Copper Etching Plate

Tributary Copper plate etching printed with black Gamblin ink on 300gsm somerset satin paper 29.5 x 25 cm plate with 3cm torn edge border Signed, named, numbered and embossed Edition...

These are original copper plate etchings presented in limited editions.

"Untitled (Print mo' Money)" 2011 Etching on copper plate From an edition of 100 5.25"H 6.25"W (work) Very good condition

With their warm copper patina, intricate networks of incised line, and undeniable physical presence, the plates are works of art in their own right — simultaneously tool, drawing, an...

These are original copper plate etchings presented in limited editions.

Deep in the forest, amidst the mists of dawn, a red deer stag appears… Guy Allen’s etchings inspired by the fauna of Norfolk have a remarkable level of detail. His etchings captur...

Deep in the forest, amidst the mists of dawn, a red deer stag appears… Guy Allen’s etchings inspired by the fauna of Norfolk have a remarkable level of detail. His etchings captur...

The Master and Fellows of the College own both the original drawing, which the engraving is based upon, and the copper etching plate used to make the prints. Ingamells trained at St...

Three geese flying in formation. Guy Allen’s acid etchings, inspired by the fauna of the English countryside, have a remarkable level of detail. His etchings capture the characte...

These are original copper plate etchings presented in limited editions.

The Art Institute of Chicago and the Guggenheim both note his treatment of animals in his prints as rooted in Hasidic folk tradition, in which animals carried moral and spiritual mea...

Corn-flag Copper coloured, Gladiolus securiger Plate 383 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

With their warm copper patina, intricate networks of incised line, and undeniable physical presence, the plates are works of art in their own right — simultaneously tool, drawing, an...

This is one of 30 copies with roman numerals reserved for the artist and his friends ("Imprimé pour l'artiste et ses amis") from an edition limited to 230 special copies; our copy al...

Employing multiple copper etching plates, these images were printed on fine rag hand made paper, some with embossed borders.

Employing multiple copper etching plates, these images were printed on fine rag hand made paper, some with embossed borders.

Employing multiple copper etching plates, these images were printed on fine rag hand made paper, some with embossed borders.

Employing multiple copper etching plates, these images were printed on fine rag hand made paper, some with embossed borders.

Employing multiple copper etching plates, these images were printed on fine rag hand made paper, some with embossed borders.

A very special COLLECTOR COPY of this work with 36 Edgar Chahine etchings & drypoints and AN ORIGINAL COPPER ETCHING PLATE.

Employing multiple copper etching plates, these images were printed on fine rag hand made paper, some with embossed borders.

Employing multiple copper etching plates, these images were printed on fine rag hand made paper, some with embossed borders.

Employing multiple copper etching plates, these images were printed on fine rag hand made paper, some with embossed borders.

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Jacob Caressing Benjamin, Year: of Original: 1637, Medium: Etching, Image Size: 4.5 x 3.5 inches, Size: 12 x 10 in....

The surface or matrix can vary from a copper etching plate, zinc, or glass to acrylic. The image is then transferred onto a sheet of paper by pressing the two together, usually using...

He drew directly onto the copper plate with an etching needle, creating sharp, incisive marks that required no preliminary drawing or transfer—the plate itself became his sketchbook.

Traditional copper plate etching with aquatint. I have tried to portray the atmosphere of a secret wood, and in a small clearing, seeing a magnificent deer watching me.

Numbered in pencil by the artist on the lower left corner: 53/78 Original, giant Aquatint and Etching on copper plate printed in 3 color on Fabriano Rosaspina paper.

Produced from copper plates using etching, direct bite, and drypoint techniques, the work was published as part of The Print Subscribers Club's first Miguel Conde portfolio in 1999.

In this copper plate etching, Cahan captures the religious ardor and penitent sentiment shared by the figures in the artwork.

O par empyreo dignum: whose sole voluptas, Posse voluptas spernere, posse pati." Original etching from coeval copper plate from the SOLITUDO SIVE VITAE PATRUM EREMICOLARUM For antiq...

Edition of 102 copies (16/102), etching on copper. Signed on plate. This is one artwork collected in the portfolio "Galleria Grafica Contemporanea", published by Associazione Nazio...

From 1925 to 1927 Copley and his family moved to Alassio in Italy for his health, he was unable to source lithographic stones there so instead turned his hand to copper plates. Etchi...

From 1925 to 1927 Copley and his family moved to Alassio in Italy for his health, he was unable to source lithographic stones there so instead turned his hand to copper plates. Etchi...

Sievert created limited-edition etchings from copper plates and a hand-turned press which he then individually hand-colored.

Year: 1974, Medium: Portfolio of 8 Copper Plate Color Etchings with Blind Embossing on Arches, each signed in pencil, Edition: 150, Size: 20 x 13 in. (50.8 x 33.02 cm), Frame Size:...

Year: 1974, Medium: Portfolio of Copper-plate Color Etchings with Blind Embossing on Arches, signed in pencil, Edition: 150, Size: 20 x 13 in. (50.8 x 33.02 cm), Frame Size: Case 2...

The here ice bucket is then represented by a gigantic thimble with etchings. Materials: Copper-plated aluminium.

I have devoted much of my practice over the years to Intaglio printmaking – etchings on copper plates - printed by hand on paper.

Employing multiple copper etching plates, these images were printed on fine rag paper, some with embossed borders.

The Perfect Cow and The Racing Selection diptych by Will Taylor Overall size cm : H63 x W57 The Perfect Cow Original limited edition of 50 – printed by the artist on Somerset 300gs...

This piece consists of one original color wood engraving and one copper plate etching in red on silk framed side by side, created by Salvador Dali between 1960 and 1964.

Self Portrait in a Ski Hat (obliterated by Tulips) fourth state etching on copper plate, 1974 Signed "Jim Dine" lower left (see photo) Annotated A/P lower left Dated 1974 lower right...

These are original copper plate etchings presented in limited editions.

Rimbaud, Cool Impudence on His Part Etching from one copper plate, 1973 Signed and dated along the lower sheet edge (see photos) Edition: 45 plus 8 AP, this one of the 8 A/P Publishe...

These are original copper plate etchings presented in limited editions.

Paper 26 in. x 19.5 in. / 65.5 × 50 cm. Plate 5.5 x 3.5 in. / 14 x 9.2 cm. Etching from one copper plate printed in brown on off-white Hodgkinson Hand Made paper.

Very nice original hand colored copper plate etching (aquatint) by the Hungarian born artist, Marianne L.

Etching, signed bottom right Image size: 2 1/2 x 9 3/4 inches (6.5 x 35 cm) Mounted This is an original print from a copper plate etching by Robert Smith Forrest.

It was not until the sophomore year, he discovered the traditional art of etching in his printmaking class. Immediately, he embraced the complex and difficult technical process of ma...

It was not until the sophomore year, he discovered the traditional art of etching in his printmaking class. Immediately, he embraced the complex and difficult technical process of ma...

It was not until the sophomore year, he discovered the traditional art of etching in his printmaking class. Immediately, he embraced the complex and difficult technical process of ma...

It was not until the sophomore year, he discovered the traditional art of etching in his printmaking class. Immediately, he embraced the complex and difficult technical process of ma...

It was not until the sophomore year, he discovered the traditional art of etching in his printmaking class. Immediately, he embraced the complex and difficult technical process of ma...

It was not until the sophomore year, he discovered the traditional art of etching in his printmaking class. Immediately, he embraced the complex and difficult technical process of ma...

It was not until the sophomore year, he discovered the traditional art of etching in his printmaking class. Immediately, he embraced the complex and difficult technical process of ma...

It was not until the sophomore year, he discovered the traditional art of etching in his printmaking class. Immediately, he embraced the complex and difficult technical process of ma...

Very nice original hand colored copper plate etching (aquatint) by the Hungarian born artist, Marianne L.

Soft-ground etching from three copper plates printed in sepia, with hand colouring in watercolour (a yellow wash background) and green gouache.

Soft-ground etching from one copper plate printed in black. On buff BFK Rives mould-made paper Signed, numbered and dated '79 in red crayon, lower centre Published by Petersburg Pres...