Shiyuan Xu

Shiyuan Xu

2017

Black sandstone is the foundation of Sophie Bocher's work. Using a knife, she creates space between each curve, in constant search of harmony. She is also in constant investigation o...

Black sandstone is the foundation of Sophie Bocher's work. Using a knife, she creates space between each curve, in constant search of harmony. She is also in constant investigation o...

Signed on Base. *This is "one of the finest and most unique from this series" - Toots Zynsky When I hear music, it translates into color. —Toots Zynsky Toots Zynsky’s distinctive heat-formed filet de verre (glass thread) vessels enjoy a widespread popularity and deserved acclaim for their often extraordinary and always unique explorations in color. Defying categorization, her pieces inhabit a region all their own, interweaving the traditions of painting, sculpture, and the decorative arts. Mary Ann Toots Zynsky was born in 1951 and raised in Massachusetts. Known professionally and to her friends as Toots Zynsky, she received her bachelor of fine arts in 1973 at the Rhode Island School of Design (RISD) in Providence. There, she was one of a group of pioneering artists studying with Dale Chihuly, who made studio glass a worldwide phenomenon. “Glassmaking was wide open,” Zynsky remembers. “Hot glass slipped through the air, pulled and stretched. There was music and the furnaces were roaring. . . and everyone was working in concert. . . It was this material that hadn’t been widely explored as an artist’s medium. Everything was possible, and there was so much to be discovered. There were no rules. You could do anything you wanted.” In Chihuly’s words, her class was a group with extraordinary energy, amounting to “the most creative, highly charged institutional experience I’d ever been a part of.” Among Zynsky’s classmates at RISD were other artists who went on to build successful careers, such as James Carpenter, Bruce Chao, Dan Dailey, and Therman Statom...

Work N° 4 by Kevin Cheng-Feng YU 1) Untitled 2) Cellular concrete, blue tape 3) Year of creation : 2020 4) 10X9,7X18,2cm 5) signed on the scotch tape 6) Unique copy 7) 1100 euros ...

1) Untitled 2) Wooden cardboard, acrylic. 3) Year of creation : 2016-2017 4) 106,5X48X0,5cm and 36X16X1cm 5) signed on the back 6) Unique copy 7) 3600 euros

"Lacuna" by Michael Thacker British, 21st Century Statuary Marble Sculpture size (HxWxD): 15.25 x 8 x 5 inches Monogrammed and dated 29 2 23

All white organic freestanding ceramic sculpture - 19 x 17 x 5 inches - from Pop Art pioneer, Jane B. Grimm, whose artistic career exploded onto the 1960's art and fashion scene in N...

"Span" by Michael Thacker British, 21st Century Anstrude Limestone with Gold Leaf Sculpture size (HxWxD): 13.5 x 35.5 x 5.25 inches

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...