A. Sogé

Moulins dans le pas de Calais - Etching by A. Sogé - 1860s

1860s

Etching on laid paper. Signed and dated in plate lower left: maassluis Jongkind 1862 Published by Cadart & Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the S...

Le Moulin de la Galette is a black and white etching realized by Jacques Endzel in 1870s. Titled in the lower. Image size: 23cmx14.5cm. Good condition. Not signed. Realized by C...

En Picardie is a black and white etching realized by Joseph François Villevieille (1821-1916) in 1870s. Titled in the lower. Image size: 19cmx16cm. Very Good condition. Signed an...

Vue de Varennes en Argonne is a black and White etching realized by Alphonse Beaujoint in the 1860s.  Titled in the lower. Image size: 23x31. Very good impression with wide margin...

Etching on cream laid paper. 5 7/16x7 7/16 inches (137 x 188 mm). Scattered toning, age stain, and scattered minor defects consistent with age. Second state (of 3). [Delteil 14] Jo...

Ernest Laborde, French (1870 - 1935) - Au Petit Dunkerque, Year: 1913, Medium: Etching, signed and dated in the plate, Image Size: 9 x 5.5 inches, Size: 11 x 7.5 in. (27.94 x 19.05...

Medium: original lithograph. Printed in 1897 for the rare portfolio "Art et Nature" by Leon Roger-Miles and published in Paris by Boudet in an edition of 525. Printed in blue-gray in...

This is a mid 19th century etching entitled "Point de Depart de Guillaume de Normandie, Beuzeval, Emboucher de la Dives Calvados (The point of departure of William of Normandy (William the Conqueror)), created by Maxime Lalanne and published in 'L'Illustration Nouvelle' in 1868 by Alfred Cadart. The etching depicts the beach at Beuzeval in Normandy; with the shore in the foreground on the right lined by a row of houses, the sea at the left, and an expansive sky above. There are people on the beach and sailboats in the water. This is the point of departure of William the Conqueror for his voyage to England in 1066, resulting in his victory over the Anglo-Saxons at the Battle of Hastings and the establishment of Norman rule. The events are memorialized in the Bayeux tapestry, created by William's wife. This etching is presented in a white mat that is suitable for framing. This excellent impression is printed on thick chain-linked, laid cream-colored paper with wide margins. It is signed in plate in the lower right and titled in the plate in the lower left. There is a collector's stamp (either an "NC" or a "CN") in the lower right corner. The sheet measures 9.5" high by 12.75" wide and the mat measures 13.5" high by 16" wide. There are two tiny faint spots in the periphery of the upper margin, but the print is otherwise in excellent condition. This etching is held by many museums and institutions, including The British Museum, The Yale University Art Gallery, The Cleveland Museum of Art, The Philadelphia Museum of Art, Columbia University Libraries and The William Morris Gallery...