromaquia, Plate #10" engraved between 1815 and 1816, is a photogravure on creme wove paper after renown Spanish artist Francisco Jose De Goya...

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This artwork titled "El Esforzado Rendon Picando un Toro, De Cuya Suerte Murio en la Plaza de Madrid" from the suite "La Tauromaquia" engraved between 1815 and 1816, is a photogravur...

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