1970s Portrait Prints

Original 1974 Blazing Saddles Linen-Backed Movie Poster — Mel Brooks. Archival linen backed in Grade A- condition. (Original theater-issued fold marks restored.) BLAZING SADDLES ...

Portrait  is a Screen Print Artwork realized by Salvatore Fiume in 1970s. Very good condition on a cream colored cardboard. Hand-signed and numbered with pencil by the artist on th...

Original "The Rocky Horror Picture Show" US 1-sheet vintage movie poster. Archvial linen backed. 1975, Style B. Original fold marks pr...

Original concert poster: Joan Baez in Concert Under the Stars, Oct 31, 1975, Orange County, CA. Artist: Rick Griffin. Size: 9.75" x 23 3/8". Black and White original concert...

Medium: original lithograph. Signed in pencil and numbered 47/100. Printed in Neuchatel, Switzerland in 1977 at the Imprimerie Paul Attinger. This signed and numbered lithograph was ...

A classic David Hockney portrait, this lithograph depicts the artist's friend Brooke Hopper. Brooke Hopper, one of the Hollywood elite, is the daughter of the producer Leland Hayward...

In Trois Plants, François Houtin envisions a fantastical botanical specimen rising like an ornate tower of intertwined foliage and blossoms. Each element—stem, leaf, and tendril—is r...

LOUISIANA SERENADE is a limited edition color lithograph by the renowned African American artist Romare Bearden, printed on archival Somerset printmaking paper, 100% acid free, in an edition size of 175. LOUISIANA SERENADE, from Bearden's late 1970's colorful JAZZ series of musical imagery, captures a Southern evening depicting two male figures playing their guitars on the veranda while a seated woman sits listening beside a glowing glass chimney lamp. LOUISIANA SERENADE, printed in lush hues of green, red, yellow, purple, blue presents a free flowing watercolor-like abstract music portrait by the renowned American artist Romare Bearden. Print size - 24.5 x 33.75 inches, unframed, excellent condition, fresh colors, full bleed image, no margins, hand signed in pencil by Romare Bearden, inscribed P.P.(Printers Proof) aside from the edition of 175, printer's chop mark embossed on lower edge, print documentation provided Year Published - 1979 Edition size - 175, plus proofs Printer - J K Fine Art Editions Co. NY Publisher - London Arts Group, Detroit MI Cat. Reference: Figure 28, Page 39 in "A Graphic Odyssey: Romare Bearden as Printmaker" Edited by Gail Gelburd, Published by the University of Pennsylvania Press About the artist- Romare Bearden (1911-1988) Born in Charlotte, North Carolina, Romare Bearden is one of America’s most esteemed African American contemporary artists. Bearden grew up in the Harlem neighborhood of New York City and attended New York University where he received a degree in mathematics. Following graduation, Bearden turned his attention to art, pursuing further studies with George Grosz at the Art Students League. The artist served in the United States Army from 1942 to 1945. After leaving the Army, Bearden used funds from the GI Bill to travel to Europe for six months to study art history and philosophy at the Sorbonne. During this trip, Bearden had the opportunity to meet Henri Matisse, Georges Braque and Joan Miro, all of who had a strong influence on his artwork. Bearden’s work on canvas and collages expressed the complexities of rural Black America. “My intention is to reveal through pictorial complexities of the life I know,” he said. He integrated scenes from his childhood in North Carolina and from New York City, including many rituals and social customs. Another theme throughout his work was music. Bearden grew up surrounded by musicians and loved jazz and blues. Romare Bearden’s artwork can be found in numerous permanent collections around the country including the Museum of Modern Art and the Metropolitan Museum of Art. Retrospective exhibitions of Bearden’s art have been held by The Mint Museum of Art, Charlotte; the Museum of Modern Art; the Detroit Institute; and the Studio Museum in Harlem. As well, President Reagan...

Artist: Pablo Picasso (posthumously) Title: Peintre et Modele en Robe Tricotee Medium: Etching Portfolio: Series 156 Date: 1978 Edition: 1/50 Stamped signature Frame Size: 16 7/8" x ...

Niño Payaso is an original hand drawn stone lithograph by the Mexican artist Rafael Coronel. Niño Payaso was printed one color at a time on archival printmaking paper using traditional hand lithography techniques in Paris c.1973 from lithographic stones drawn by the artist. Niño Payaso is a sensitive profile portrait depicting a young boy wearing an antique-style clown outfit whose image suggests a deeply dispirited child at a moment of gloom; a very strong impression printed in rust orange, light beige and black ink on buff colored paper. Framed size - 24 x 30 in., dark brown Mexican wood frame...

Fréderic MENGUY - The Bride, 1975 Original Lithograph Signed in pencil Numbered / 119 copies in Roman numbers On Japan paper 56 x 42 cm (c. 22 x 16.5 inch) Excellent condition

Original Hawaii, United Airlines Hawaii travel poster. Linen-backed, excellent condition. Ready to frame. Great price for an archival linen-backed poster of this Hawaii United Airlines vintage...

Artist: Salvador Dali Title: Matthew (Geoffrey of Monmouth) Portfolio: 1972 The Twelve Apostles (Knights of the Round Table) Medium: Lithograph Year: 1972 Edition: 41/350 Frame Size:...

BROTHERS is an original hand drawn lithograph by the Argentine artist, Aldo Luongo. Printed in 1975 at Circle Gallery NYC using traditional hand lithography methods on archival Arche...

Artist - Salvador Dali (Spanish, 1904-1989) Title - PRINCE OF CUPS, Tarot Card Series Publisher - DALART N.V. Year published - 1979 Medium - Lithograph on Arches Cover 270 gsm. 100% acid free, signed in pencil, inscribed 2/5 PP (Printers Proof) by Salvador Dali on lower print margin, publishers mark "DALART N.V. Copyright 1979" blindstamp embossed on lower left print margin. Fine impression, vivid colors, unframed, in very good condition. Print documentation provided.. Listed in the Albert Field's OFFICIAL CATALOGUE OF THE GRAPHIC WORKS OF SALVADOR DALI, Reference #79-15. PRINCE OF CUPS from the Tarot Series 1979, is a surrealist style limited edition lithograph by Salvador Dalí (1904 – 1989) Printed on archival Arches paper, 100% acid free. PRINCE OF CUPS depicts a freely drawn, black line portrait of a young Prince wearing his golden yellow crown, sporting a white ruffle collared shirt, looking slightly sideways posed behind a golden chalice...

This portrait is on of a series of portraits done of Mick Jagger by Andy Warhol in 1975. Each print in the series has a unique photograph taken by Warhol himself and varies in the un...

An original fine art print by Alex Katz from the Kent Spirit of Independence Poster Portfolio, published in 1975 by Lorillard. The offset prints from this portfolio are unsigned. Th...

Etching and pochoir in white ink on black paper. Hand signed lower right by Man Ray. Hand numbered 89/100 lower left. Anselmino 87; Slusher 244. Artwork size: 25.25 x 19.75 inche...

Artist: Salvador Dali Title: Mark (Merlin the Magician) Portfolio: 1972 The Twelve Apostles (Knights of the Round Table) Medium: Lithograph Year: 1972 Edition: 38/350 Frame Size: 29 ...

MORNING is an original limited edition lithograph printed using traditional hand lithography methods on archival Somerset printmaking paper, 100% acid free. MORNING by the African Am...

OUT CHORUS(RHYTHM SECTION) is a limited edition color lithograph printed using traditional hand lithography methods on archival Arches printmaking paper, 100% acid free, in an editio...

James Kearns, American (1924 - ) - Acrobat, Year: circa 1975, Medium: Etching on Rives, signed, titled and numbered, Edition: 44/50, Image Size: 14.5 x 8.75 inches, Size: 22 x 15 i...

Andy Warhol Mick Jagger, Leo Castelli gallery 1975: A stunning set of ten announcement cards published by Castelli Graphics in 1975 to advertise the...

Artist: Enrico Baj, Italian (1924 - 2003) Title: Caius Flavius Valerius Claudius Constantinus Year: 1972 Medium: Aquatint Etching with Collage, Signed and numbered in pencil Edition:...

Hockney, David. JOE MCDONALD. Scottish Arts Council 175. Gemini DH76-767. Lithograph in two blacks, 1976. Done in crayon on both a stone and an aluminum ...

MECKLENBURG AUTUMN is an original limited edition color lithograph printed using traditional hand lithography methods on archival Arches printmaking...

Lithograph realized by Mario Bardi in 1979. Edition of 99. Hand signed and dated in pencil. Excellent condition.

Artist: Norman Rockwell, American (1894 - 1978) Title: The Four Seasons: SPRING, SUMMER, AUTUMN, WINTER Medium: Lithograph on Arches paper, 100% acid free Paper Size: 20.5 x 19.25 in...

WALKING IN COLORS is an original limited edition lithograph by the Dutch artist Karel Appel printed using hand lithography techniques on archival printmaking paper, 100% acid free. W...

Erte Beauty and the Beast Serigraph in colors on wove paper 24 5/8 x 21 1/2 in. 1977 From the limited edition of 300 Signed and numbered in pencil Circle Fine Art Corporation, Chicag...

Poster. Measures 23.75 x 18.75 inches and is Unframed. Good Condition. Original painting created in 1895. An Abrams Color Print, printed in Lucerne, Switzerland by Mengis & Sticher

Marc Chagall Hommage à Elsa Triolet, 1972 Lithograph in colors on Arches paper Hand signed and numbered 7/20 from the very rare edition of 20 Mourlot 642 Paper: 25.5 x 19.5 Framed: ...

Bengt Lindström - Original Handsigned Engraving The Seven Deadly Sins. 76 x 56 cm Signed in pencil by Bengt Lindström Paris, ABCD, 1976. Original etching in color Limited edition 90 ex. This is the unique copy offered to Claude Manesse, The story of B. Lindström was collected by Frederick Towarnicki, assisted by Agathe Malet-Buisson. The engravings were drawn on the presses of Claude Manesse. Bengt Lindström (1925-2008) Bengt Lindström was born on September 3rd, 1925 in Storsjökapell, a small isolated village in the Swedish province of Norrland. The young child thus grew up in that vast, mythical and harsh expanse of mounts, glistening lakes and endless forests known as Lapland. His father was a primary school teacher who was fond of Lapps and who showed great interest in their ethnic group and culture. The child was only three days old when Lapp King Kroik, his godfather, administered the Baptism of the Earth, where the child is conveyed between two roots of a tree to grant him protection from the Gods. Lapps as well as local lumberjacks would occasionally abandon their silent ways to tell him and reveal the tales, legends and mysteries of the Great White North. 1935-1945 : He left Storsjökapell and headed to Härnösand, where he wrote short science-fiction novellas, became a renowned athlete and began to paint. 1944-1946 : Isaac Grünewald Art School in Stockholm, Sweden. Study drawing with Aksel Jörgensen at the Copenhagen Fine Arts School in Denmark. He realized his first two lithographs, Meditation and Le Modèle Etendu (The Stretched Model). 1947-1952 : He arrived in Paris. He travelled to Italy, where he visited Florence and Assisi, developing a deep fascination for Giotto and Cimabue. He was granted a scholarship by Swedish magazine Aftontidningen, which helped him move into a workshop in Arcueil, France. He began working on mosaics. 1953-1967 : He returned to Paris, once again taking up lithography and engraving, which holds a vital position in his work. He moved into a workshop in Rueil-Malmaison. This was the start of his collaboration with the Rive Gauche Gallery in Paris. London Tooth & Sons Gallery Director M. Cochrane purchased a large number of his works. He left the workshop in Rueil-Malmaison to settle in Savigny-sur-Orge, France. He began taking to figurative art with Masks, Gods and Monsters. He exhibited with the Nouvelle Figuration Group at the Mathias Feld Gallery. He also began working with the Ariel Gallery in Paris. 1968-1978 : Lindström completed a series of 10 lithographs about Scandinavian mythology. He also completed a series of drypoint works. An association with the Protée Gallery in Toulouse, France, led to exhibitions at the Protée Gallery II in Paris starting in 1984. He executed a large mural painting the Grand Hotel in Härnösand, Sweden. He also made two large frescoes for the Nacksta-Sundsvall covered market in Sweden. He took to sharing his working time between the workshop in Savigny-sur-Orge and the one in Sundsvall. He began collaboration that was to last several years with the ABCD Gallery in Paris, which provided exclusive publication for his engravings and strong ink work. Les Hommes du Nord (Men of the North) was the first of the major tapestries. He published a boxed set album, Eddan, Eddan, Eddan, illustrating Scandinavian mythology. Together with Jacques Putman, he completed two editions of bronze sculptures, Les Enfants Sauvages (The Wild Children). 1979-1982 : He worked on glass, making thirty dishes and goblets for renowned Swedish glassmaker Kosta Boda. He painted a car for Volvo, Sweden’s leading car manufacturer. Then, close to his birthplace, he painted gigantic tarpaulins over forty metres high, covering the slopes of the neighbouring Våladalen Mountain, as a protest against the building of a dam. This action caused a sensation and provoked fierce reactions. He also created small painted papier mâché sculptures, Têtes (Heads), as well as some gold and silver jewellery. 1983 : He exhibited seven monumental 3x2.5m works at the Art and History Museum in Stockholm: Les Grands Dieux Ase (The Great Aesir Gods), depicting the gods from Scandinavian mythology: Thor, Odin, Frej, Balder, Ymer, Loki and Unknown God, as well as acrylic paintings about the Valkyries. Les Grands Dieux was ultimately exhibited in a purpose-built chapel adjoining the Midlanda Contemporary Arts Centre in 1996. He completed Thor’s Hammer, a monumental sculpture. 1985-1990 : He lived also in the Alicante region, where Spanish friends found him a new workshop. While there he completed Novelda, an album of lithographs featuring poems by Spanish poet Paco Pastor. He completed a new mural, 5mx5m, for the Västeras Science Institute in Sweden. He then started working with the San Carlo Gallery in Milan, Italy, which coordinated all of the Italian events. Major exhibitions and retrospectives were held in Italy, Belgium, Luxembourg, Germany and Spain. He created two boxed set albums, containing series of 10 aquatints, Monde Autre et Chamanes (Otherworld and Shamans), featuring poems by Michel Perrin. 1991-1994 : He went back to working in black and white, completing some very-large-format works. In Murano, in association with the San Carlo Gallery, he created Grands Verres (Large Glasses), a series of large vases and sculptures made of crystal. He painted Kåtan Mimi, an 8x9m Lapp tent, for the town of Arjeplog in Swedish Lapland. He completed a couple of 2m-high painted polyester sculptures, Lui et Elle (Him and Her). He then made a new series of crystal glasses and sculptures in Murano, Italy. He completed Présence (Presence), a new 3.5x2.7m tapestry for the municipality of Timrå, Sweden. He started on the Grands Initiés (Great Insiders) series, all large format and mixed black and white techniques. He finished the strong series about Norse gods. 1995-1996 : He moved into a new workshop in Paris. A retrospective was held at the Sundsvall Museum in Sweden, and on that occasion he painted a monumental 700-m² canvass, Le Géant sur la montagne (The Giant on the Mountain), which was hung all summer long on the mountain slope facing the town. He went on to complete a suite of six silkscreen prints on the same theme. Then he inaugurated the Y, a monumental sculpture. Lindström then completed Temps Zéro (Zero Time), a watch made for Swatch. One of his works, L’hiver (Winter), made the cover of the first 1996 issue of Telerama, the leading French weekly. In association with Sydkraft Sweden, he painted a fresco for the municipality of Örebro on a 17m-high tank with a surface area of 3,000 m², located at the crossroads of major Swedish motorways, by the entrance to the Åbyverket industrial estate. He also created a 6.5m-high Tången sculpture made of painted concrete in Ånge, which was inaugurated on September 3rd in the presence of their Majesties the King and Queen of Sweden. 1997-1999 : He began working on ceramics in Albisolla, Italy. He also completed a new 30m-high fresco for the town of Örebro, located close to the tank he had painted in 1996 near Åbyverket. The year saw the inauguration of the Midlanda Contemporary Arts Centre in Sweden, which harbours the collection of the Bengt and Michèle Lindström Foundation, featuring the entire engravings collection (about 800 works), as well as a selection of paintings and sculptures. He completed a 4x10m mural in the lobby of the University of Eskilstuna, Sweden, and also completed two monumental frescoes on the Akkats dam and a mural on the power station facing Jokkmokk in Swedish Lapland. 2000-2003 : He painted all of the sides of a semi-articulated lorry for Scania, Sweden’s main truck manufacturer. In Italy, he completed a new series of crystal sculptures with Adriano Bérengo. He finished the Great Prophets, a series of 2x2m oil on canvass works. Swiss publisher Ides et Calendes published a small but luxurious monograph, with text by Françoise Monnin. A notebook was also published, Le Visage dans l’Art de Bengt Lindström (Faces in the Art of Bengt Lindström). He completed a substantial series of large blue acrylic paintings, Femmes (Women). 2003 : Bengt fell ill and was unable to paint, but the exhibitions went on. 2004 : Saw the release of the film by Dag Jonzon and Hans Östbom, produced by Dell’arte AB and Östbom Filmbild, about the life of Bengt Lindström. Entitled Lindström - Le Diable de la couleur et de la forme (Lindström – The Colour and Form Devil), the film was produced thanks to support from Film Västernorrland, Länsstyrelsen Västernorrland and Sveriges Television. It was broadcast on Swedish television channels. That same year, the Midlanda Contemporary Arts Centre was closed as a result of municipal policy. 2005-2007 : The 6m-high sculpture Le Loup (The Wolf), made for PEAB, was inaugurated in Botkyrka-Stockholm. Lindström – The Colour and Form Devil was screened at the Paris Swedish Cultural Centre and released on DVD. The Michèle and Bengt Lindström Foundation was donated and transferred to the Länsmuseet i Västernorrland in Härnösand, Sweden, where a special room was prepared to host Les Grands Dieux Ase. Edition of the 1998 Ceramics, created in association with Francis Dellile’s ”La Tuilerie” workshop. The Bengt Lindström Collection was inaugurated at, Murberget, the Länsmuseet i Västernorrland in Härnösand, Sweden. He illustrated Sinfonietta för Juliana, a collection of poems by Italian poet and art critic Sebastiano Grasso. On January 29th, 2008, Bengt Lindström passed away at his home in Sweden. 2008-2012 : The Fondation Krimaro presents the first volume of the works of Bengt Lindström in his collection. Numerous exhibitions-tribute to the work are presented in major cities in Europe. 2012 : Retrospective - Black and White in the engravings - Museum of Härnösand, Murberget, Sweden. Main exhibitions 1952 Fair Réalités Nouvelles – New realities, Paris, France. 1953 Craven Gallery, Paris, France. 1954 Gummeson Gallery, Stockholm, Sweden. Fair Salon d’Octobre, Paris, France. 1958 Breteau Gallery, Paris, France. 1959 Autour du Spontanéisme – Around the sontaneity, Stockholm, Sweden. L’Europe Nouvelle – The new Europe, LaUnited Statesnne, Switzerland. 1960 Rive Gauche Gallery, Paris, France. 1961 Tooth Gallery, London, England. Le Zodiaque Gallery, Brussels, Belgium. Fair Salon de Mai, Paris, France. 1962 Nouvelle Figuration – New Figuration , Mathias Fels Gallery, Paris, France, 1964 Nord-Sud – North-South, in several cities in Sweden. Ariel Gallery, Paris, France, 15 artists of my generation. Museum of Fine Arts in Gent, Belgium, Figuration-Défiguration – Figuration – Disfigurement. 1965 Rive Gauche Gallery. Paris, France. Nord Gallery, Lille, France. Birch Gallery, Copenhagen, Denmark. 1966 Museum of Modern Art, Gothenburg, Sweden. 1967 Veranneman Gallery, Brussels, Belgium. Carnegie Institute, Pittsburgh, United States. Seibu Gallery, Tokyo, Japan, 23 peintres in Paris. 1968 Ariel Gallery, Paris, France, followed by six exhibitions until 1976. 1969 La Pochade Gallery, Paris, France. Protée Gallery, Toulouse, France, who exhibited him in Paris, Gallery Protée II, from 1984. 1973 Galliera Museum, Paris, France. 1974 Gallery 111, Lisbon, Portugal. 1982 Gallery Protée-Arco, Madrid, Spain and Fair Foire de Cologne, Germany. 1983 Historia Museum, Stockholm, Sweden, The Ase gods and the Valkyries. 1984 Gallery Arcano XXI, Lisbon, Portugal. Gallery Christian Cheneau, Paris, France. Museum Château comtal, Carcassonne, France. 1985 Gallery Italia, Alicante, Spain. 1986 Gallery Sala Gaspar, Barcelona, Spain. Gallery Juan Mordo-Arco, Madrid, Spain. Gallery Italia, Alicante, Spain. Museum of Salamanca, Salamanca, Spain. Gallery Three Continents, New-York, United States. Gallery Protée, Toulouse France, Autour du Roi Lear – Around King Lear. 1987 Gallery Kostel, Paris, France. Gallery Zwirner, Cologne, Germany. Gallery Leu, Rottach-Egern, Germany. 1988 Maison du Lot, Figeac, France. Gallery Protée, Paris, France. Gallery Michèle Sadoun, Paris, France 1989 Gallery Michèle Sadoun, Paris, France, La terre des ancêtres - The Land pf the ancestors. Gallery Protée, Paris, France, Nomads. Gallery Raab, London, England. 1990 Gallery Michèle Sadoun, Paris, France. Centre Culturel de Brest, France. 1991 Gallery Michèle Sadoun, Paris, France. 1992 Archotèque, Saint-Denis, La Réunion, France. Museum of Vesoul, Vesoul, France. Gallery San Carlo, Milan, Italy. 1993 Gallery 111, Lisbon, Portugal. Tonnellerie du Cognac Monnet...

Medium: original lithograph. Printed in 1972 on Rives wove paper at the atelier of Jacques Desjobert and published by Philippe Lebaud in a limited edition of 190 for the "Variations ...

Etching and aquatint in colours on Arches paper Signed by the artist in pencil, lower right on recto 68 x 52 cm, 71.8 x 56.8 cm (framed) Edition 98 of 100 Michel Leiris (1901-1990) ...

Self Portrait is an etching by Mexican artist Jose Luis Cuevas (1934 - 2017), dated 1978, artist's proof (EA), signed, numbered, titled and dated in pencil. The small-format print pr...

Screen print on Beckett High white paper. From the Mao Portfolio. Hand signed by Andy Warhol and stamp numbered with the Andy Warhol Copyright and Styria Studio ink stamp on the rev...

THE LANTERN is an original, handmade limited edition lithograph printed in 13 colors from hand drawn lithography plates using traditional hand lithography methods on archival Somerse...

Andy Warhol (after), Double Self-Portrait — Louisiana Museum, 1978 Original Danish exhibition poster; linen-backed; Very Fine (Grade A) Striking vintage exhibition poster created b...

Andy Warhol Portrait of Roy Lichtenstein, 1975 Polaroid dye-diffusion print Authenticated by the Andy Warhol Foundation for the Visual Arts, bears the Foundation stamp verso Frame in...

This print is an unsigned proof outside of the edition. A COA will be included.

Red Grooms Mr. Chuck Berry, 1978 Original silkscreen in colors with 3D construction and die-cut collage on paper Signed and numbered 9/25 AP in graphite pencil on the front Pencil si...

Artist: John Kacere, American (1920 - 1999) Title: Reina Year: 1979 Medium: Lithograph, signed and numbered in pencil Edition: 300, 40 AP Image Size: 15 x 25.5 inches Size: 22 in. x ...

Hollywood Stars 20th Century Litho - K. Hepburn, J. Wayne, S. Davis. J. Garland Al Hirschfeld (1903-2003) "Hollywood" Hand-signed Limited Edition Etching, 79/175 Plate Size: 18 3/4...

Medium: lithograph (after the drawing). This Picasso lithograph from the "Le Gout du Bonheur" portfolio (the French title translates to "The Taste of Happiness") was printed in Munic...

Erte (Romain de Tirtoff) Russian/French 1892-1990. Pencil Signed lower right, numbered 176/300. A lovely woman with an impish smile and a flashing green scarf in a sideways pose. P...

Iconic 1975 "Tommy" Original One-Sheet Movie Poster – Linen Backed. The Ultimate Visual Anthem for the Ultimate Rock Opera Own a piece of music and cinematic history with this stunn...

Lithograph realized by Mario Bardi in 1979. Edition of 99. Hand signed and dated in pencil. Excellent condition.

Medium: lithograph (after Matisse). Printed in sanguine ink on cream laid paper from the Papeteries Casteljoux and published in Geneva by Edito-Service in 1970. This reproduces one o...

COMÉDIE ITALIENNE is an original stone lithograph by the American artist Henry D. Regis. COMÉDIE ITALIENNE was hand printed from a hand drawn lithography stone in black ink on archi...

Bold and colorful portrait by renowned artist T.C. Cannon of a Native American woman in a stripped shawl titled "Hopi Maiden." Signed along bottom edge. Edition 44/200. Dimensions...

Medium: original lithograph. Printed in 1972 on Rives wove paper at the atelier Clot, Bramsen et Georges and published by Philippe Lebaud in a limited edition of 190 for the "Variati...

Fernando Botero To Amnesty International, 1976 Lithograph Ed. 12 of 100 31 x 24 in Signed, numbered, and dated by the artist.

Lithograph in colors on Arches paper. Hand signed lower right by Marc Chagall. Hand numbered 53/75 lower left. Paper size: 40.06 x 28.12 inches. Image size: 35.12 x 25.12 inches....

TENOR SERMON is a limited edition color lithograph by the renowned African American artist Romare Bearden(September 2, 1911 – March 12, 1988), printed on archival printmaking paper, ...

Hand signed by Andy Warhol & Mick Jagger, numbered in pencil. Number AP 19/50 (aside from the main edition of 250). Screenprint on Arches Aquarelle (Rough) Paper. Printed by ...

Lithograph on paper. Hand-signed and numbered by the artist.
 Paper size: 43 x 52 cm Framed 48.3 x 57.4 cm Edition of 75 Henry Moore’s prints are a vital aspect of his artistic lega...

Peter Max, German/American (1937 - ) - Untitled 3 - Marching Head, Year: 1972, Medium: Screenprint, signed in pencil, Size: 21.5 x 15 in. (54.61 x 38.1 cm)

Erte Fall Serigraph in colors on wove paper 30 x 23 3/4 in. 1979 Artist Proof edition of 60 aside of the limited edition of 300 Signed and numbered in pencil

Medium: lithograph (after Matisse). Printed in sanguine ink on cream laid paper from the Papeteries Casteljoux and published in Geneva by Edito-Service in 1970. This reproduces one o...