Jaynie Crimmins

Nevertheless, She Persisted

2018

Shredded and rolled non-profit and political solicitations, health care statements and spray varnish on cradled board. Jaynie Crimmins fabricates objects ...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

Artist Commentary: During the COVID-19 pandemic I decided to collect boxes from around my neighborhood and repurpose the cardboard material. By utilizing materials that would otherwi...

KX2 is a collaboration combining the strengths of artists and sisters Ruth Avra and Dana Kleinman who create mathematically inspired sculpture merging metal and painting. From a dist...

This ready to hang piece is constructed out of paper that was torn from book pages and sculpted into colorful flowers. Lisa Meek’s sculptures, collectively titled Biblio Botany, pos...

Sherry Owens Almost a Symphony, 2019 Bronze, patina, brass nails, paint 16 5/8 x 12 1/4 x 11 3/4 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...