Idan Zareski
Le Siffleur 220 - Resin Sculpture, 2022
2022

Name: Le Siffleur 220 - Resin Sculpture, 2022
Brand: Idan Zareski
Rating: 5 (2 reviews)

$76,649.88

£56,815.57

€79,950VAT Included

CA$106,930.42

A$108,477.06

CHF 61,934.64

MX$1,313,487.67

NOK 729,122.02

SEK 726,702.18

DKK 495,771.42

About the Item

Le Siffleur – Black Matte & Gold Leaf Edition By Idan Zareski Resin and Gold Leaf – 220 x 174 x 80 cm (86.6 x 68.5 x 31.5 in) A compelling fusion of contemporary elegance and cultural storytelling, Le Siffleur by Idan Zareski stands as a striking sculptural embodiment of carefree joy and rooted identity. This large-scale piece, crafted in resin with hand-applied gold leaf, belongs to the artist’s internationally celebrated Bigfoot series — a body of work that catapulted Zareski onto the global contemporary art scene. First created in 2014, Le Siffleur captures a unique emotional gesture: a young figure, relaxed yet deeply present, whistling freely into the air. His oversized feet — a signature of the artist — symbolize a powerful connection to the earth, reminding us of the shared ground that unites all humanity, beyond borders and cultures. This edition, with its luxurious matte black finish and radiant golden trousers and hat, balances visual impact with refined detail. The contrast between the textures enhances the sculpture's bold silhouette, while the subtle facial expression and relaxed posture evoke an infectious serenity — a true ode to life’s simple pleasures. Inspired by the time Zareski spent living in Costa Rica, the sculpture is infused with the spirit of Pura Vida, the country’s ethos of living lightly, with joy and gratitude. The figure reflects the artist’s personal encounters with the traditions and natural beauty of rural life, transporting the viewer to a world where time slows down and presence takes precedence. Whether placed in a contemporary home, an outdoor setting, or a private collection, Le Siffleur is more than a sculptural statement — it is a narrative piece that speaks of cultural richness, emotional warmth, and the universal desire to feel connected and free. Signed by the artist and part of a limited series, this work is an exceptional opportunity for collectors seeking impactful, meaningful, and globally relevant contemporary art.

Creator:
Idan Zareski (1968, French, Israeli)
Creation Year:
2022
Dimensions:
Height: 86.62 in (220 cm)Width: 31.5 in (80 cm)Depth: 68.51 in (174 cm)
Medium:
Resin
Movement & Style:
Pop Art
Period:
2010-
Condition:
Gallery Location:
Porto, PT
Reference Number:
1stDibs: LU2214211342542

Shop All Idan Zareski

Idan Zareski

Born in Haifa, Israel in 1968, Idan Zareski has had a non-conventional yet surprising journey. Very young he was immersed in multiple cultures and lived a cosmopolitan life between Africa, Europe, the United States and Latin America. At the age of 38 he decided to stop everything to follow his passion, sculpting. Idan gained rapid international recognition with his Bigfoot Family and the permanent exhibitions of his monumental sculptures worldwide. While encouraging cultural awareness and tolerance around the globe, the Bigfoot Family achieved a recognizable notoriety throughout their universal message of unity. Candid and laid-back, Idan's sculptures demonstrate his innate talent to represent emotions. The artist manages to capture moments in such a way that we feel naturally connected to his touching, and graceful work."I don’t plan or organise, I don’t draw sketches. my experiences and raw emotions serve as my only guide. When I work, I feel in absolute communion with a force greater than myself” By combining his ideas with materials such as Resin or Bronze, Idan creates bodies in movement balanced or frozen in space: sculpture projects that will be finalized in his workshops in either France, Portugal, or Florida. The artist never took any art or anatomy course, he instead follows his instinct and emotions rather than any drawings or sketches: ninety percent of his creations are shaped in less than one hour. The memories of his childhood, mostly spent in Africa, represent his main source of inspiration: the artist recreates that to which he has been a witness while leaving space for improvisation Each one possesses his own characteristic while still keeping a common familiar symbolism: these big feet, which represent our roots, and our attachment to the same planet, the Earth. According to the artist,no matter what our race or color is, where we live or who we are, we are all enslaved to our paradisiac planet, our home”. This idea of unity among the human race is something Idan Zareski wants to express through his work. The artist diverts and transforms the human anatomy in his sculptures: amplification of body parts, relaxing attitude, dramatization, pop and generous colours varying from metallic purple to bright green. These elements contribute to surprising the audience, while portraying a tranquil, peaceful message. A more detailed observation of the sculptures reveals a reflection and critique of our own humanity: these family members all carry an awareness message about cultural differences and origins to bring us the Bigfoot Family Project.

Materials

Steel

Extrapolation 6 Contemporary Sculpture in Paint and Resin, 2010-

By Guillaume Lachapelle

Located in Montreal, Quebec

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous. In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things. Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology. In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...

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