Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 11

Marc Chagall
“Lithograph 3”

1974

$1,760
$2,20020% Off
£1,332.98
£1,666.2220% Off
€1,556.99
€1,946.2420% Off
CA$2,519.41
CA$3,149.2620% Off
A$2,553.93
A$3,192.4120% Off
CHF 1,452.60
CHF 1,815.7520% Off
MX$31,088.55
MX$38,860.6820% Off
NOK 17,037.59
NOK 21,296.9920% Off
SEK 17,079.23
SEK 21,349.0420% Off
DKK 11,638.50
DKK 14,548.1320% Off

About the Item

Original colored lithograph, hand signed by the artist Marc Chagall lower right middle. Sight size is 13.75 by 10 inches. This was the cover for Lithograph 3 published by Mourlot in 1974. Condition is excellent. Matted but presently unframed. Framing options are available. Overall size matted is 18.25 by 15 inches. Archival protected wrap. Provenance: A Sarasota, Florida collection. The artwork comes with a Certificate of Authenticity from the National Art Guild (See last photograph). Marc Chagall was a man of keen intelligence, a shrewd observer of the contemporary scene, with a great sympathy for human suffering. He was born on July 7, 1887 in Vitebsk, Russia; his original name was Moishe Shagal (Segal), but when he became a foremost member of the Ecole de Paris, he adopted French citizenship and the French spelling of his name. Vitebsk was a good-sized Russian town of over 60,000, not a shtetl. His father supported a wife and eight children as a worker in a herring-pickling plant. Sheltered by the Jewish commandment against graven images, the young Chagall never saw so much as a drawing until, one day, he watched a schoolmate copying a magazine illustration. He was ridiculed for his astonishment, but he began copying and improvising from magazines. Both Chagall's parents reluctantly agreed to let him study with Yehuda Pen, a Jewish artist in Vitebsk. Later, in 1906, they allowed their son to study in St. Petersburg, where he was exposed to Russian Iconography and folk art. At that time, Jews could leave the Pale only for business and employment and were required to carry a permit. Chagall, who was in St. Petersburg without a permit, was imprisoned briefly. His first wife, Bella Rosenfeld, was a product of a rich cultivated and intellectual group of Jews in Vitebsk. Chagall was made commissar for the arts for the area, charged with directing its cultural life and establishing an art school. Russian folklore, peasant life and landscapes persisted in his work all his life. In 1910 a rich patron, a lawyer named Vinaver, staked him to a crucial trip to Paris, where young artists were revolutionizing art. He also sent him a handsome allowance of 125 francs (in those days about $24) each month. Chagall rejected cubism, fauvism and futurism, but remained in Paris. He found a studio near Montparnasse in a famous twelve-sided wooden structure divided into wedge-shaped rooms. Chaim Soutine, a fellow Russian Jew, and Modigliani lived on the same floor. To Chagall's astonishment, he found himself heralded as one of the fathers of surrealism. In 1923, a delegation of Max Ernst, Paul Eluard and Gala (later Salvador Dali's wife) actually knelt before Chagall, begging him to join their ranks. He refused. To understand Chagall's work, it is necessary to know that he was born a Hasidic Jew, heir to mysticism and a world of the spirit, steeped in Jewish lore and reared in the Yiddish language. The Hasidim had a special feeling for animals, which they tried not to overburden. In the mysterious world of Kabbala and fantastic ancient legends of Chagall's youth, the imaginary was as important as the real. His extraordinary use of color also grew out of his dream world; he did not use color realistically, but for emotional effect and to serve the needs of his design. Most of his favorite themes, though superficially light and trivial, mask dark and somber thoughts. The circus he views as a mirror of life; the crucifixion as a tragic theme, used as a parallel to the historic Jewish condition, but he is perhaps best known for the rapturous lovers he painted all his life. His love of music is a theme that runs through his paintings. After a brief period in Berlin, Chagall, Bella and their young daughter, Ida, moved to Paris and in 1937 they assumed French citizenship. When France fell, Chagall accepted an invitation from the Museum of Modern Art to immigrate to the United States. He was arrested and imprisoned in Marseilles for a short time, but was still able to immigrate with his family. The Nazi onslaught caught Chagall in Vichy, France, preoccupied with his work. He was loath to leave; his friend Varian Fry rescued him from a police roundup of Jews in Marseille, and packed him, his family and 3500 lbs. of his art works on board a transatlantic ship. The day before he arrived in New York City, June 23, 1941, the Nazis attacked Russia. The United States provided a wartime haven and a climate of liberty for Chagall. In America he spent the war years designing large backdrops for the Ballet. Bella died suddenly in the United States of a viral infection in September 1944 while summering in upstate New York. He rushed her to a hospital in the Adirondacks, where, hampered by his fragmentary English, they were turned away with the excuse that the hour was too late. The next day she died. He waited for three years after the war before returning to France. With him went a slender married English girl, Virginia Haggard MacNeil; Chagall fell in love with her and they had a son, David. After seven years she ran off with an indigent photographer. It was an immense blow to Chagall's ego, but soon after, he met Valentine Brodsky, a Russian divorcee designing millinery in London (he called her Fava). She cared for him during the days of his immense fame and glory. They returned to France, to a home and studio in rustic Vence. Chagall loved the country and every day walked through the orchards, terraces, etc. before he went to work. Chagall died on March 28, 1985 in the south of France. His heirs negotiated an arrangement with the French state allowing them to pay most of their inheritance taxes in works of art. The heirs owed about $30 million to the French government; roughly $23 million of that amount was deemed payable in artworks. Chagall's daughter, Ida and his widow approved the arrangement. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Sources: Hannah Grad Goodman in Homage to Chagall in Hadassah Magazine, June 1985 Jack Kroll in Newsweek, April 8, 1985 Andrea Jolles in National Jewish Monthly Magazine, May 1985 Michael Gibson in ARTnews, September 1988 Time Magazine, July 30, 1965
  • Creator:
    Marc Chagall (1887 - 1985, French)
  • Creation Year:
    1974
  • Dimensions:
    Height: 13.75 in (34.93 cm)Width: 10 in (25.4 cm)Depth: 0.25 in (6.35 mm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
  • Gallery Location:
    Southampton, NY
  • Reference Number:
    1stDibs: LU14115700222

More From This Seller

View All
“Place de la Concorde”

“Place de la Concorde”

By Marc Chagall

Located in Southampton, NY

After Marc Chagall (1887–1985), “Place de la Concorde” 1952 Not examined out of frame. Under glass. Color lithograph on wove paper. Unsigned. Unknown edition. Condition is very go...

Category

1950s Modern Figurative Prints

Materials

Archival Paper, Lithograph

"Untitled"

"Untitled"

By Nahum Tschacbasov

Located in Southampton, NY

Original artist proof engraving, aquatint, intaglio on archival paper by the Russian/American artist, Nahum Tschacbasov. Signed in pencil lower right and dated 1947. Condition: good...

Category

1940s Surrealist Figurative Prints

Materials

Archival Paper, Engraving, Aquatint, Intaglio

"Untitled"

"Untitled"

By Nahum Tschacbasov

Located in Southampton, NY

Original etching on archival paper. Signed and dated lower right, 1947. Artist proof. Condition: Good. Provenance: Estate of the artist. Image size 6.75 by 5 inches. Sheet size 15...

Category

1940s Surrealist Figurative Prints

Materials

Archival Paper, Etching

“Creatures”

“Creatures”

By Nahum Tschacbasov

Located in Southampton, NY

Hand colored original artist proof etching by the well known Russian/American artist Nahum Tschacbasov. Marked “AP” lower left for artist proof in pencil. Signed by the artist lower...

Category

1940s Modern Figurative Prints

Materials

Archival Paper, Etching

"Untitled"

"Untitled"

By Nahum Tschacbasov

Located in Southampton, NY

Artist proof, aquatint, mixed intaglio engraving by the Russian/American artist, Nahum Tschacbasov. Pencil signed and dated lower right, 1947. Artist Proof. Condition: good; slight...

Category

1940s Surrealist Figurative Prints

Materials

Engraving, Aquatint, Intaglio

“Untitled”

“Untitled”

By Nahum Tschacbasov

Located in Southampton, NY

Hand colored original artist proof etching by the well known Russian/American artist Nahum Tschacbasov. Marked “AP” lower left for artist proof in pencil. Signed by the artist lower...

Category

1940s Modern Figurative Prints

Materials

Archival Paper, Etching

You May Also Like

Chagall lithograph poster

Chagall lithograph poster

By (after) Marc Chagall

Located in Henderson, NV

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Marc Chagall created a series of posters at the atelier of Mourlot Freres...

Category

1950s Prints and Multiples

Materials

Lithograph

Marc Chagall Lithograph, Unsigned, 1960, Mourlot Lithographe I

Marc Chagall Lithograph, Unsigned, 1960, Mourlot Lithographe I

By Marc Chagall

Located in Washington, DC

Artist: Marc Chagall Title: Profile and Red Child Portfolio: Mourlot Lithographe I Medium: Lithograph Year: 1960 Edition: Unnumbered Framed Size: 18 1/2" x 15 1/2" Image Size: 12 1/2...

Category

1960s Modern Figurative Prints

Materials

Lithograph

Chagall Lithographs IV, 1974 First Edition, Modern Lithograph Print

Chagall Lithographs IV, 1974 First Edition, Modern Lithograph Print

By Marc Chagall

Located in Brooklyn, NY

This 1974 hardcover book, published by Crown Publishers, Inc. in New York, comes with a dust jacket and a protective slipcase. As a first edition, it features English text by Charles...

Category

1970s Modern Prints and Multiples

Materials

Lithograph

Marc Chagall - Original Lithograph

Marc Chagall - Original Lithograph

By Marc Chagall

Located in Collonge Bellerive, Geneve, CH

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Unsigned, as published in "Chagall Lithographe 1957-1962. VOLUME II" Edition of several thousand Condition : Excellent M...

Category

1960s Surrealist Figurative Prints

Materials

Lithograph

original lithograph

original lithograph

By Marc Chagall

Located in Henderson, NV

Medium: original lithograph. Printed in 1982 for the art revue Derriere le Miroir (issue number 250, dedicated in homage to Aime and Marguerite Maeght) and published in Paris by the ...

Category

1980s Prints and Multiples

Materials

Lithograph

"Peintures Aquarelles Dessins" lithograph poster

"Peintures Aquarelles Dessins" lithograph poster

By (after) Marc Chagall

Located in Henderson, NV

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Marc Chagall created a series of posters at the atelier of Mourlot Freres...

Category

1950s Prints and Multiples

Materials

Lithograph