Virgil Trasher

Silver Wood

1966

This artwork titled "River Mist" 1987 in an original color serigraph by American artist Virgil Trasher b.1943. It is hand signed, inscribed A.P and tit...

This artwork titled "Dusk" 1984 in an original color serigraph by American artist Virgil Trasher b.1943. It is hand signed, dated and titled in pencil by the artist. The image size is 14 x 25 inches, sheet size is 19 x 28 inches. It is in excellent condition. About the artist: Virgil Thrasher...

This artwork titled "East Cove" 1987 in an original color serigraph by American artist Virgil Trasher b.1943. It is hand signed, inscribed A.P and titl...

This artwork titled "Pine View" 1986 in an original color serigraph by American artist Virgil Trasher b.1943. It is hand signed, dated, numbered 220/350 and titled in pencil by the artist. The image size is 22 x 16 inches, sheet size is 28.5 x 22.75 inches. It is in excellent condition. About the artist: Virgil Thrasher...

Silver View [2021] by Rebecca Tucker Original painting Acrylic on cradled wooden panel Sold frames, in white box tray frame, as shown in images Please note that insitu images are pur...

Landscape is an original lithograph realized by Jiri Kolar in 1983. Good conditions. Not signed. The artwork is depicted through harmonious colors in a well-balanced composition.

Artist: Thelma Appel, American (1940 - ) Title: Carpenter Woods Year: 1982 Medium: Serigraph, signed and numbered in pencil Edition: 250, AP 25 Image Size: 22 x 15 inches Size: 29 in...

"One Of The Ways" depicts a densely populated grove. As with other of Carpenter's paintings, this scene invites viewers to look closer and also to go out to explore nature. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul Collection...