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John Sloan
TURNING OUT THE LIGHT

1905

$4,800
£3,638.58
€4,243.56
CA$6,889.32
A$6,945.76
CHF 3,955
MX$84,428.68
NOK 46,686.91
SEK 46,552.88
DKK 31,720.14

About the Item

Sloan, John. TURNING OUT THE LIGHT. M. 134. Etching, 1905. 5 x 7 inches; 127 x 178 mm. (plate), 9 1/2 x 11 1/2 (sheet). Titled, inscribed "100 Proofs" and signed, all in pencil. While most of Sloan's prints never reached the "100 Proofs' limitation, some, including this exceeded it; 110 were printed. This is one of the plates from Sloan's "New York City Life" series. Morse quotes Sloan on his encounters with the critic Russell Sturgis about the NY City Life set and this print in particular. Sloan recounts showing the set to Sturgis, who commented that only this print had the "charm" he looked for in art. Sloan nevethess made a gift to him of the complete set, commenting in his diary that if Sturgis "doesn't value them now, he may in the future if he lives long enough." Sturgis however returned all the prints except "Tunring Out the Light," thereby breaking a complete set.
  • Creator:
    John Sloan (1832-1932, American)
  • Creation Year:
    1905
  • Dimensions:
    Height: 16 in (40.64 cm)Width: 20 in (50.8 cm)
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    Portland, ME
  • Reference Number:
    1stDibs: LU367316290912

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Sloan, John. RENDEZVOUS (Small). Morse 227. Etching, 1926. Second State, with the pupil added to the left eye, The published state, titled "Miss Angna Enters...

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FRANKIE AND JOHNNIE or HIM

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Sloan, John (American, 1871-1951). FRANKIE AND JOHNNIE. or HIM Morse 236. Etching, 1928. Edition of 100 (but only 50 were printed, by Platt). Dated and Titled in the plate, and Signed in pencil by Sloan and inscribed "100 Proofs," and also signed by Peter Platt. With tack holes and deckled edges. 5 x 8 inches, 126 x 203 mm. (plate), 8 1/2 x 12 1/4 inches (sheet). In excellent condition. From Morse: " A small chorus singing 'Frankie and Johnnie' crowds the tiny stage of the Provincetown Players Theater in MacDougal Street. An episode from E. E. Cummings' intelligent and entertaining production, HIM." (Sloan writing in 1945). "HIM" is about as thrilling an evening's entertainment as I have ever experienced. I liked it thoroughly -- I do not claim to understand it -- I do not believe that a work of art can be, nor need be understood, even by the maker. It seemed to me to be a glimpse inside the cranium of an artist-poet." (Sloan in a letter to James Light, the director of the play) Though Morse says the stars were Hemsley Williams and Goldye Steiner, it was actually Hemliey Winfield (1907 - 1934), the founder of the New Negro Art Theater Dance Group. This company was very successful and highly regarded. It appeared in the Metropolitan Opera's premier of Louis Gruenberg's setting of Eugene O'Neill's "The Emperor...

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