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Maurizio Cattelan
The Wrong Gallery

2006

Price:$1,289.10
$1,500List Price

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Carillon L.O.V.E.

Carillon L.O.V.E.

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L.O.V.E. Sculpture by Cattelan, reproduction of the statue in Piazza Affari

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A 1:28 scale reproduction of the original statue in Piazza Affari in Milan, L.O.V.E. stands for Libertà, Odio, Vendetta, Eternità and is an anti-fascist statement. Maurizio Cattelan...

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L.O.V.E. Sculpture by Maurizio Cattelan, middle finger in Concrete material

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A 1:28 scale reproduction of the original statue in Piazza Affari in Milan, L.O.V.E. stands for Libertà, Odio, Vendetta, Eternità and is an anti-fascist statement. Maurizio Cattelan L.O.V. E. White 2014 Concrete sculpture 40 × 18 × 18 cm (15.7 × 7.1 × 7.1 in) Stamped by artist's estate Edition of 200 In mint condition With original packaging and accompanied by a certificate of authenticity The statue, which bears the title of L.O.V.E., stands for Libertà, Odio, Vendetta, Eternità (Freedom, Hate, Vengeance, Eternity),was created in 2010 to stay in Piazza Affari (business district) in Milan. The artist himself states that the statue is an anti-fascist statement, transforming Italy’s Fascist hand salute from the 1930s by cutting off the fingers and mutilating the hand. The fingers, except the medium one, are not flexed but cut off. Nevertheless the impression is an unambiguous “fuck you” to the world of bankers and CEOs.This edition, 1:28 scale reproductions of the original statue, was released by Seletti in May 2014 and is made of concrete painted white. “My ideas are all the same but look different.„ —Maurizio Cattelan ABOUT THE ARTIST Born in Padua, Italy, in 1960, Cattelan has no formal training and considers himself an “art worker” rather than an artist. He has said that in addition to reading art...

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The Suitor Sculpture, Contemporary Resin and Paint, 2010+, Unframed

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Ardan Özmenoğlu draws from her own experiences as a Turkish woman to explore ideas about history, popular culture, and the formation of a national and cultural identity. Known for he...

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Untitled 25 from the series of INtheVISIBLE, 2013

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Sukan’s photographic work explores the conventions of the modern white cube as both an architectural context and as a content subject in and of itself. By addressing the notions of s...

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"Type A", Contemporary, Figurative, Mixed Media, Ceramic, Sculpture, Stoneware

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