1926
Una (Portrait of a Creole Lady)
By Gerald Leslie Brockhurst
Located in New York, NY
Gerald Leslie Brockhurst (1891-1978), Una (Portrait of a Creole Lady), etching, 1929, signed in pencil lower right, and also inscribed by the artist: “2nd State, GB”. Reference: Flet...
Etching
La Tresse (Anais)
By Gerald Leslie Brockhurst
Located in Fairlawn, OH
La Tresse (Anais) Etching with stipple, October 1926 Signed in pencil lower right (see photo) Signed and dated in reverrse in the plate lower left Edition: 111, published by Conaghi,...
Etching
The Dancer (Anais)
By Gerald Leslie Brockhurst
Located in New York, NY
Gerald Leslie Brockhurst (1891-1978), The Dancer (Anais), 1925, etching, signed lower right and dedicated by the artist (to F.L. Berry, Esq.) lower left [also signed and dated in reverse in the plate lower left]. Reference: Fletcher 52, seventh state (of 7). From the edition of 107. In good condition, with slightest toning, with full margins and as issued and (not archivally) matted, 9 1/4 x 5 1/2, the sheet 15 3/8 x 9 3/8 inches. Provenance: F. L. Berry (not in Lugt, see note below) Roddy Willis has graciously provided an extensive background note on this provenance, which I quote from with permission: “Francis Berry...
Etching
$294
H 5.91 in W 7.68 in D 0.04 in
Portrait - Charcoal Drawing By Pierre Georges Jeanniot - Early 20th Century
By Pierre Georges Jeanniot
Located in Roma, IT
Portrait is an original Drawing on paper realized by the painter Pierre Georges Jeanniot (1848-1934). Drawing in Pencil. Hand-signed on the lower. Good conditions except for aged ...
Pencil
$470
H 8.67 in W 3.55 in D 0.08 in
Portrait - Original Pencil Drawing by A. Grevin - Late 19 Century
By Alfred Grevin
Located in Roma, IT
Portrait is an original drawing in Pencil realized by Alfred Grévin in the Late-19 Century. Applied on a Passeprtout:49x 32 cm. With the stamp of atelier "Grevin" on the lower righ...
Pencil
Study of a seated woman – American School 19th Century
Located in Middletown, NY
A classic example of 19th century American School folk portraiture. c1850. Graphite and ink wash on cream wove paper, 7 1/8 x 4 14 inches (180 x 118 mm), the full sheet. Some minor ...
Ink, Handmade Paper, Graphite
$411
H 6.5 in W 4.14 in D 0.04 in
Figure - Drawing By Pierre Georges Jeanniot - Early 20th Century
By Pierre Georges Jeanniot
Located in Roma, IT
Figure is an original Drawing on paper realized by the painter Pierre Georges Jeanniot (1848-1934). Drawing in Pencil. Hand-signed on the lower. Good conditions except for aged ma...
Pencil
$1,200
H 12 in W 8.75 in
Preliminary Study for the painting Rose and Gold, 1913
By William McGregor Paxton
Located in Fairlawn, OH
Preliminary Study for the painting Rose and Gold, 1913 Graphite on paper, 1913 Signed in pencil lower left (see photo) Titlted "Lizzy Young" in pencil upper left (see photo) Lizzy was a modle that Paxton depicts numerous times. The painting that this drawing is related to, is illustrated in Lee & Krause, William McGregor Paxton, 1869-1941, Plate 32, text on page 132. The painting was formerly in the collection of Victor Spark and the Honorable Paul Buchanan. It is currently in a Texas Collection. Provenance: Private Collection, Florida William McGregor Paxton (June 22, 1869 – 1941) was an American painter and instructor who embraced the Boston School paradigm and was a co-founder of The Guild of Boston Artists. He taught briefly while a student at Cowles Art School, where he met his wife Elizabeth Okie Paxton, and at the Museum of Fine Arts School in Boston. Paxton is known for his portraits, including those of two presidents—Grover Cleveland and Calvin Coolidge—and interior scenes with women, including his wife. His works are in many museums in the United States. Early life He was born on June 22, 1869, in Baltimore to James and Rose Doherty Paxton. William's father moved the Paxton family and established a catering business in Newton Corner, Massachusetts, in the mid-1870s. Education Paxton attended Cowles Art School on a scholarship he attained at the age of 18. He studied with Dennis Miller Bunker...
Graphite
$329
H 12.6 in W 9.65 in D 0.04 in
Figure - Original Drawing By Pierre Georges Jeanniot - Early 20th century
By Pierre Georges Jeanniot
Located in Roma, IT
Figures is an original Drawing on paper realized by painter Pierre Georges Jeanniot (1848-1934). Drawing in Pencil. Hand-signed on the lower. Good conditions. Pierre-Georges Jean...
Pencil
Portrait Studies
By Edwin Longsden Long
Located in London, GB
Edwin Long 1829 - 1891 Portrait Studies Graphite on paper Image size: 4 x 8 inches (10 x 20.5 cm) Framed Edwin Longsden Long RA (1829-1891, British) wa...
Graphite
Amanda (Marguèrite), No. 1
By Gerald Leslie Brockhurst
Located in Plano, TX
Amanda No. 1 (Marguèrite). 1920. Etching. Fletcher 18. 3 1/2 x 2 3/8 (sheet 9 x 7 1/4). Edition 55. . A rich proof printed with plate tone on cream laid paper with full margins. Sign...
Etching
Becquet
By James Abbott McNeill Whistler
Located in Plano, TX
J. Becquet, Sculptor (The Fiddler). 1859. Drypoint. Kennedy 52 state iv; Glasgow 62. state i. 10 1/8 x 7 1/2 (sheet 15 5/16 x 9 3/4). Series: "Sixteen Etchings or Scenes on the Thame...
Drypoint, Etching
Summer
By Edmund Blampied
Located in Plano, TX
Summer. 1914. Drypoint. Appleby 46. 6 7/8 x 4 7/8 (sheet 11 5/8 x 9 3/16). Edition 77. A fine impression printed on cream wove paper on the full sheet with deckle edges. Signed in pe...
Drypoint
Chez Madame Dupont
By Edmund Blampied
Located in Plano, TX
Chez Madame Dupont. 1931-32. Drypoint. Appleby 158. 8 3/16 x 11 3/4 ( 11 1/8 x 18 1/3). Edition 100, #75. A fine impression on pale cream-colored laid paper, printed on the full shee...
Drypoint, Etching
Portrait of James McBey.
By Walter Tittle
Located in Plano, TX
James McBey. 1931. Drypoint. 8 7/8 x 5 7/8 (sheet 11 1/2 x 9 ). An extremely rich impression with drypoint burr, printed by the artist on cream wove paper. Signed in the plate lower ...
Drypoint, Etching
The Centenarian
By Edmund Blampied
Located in Plano, TX
The Centenarian. 1930-31. Drypoint. Appleby 144. 10 5/16 x 10 3/8 (sheet 17 3/8 by 12 3/8). Edition 100. A rich impression on cream-colored 'Whatman' laid paper with full margins. Signed and numbered in ink. Edmund Blampied was a painter, etcher, lithographer and sculptor. Born in 1886 to a family of three boys in St. Martin, Jersey, Blampied became interested in drawing at an early age. After visiting the studio of John Helier Lander in 1899, Blampied decided to make a career as an artist. In 1903 he went to London to attend Lambeth Art School, where he studied etching under Walter Seymour. In 1905, he joined the Daily Chronicle as an artist. In that year he was awarded a scholarship to Bolt Court Scool of Photo-engraving and Lithography. In 1912 he left the Chronicle and established his own studio. He earned a living by illustrating novels and short stories. In 1913, he had his first exhibition at the Leicester Gallery in London. The following year he married Marianne Van Abbé. During the 1920's, he became a member of the Royal Society of Painter-Etchers and Engravers. During the 1920s Blampied became a member of the Royal Society of Painters-Etchers and Engravers and exhibited in London to critical acclaim. He produced a folio of comic drawings in the 1930s which was published in New York in 1934 and another that was published in London in 1936. The Keeper of Prints and Drawings at the British Museum published a mongraph on his work. His London exhibitions were highly successful. In 1938, he moved to Bulwarks, St.Aubin in Jersey, but at the onset of the Occupation, had to relocate to Route Orange, St. Brelade. remained there throughout World War II during the German Occupation, despite the fact that his wife was Jewish. During the Occupation he designed bank...
Drypoint, Etching
