William Hogarth

BEER STREET

17751(59)

The Industrious Prentice - Lord Mayor of London is an original etching print realized by William Hogarth in 1747 Signature on the plate on the lower right, with the description on t...

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and th...

A Harlot's Progress is an etching print realized after William Hogarth in 1732 Signature on the plate on the lower right. Good conditions, with some foxing. A Harlot's Progress" i...

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and th...

A humorous scene after a scene from William Hogarth's (1697-1764) series of eight paintings A Rake's Progress. The series depicts the decline of Tom Rakewell, a wealthy young man wit...

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and th...

William Hogarth (1697-1764). Character vs. Charicature, 1743. Engraving on laid paper, plate measuring 8.25 x 9.25 inches. Framed measurement: 16.25 x 20.25 inches. Characters and...

The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament". These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition. The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum. Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class. Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and th...

Hogarth's 1756 England Satirical Print: A Patriotic Masterpiece, Published 1799 This image is a work by William Hogarth titled "England," part of his series "France and England," al...