Cameo Glass Vases By Daum

The name was used by the Schneiders for 2 or 3-layered cameo glass vases, bowls, ewers, lamps etc. in a style which combined art deco and art nouveau features.

The name was used by the Schneiders for 2 or 3-layered cameo glass vases, bowls, ewers, lamps etc. in a style which combined art deco and art nouveau features.

The name was used by the Schneiders for 2 or 3-layered cameo glass vases, bowls, ewers, lamps etc. in a style which combined art deco and art nouveau features.

The name was used by the Schneiders for 2 or 3-layered cameo glass vases, bowls, ewers, lamps etc. in a style which combined art deco and art nouveau features.

The name was used by the Schneiders for 2 or 3-layered cameo glass vases, bowls, ewers, lamps etc. in a style which combined art deco and art nouveau features.

The name was used by the Schneiders for 2 or 3-layered cameo glass vases, bowls, ewers, lamps etc. in a style which combined art deco and art nouveau features.

The name was used by the Schneiders for 2 or 3-layered cameo glass vases, bowls, ewers, lamps etc. in a style which combined art deco and art nouveau features.

The name was used by the Schneiders for 2 or 3-layered cameo glass vases, bowls, ewers, lamps etc. in a style which combined art deco and art nouveau features.

Enamored by the famed ancient Roman cameo glass artifact known as the Portland Vase, the intrepid artist began experimenting with cameo glass upon his return to Nancy.

Best known for his thick glass objects etched with floral motifs, Gallé often used experimental techniques that included air bubbles and cameo in his glass work.

In 1921, Schneider started new trade marks for his cameo glass, signing it ‘Le Verre Français’ or ‘Charder’.

In 1921, Schneider started new trade marks for his cameo glass, signing it ‘Le Verre Français’ or ‘Charder’.

At this time, public taste still favoured the Art Nouveau style, and the factory produced mainly ‘cameo’ glass with floral and animal designs, and vases with applied handles and bubb...

After World War I, the company—renamed Verreries Schneider—shifted to art glass, producing cameo and acid-etched pieces in the Art Nouveau and emerging Art Deco styles.

Schneider began his career working with Daum, one of France’s leading glass manufacturers, where he gained technical expertise in engraving and decoration.

Then they engrave, carve. They produce vases, cups, ewers, sculptures. The techniques used are cameo engraving in all its forms, inlaid glass, enamelling, overlays.

At this time, public taste still favoured the Art Nouveau style, and the factory produced mainly ‘cameo’ glass with floral and animal designs, and vases with applied handles and bubb...

Daum was founded in Nancy, France, by Jean Daum in 1878. After his death in 1885, his sons Auguste (1853–1909) and Antonin (1864–1931) took the helm. The brothers began experimenting...

Technique Of Manufacture: Cameo Vase With Frieze Decoration In Etched/cut Relief Technique: Casing Glass & Etched As Well As Cut (built up with different colored layers) Daum Na...

Art Deco acid-etched smoked glass vase by Charles Schneider. Signed "Schneider, France".