Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 2

John Sloan
Schuylkill River

1894

$2,400
£1,814.54
€2,117.45
CA$3,415.08
A$3,464.48
CHF 1,978.03
MX$41,949.42
NOK 23,286.28
SEK 23,209
DKK 15,833.66

About the Item

John Sloan etching Schuylkill River, 1894, signed, titled, annotated “100 proofs” [only 25 were printed], also signed by the printer “Peter Platt imp’ in pencil lower left margin. From the edition (of 25) all printed by Peter Platt. Morse 60, only state. Provenance: ex. coll. VO and MP Potamkin Collection; Kraushaar Galleries. A fine impression, with plate tone. On a tan wove paper with a partial crest and fleur de lys watermark, with margins, in good condition, a tiny nick right edge, slightest browning toward outer margin edges, 8 1/4 x 5 1/4 (the sheet 12 1/2 x 10) inches, archival matting. A relatively early (and rarely seen) print for Sloan (1871-1954), he was 23 when he made this etching. Here are his later comments on the print: “One of my few plates that looks like an etching from the connoisseur’s point of view. It might be that had I pursued the direction here suggested my etchings might have become quite popular. This plate was made with William Glackens beside me, absorbing his first and only lesson in etching.” By 1894 Sloan was coming into his own as an illustrator for the Philadelphia Inquirer, and Glackens and Sloan had become devoted students of a local artist just a few years older than Sloan – Robert Henri. At this stage Sloan had become interested in Japanese prints, Fin de Siecle French posters; also, of course, there’s the hint of aWhistlerian aesthetic here. Peter Platt was one of Sloan’s best and most favored printers. This print demonstrate why: the subtle use of plate tone (ink left on the plate during printing process) gives the impression an atmospheric quality.
  • Creator:
    John Sloan (1832-1932, American)
  • Creation Year:
    1894
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU51531534683

More From This Seller

View All
Limehouse

Limehouse

By James Abbott McNeill Whistler

Located in New York, NY

James McNeill Whistler (1834-1903), Limehouse, etching, 1859. References: Glasgow 48, fifth state (of 6), Kennedy 40, third state (of 3), signed with the butterfly in pencil in the lower margin. [Also signed and dated in the plate.]With margins, 5 x 7 7/8 inches, the sheet 6 1/2 x 9 1/2 inches. Published as no. 12 in A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects, otherwise known as the Thames Set. In good condition apart from a soft diagonal fold in the sky. A very fine impression, in black ink on a thin Japan paper. Provenance: Dr. John W. Randall (cf. Lugt 2130), without his mark, annotated on the mat. Limehouse, the entrance to the West Indies Docks, lies opposite the Surrey Commercial Docks in Rotherhithe, along the lower Thames. It’s unusual to find the signed butterfly (or any pencil signature) on the early London etchings, but it is known that Whistler signed...

Category

1850s Realist Landscape Prints

Materials

Etching

Hell Hole

Hell Hole

By John Sloan

Located in New York, NY

John Sloan (1871-1951), Hell Hole, 1917, etching and aquatint, signed bottom right, titled bottom center, and inscribed “100 proofs”. Reference: Morse 186, second state (of 2). From ...

Category

1910s American Realist Prints and Multiples

Materials

Etching, Aquatint

L’île Lacroix, à Rouen

L’île Lacroix, à Rouen

By Camille Pissarro

Located in New York, NY

Camille Pissarro (1830-1903), L’île Lacroix, à Rouen, etching, aquatint, maniere grise, drypoint, burnishing, c. 1887. Signed and numbered (No. 1) in pencil lower left, annotated 1er...

Category

1880s Impressionist Landscape Prints

Materials

Drypoint, Etching, Aquatint

Bridge, Amsterdam

Bridge, Amsterdam

By James Abbott McNeill Whistler

Located in New York, NY

James McNeill Whistler (1834-1903), Bridge, Amsterdam, etching, 1889, printed in brown ink on thin laid paper, signed with the butterfly on the tab and annotated “imp”, also signed with the butterfly on the verso and numbered 11. References: Kennedy 409, Glasgow 447, fifth state (of 5). In very good condition (slight nicks at edges), trimmed by the artist on the plate mark apart from the tab, 6 1/2 x 9 1/2 inches. Provenance: Vivian and Meyer P. Potamkin, Philadelphia; sale, Sotheby’s, New York, May 11, 1989, lot 302 Samuel Josefowitz, Pully, Switzerland A very fine, shimmering impression of this great rarity. This impression is included in the Glasgow inventory, ID number K4090301; only about 11 lifetime impressions in all states are known (three were also printed posthumously by Nathaniel Sparks...

Category

1880s Impressionist Landscape Prints

Materials

Etching

Up the Line, Miss?

Up the Line, Miss?

By John Sloan

Located in New York, NY

John Sloan (1871-1951), “Up the Line, Miss?”, etching, 1930, signed, titled and inscribed 100 proofs [also signed in the plate]. Reference: Morse 243, fifth state (of 5). In excellen...

Category

1930s American Realist Figurative Prints

Materials

Etching

You May Also Like

Wake on the Ferry.

Wake on the Ferry.

By John French Sloan

Located in Plano, TX

Wake on the Ferry. 1949. Etching. Morse catalog 313. state v. 5 x 7 (sheet 8 3/4 x 11 7/8). Edition of 350: 200 for the Art Students League and 150 for the artist. A fine impression ...

Category

1940s American Modern Figurative Prints

Materials

Etching

SEEING NEW YORK

SEEING NEW YORK

By John Sloan

Located in Portland, ME

Sloan, John. SEEING NEW YORK. M.188. Etching, 1917. Signed, titled, and inscribed "100 Prrofs," all in pencil. Edition of 100, of which only 85 were printed. The image is of live ch...

Category

1910s Animal Prints

Materials

Etching

Gloucester Ferry, No. 2

Gloucester Ferry, No. 2

By Stephen Parrish

Located in Middletown, NY

A beautiful and delicate 19th century image of one of New England's most storied ports. Boston: Estes & Lauriat Editions, 1882 Etching on cream laid paper, 2 3/4 x 5 1/4 inches (68 ...

Category

Early 20th Century American Realist Landscape Prints

Materials

Laid Paper, Etching

Bridgeport (The Dock, Bridgeport, Connecticut)

Bridgeport (The Dock, Bridgeport, Connecticut)

Located in New York, NY

Etching, 1888 (printed later). Initialed by the artist's son, Alden Twachtman, in lower margin "JHT per AT". Sheet size: 4.25 x6.38 inches, with full margins. Catalogue raisonné re...

Category

1880s American Impressionist Landscape Prints

Materials

Etching