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Satyr - ìEtching by Various Authors - 18th Century

18th Century

Ancient Roman Statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized by an anonymous artist in the 18th c...

Man and Satyrs is an old master artwork realized in 17th Century by Marcantonio Bellavia. Black and white etching. Good conditions (some foxings and stains on paper).

Dionysus Bacchus from "Antiquities of Herculaneum" is an etching on paper realized by Aniello Cataneo in the 18th Century. Signed on the plate. Good conditions with some folding. ...

Ancient Roman Statue of Satyr, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Aloja in the 18th century. Signed on the plate on th...

by Jacopo Caraglio (after Rosso Fiorentino) Rome: Carlo Losi, 1526. Engraving on cream laid paper, 8 1/2 x 4 3/8 inches, 215 x 110 mm), thread margins. In very good condition with a...

Satyr Mask, Academic Study after an Antique Model and Michelangelo’s Lost Work, 49 × 32.5 cm Mid-19th century Pencil on paper Academic study of a satyr’s head, based on an antique model and linked to the long-standing tradition surrounding Michelangelo’s lost Head of a Satyr. The drawing focuses on the expressive intensity of the face, the curling hair, and the strong modelling of the features, elements closely associated with antique satyr...

Antique print, titled: 'Nyseus Bachus in Aedibus, Burghesys.' Statue of Bacchus or Dionysus, the god of the grape harvest, winemaking and wine, of ritual madness, fertility, theatre and religious ecstasy in ancient Greek religion and myth. From the 1660 Dutch edition of 'Icones et Segmenta Nobil. Signorum et Statuarum quae Romae extant' by Francois Perrier...

Classical Mythological Figures Engraving, Montfaucon Antiquité Expliquée 1721 This original early eighteenth-century copper engraving originates from Bernard de Montfaucon’s monumental antiquarian publication L’Antiquité expliquée et représentée en figures, published in Paris in 1721. Widely regarded as one of the most important scholarly works of the Enlightenment, Montfaucon’s encyclopedic study systematically documented the art, mythology, and material culture of the ancient world, laying essential foundations for modern archaeology and art history. The plate presents a carefully arranged compilation of mythological and sculptural studies derived from ancient sources. Multiple vignettes depict classical figures, relief fragments, and symbolic motifs recorded from antique sculptures, gems, and coins. The composition functions almost as a visual catalogue, comparing different representations of mythological subjects collected from prominent European antiquarian collections, including references to works associated with scholars such as Maffei and other early collectors of classical antiquities. At the bottom of the composition, two triton-like sea beings with human torsos and serpent tails raise a nude female figure above the waves, evoking marine mythology connected to nereids, sea deities, or allegorical representations of Venus emerging from the sea. Surrounding studies include winged figures, sculptural heads, medallions, and mythological scenes rendered with remarkable clarity. Montfaucon’s analytical approach—placing multiple related images together for comparison—reflects the Enlightenment ambition to classify and interpret antiquity through visual evidence. The engraving demonstrates the refined precision of early eighteenth-century Parisian copperplate engraving, characterized by delicate linework, balanced spacing, and restrained tonal shading. Beyond its scholarly significance, the plate possesses strong decorative appeal, combining classical imagery with an elegant graphic structure that suits both traditional and contemporary interiors. This original antique engraving is offered unframed, allowing flexibility to select a frame appropriate to the intended interior or collection setting. Condition: Good antique condition with age-related toning and light paper discoloration consistent with early eighteenth-century prints...