"At Eagle's Glance" by Denny Haskew
Bronze on Granite and Wood turntable style base
Figurative Native American subject matter
24x18x18" ed/26, available for the first time is the Artist's Proof of this sold out edition.
Depicts two men performing a ceremonial Eagle Dance.
The Eagle Dance is performed when tribes seek help of a higher power or are in need of divine intervention. The tribes perform the dance in the hope of curing illness, asking for rain, winning a battle, and much more. Many tribes still perform this dance to keep the history alive.
This dance is meant to represent and replicate the movements of an eagle when it is flying or hunting. It is meant to represent an eagle’s life from birth to death. The dance consists of various songs and dances that are performed one after the other. Two dancers, wearing garments that replicate the coloring and appearance of an eagle with large and extravagant feathers, perform the movements of the eagle in the center of the circle and other dancers provide singing and drumming.
ABOUT THE ARTIST: Denny Haskew currently resides in Loveland, Colorado where he is actively engaged in the art industry as a sculptor. He received his degree from the University of Utah, then served two years in the United States Army during the Vietnam War. Having spent numerous years as a guide and ski instructor, Denny has learned to love the rivers and mountains of the western states of Arizona, Colorado, Idaho, Oregon, and Utah. After moving to Loveland, a hub of successful working sculptors, he wasted no time in getting monumental sculpture experience through working with renowned sculptors including Fritz White and Kent Ullberg N.A. Since 1987, Denny has created and placed dozens of monumental compositions; spanning the full spectrum of the figurative genre.
As a member of the Potawatomi Citizen Nation, it is only natural for his artwork to follow the Native American culture. His art has not been limited to Native American and southwestern subjects, however, as he frequently explores abstract forms placing emphasis on the qualities of the metal and stone used. As a Charter member of the National Sculptors' Guild and being close to other sculptors and the Loveland area
foundries has helped him to master all the foundry processes involved in producing a desirable and lasting monumental bronze sculpture.
Over 50 major public placements include the Smithsonian Institution, DC.; the Gilcrease Museum, OK; Cerritos, CA; Little Rock, AR; the Shakopee Mdewakanton Dakota Sioux collection, MN, and the Barona Band of Mission Indians, CA.
His outlook on life and sculpture largely stems from his Irish/Potawatomi heritage. He states "that the strength of his work ascends from the spirit of the people he portrays - Native Americans, Mayans, friends, children, people of the Great Plains and West. This same spirit connects each of us with the harmony of nature and one's relationship to another." Concern with composition and fascination with the human form lead him to portray bodies in unusual, sometimes nearly contorted positions. Dramatically individualistic facial features combine with carefully composed body positions to reveal souls filled with emotion, scarred and given character by the circumstances of living, but never beaten by life.
Haskew’s artwork conveys his innermost being. It is intensely personal and honest. His themes are recurring: Spirit, Love, Forgiveness, Healing, Relationship, Endurance, the Sacredness of the Human Spirit, and the Strength in each of us, the Power of all that is Natural