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Chemedu Jemali
My Special Bird Stone Sculpture, Tribal Style, Shona, 2000-2009, 58.5"

2004

$35,960
£27,065.66
€31,665.15
CA$50,857.47
A$51,655.65
CHF 29,767.66
MX$623,665.50
NOK 345,779.62
SEK 348,664.63
DKK 236,707.38

About the Item

Carved serpentine sculpture from the Shona tribe of Zimbabwe
  • Creator:
    Chemedu Jemali (1971, Shona, Zimbabwean)
  • Creation Year:
    2004
  • Dimensions:
    Height: 58.5 in (148.59 cm)Width: 22 in (55.88 cm)Depth: 15 in (38.1 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
  • Gallery Location:
    Milwaukee, WI
  • Reference Number:
    Seller: G11437g1stDibs: LU605316807362

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'Bird' is an original opal serpentine sculpture by the Zimbabwean artist Samuel Tichafa Masakwa. Trained in the Shona stone carving tradition, the artists here presents an elegantly abstracted water fowl: above the egg-shaped form of the body, the bird's long neck curls outward forming a loop. Such abstracted forms recall traditional African sculpture as well as the work of modern masters like Constantin Brancusi who looked to non-Western sources for inspiration. opal serpentine stone 31.5 x 12 x 11 inches not signed 140 lbs Overall good condition; some scratching Samuel Tichafa Masakwa was born in 1971 on the 15th of September, the first born of nine siblings. He was educated at Zengeza No. Five Primary School and later, Zengeza Four High School. Out of keen interest, he started sculpting at a tender age of fourteen. His cousins were accomplished sculptors, Nicholas Mukomberanwa and Albert Nathan Mambura whose brotherly love nurtured the interest in him to greater heights. During Samuel's school holidays, Albert Mamvura shaped his pending career as an artist by engaging him as his assistant. In 1991 he completed his 'O' levels and began sculpting full-time at Albert's workshop. As an apprentice he learned how to carve Shona abstracts, figures and heads. While he was working with Nicholas Mukomberanwa he had the chance to learn how to clean hidden angles on hard stones like springstone, cobalt, serpentine and the original green opal. In 1996 his cousins advised him to be independent in order to explore the new avenues he was bringing into the field. He discovered he did not have his own trade mark so he went to yet another accomplished artist, Joe Mutasa...

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