Cyanotype Photograph

An original large-scale cyanotype photograph on transparent silk is re-photographed in the snowy landscape, allowing the translucence of the fabric to obscure and reveal components o...

The photos from the series Let Me Tell You a Story show, each one individually, certain themes through strongly narrative visual units. Each photograph is dedicated to a specific rep...

The photos from the series Let Me Tell You a Story show, each one individually, certain themes through strongly narrative visual units. Each photograph is dedicated to a specific rep...

An original large-scale cyanotype photograph on transparent silk is re-photographed in the snowy New England landscape, allowing the translucence of the fabric to obscure and reveal ...

An original large-scale cyanotype photograph on transparent silk is re-photographed in the Boston cityscape, allowing the translucence of the fabric to obscure and reveal components ...

Marie Craig’s “Entanglement 1” is a pen and ink drawing of a coal-fired power plant drawn on a unique cyanotype photograph of leaves and blossoms which has been toned to fade away ar...

Marie Craig’s “Entanglement 12” is a pen and ink drawing of an oil refinery drawn on a unique cyanotype photograph of leaves and blossoms which has been toned to fade away areas of t...

Marie Craig’s “New York Skyline” is a pen and ink drawing of the skyline of New York City on a unique cyanotype photograph of leaves and blossoms which has been toned to fade away ar...

The photos from the series Let Me Tell You a Story show, each one individually, certain themes through strongly narrative visual units. Each photograph is dedicated to a specific rep...

The photos from the series Let Me Tell You a Story show, each one individually, certain themes through strongly narrative visual units. Each photograph is dedicated to a specific rep...

The photos from the series Let Me Tell You a Story show, each one individually, certain themes through strongly narrative visual units. Each photograph is dedicated to a specific rep...

The photos from the series Let Me Tell You a Story show, each one individually, certain themes through strongly narrative visual units. Each photograph is dedicated to a specific rep...

An original large-scale cyanotype photograph on transparent silk is re-photographed against the sky, allowing the translucence of the fabric to obscure and reveal components of the e...

This is an original, hand-printed original cyanotype photograph on heavy cotton watercolor paper.

Hand-printed original cyanotype photograph on cotton watercolor paper. Limited edition of 10.

The photos from the series Let Me Tell You a Story show, each one individually, certain themes through strongly narrative visual units. Each photograph is dedicated to a specific rep...

Hand-printed original cyanotype photograph on heavy cotton watercolor paper.

Marie Craig's 'Knotweed’ is an original deep blue photograph of leaves and branches of the Japanese Knotweed plant.

Hand-printed original cyanotype photograph on Arches hot press (smooth) cotton watercolor paper with deckled edges.

The photos from the series Let Me Tell You a Story show, each one individually, certain themes through strongly narrative visual units. Each photograph is dedicated to a specific rep...

Hand-printed original cyanotype photograph on heavy cotton watercolor paper.

The photos from the series Let Me Tell You a Story show, each one individually, certain themes through strongly narrative visual units. Each photograph is dedicated to a specific rep...

Artist: John Patrick Dugdale (New York, b. 1960) Title: Bacchus in Repose Medium: Cyanotype Year: 1997 Edition: number 5/10 Measurement: Sight H 14", W 11"; with artist fame H 19.25"...

Artist: John Patrick Dugdale (New York, b. 1960) Title: Margie Medium: Cyanotype Year: 1996 Edition: number 2/10 Measurement: Sight H 9", W 7.5"; with artist fame H 14.5", W 12.5" Pr...

Hand-printed original cyanotype photograph on watercolor paper. One of only 10 this size were printed.

Hand-printed original cyanotype photograph on watercolor paper. One of only 10 this size were printed.

Marie Craig's "Dilexit 4" is an original deep blue photograph of an old cathedral with superimposed leaves and branches.

Marie Craig's 'Crane 5’ is an original deep blue photograph of an industrial crane superimposed by leaves.

Artist: John Patrick Dugdale (New York, b. 1960) Title: Constantine, Roma Medium: Cyanotype Year: 1997 Edition: number 6/10 Measurement: Sight H 9.25", W 7.5"; with artist fame 17" x...

Marie Craig's 'Buckeye’ is an original deep blue photograph of leaves from the Bottlebrush Buckeye tree.

Artist: John Patrick Dugdale (New York, b. 1960) Title: Ci Hanno Lasciato (They Left Us) Medium: Cyanotype Year: 1997 Edition: number 8/10 Measurement: Sight H 9.8", W 7.8"; with art...

By toning cyanotypes, using chemicals that turn the deep blue images to yellow, Craig's photographs fade and begin to disappear.

Marie Craig's 'Crane 1’ is an original photograph of architectural ruins partially obscured with vines and branches.

This is a one-off mini studio proof. A hand-printed photograph using a 19th century cyanotype process of the woods in Northern California across the bay from San Francisco.

Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant o...

Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant o...

Marie Craig's "Sign City Galore" is an original deep blue photograph of an old buildings obscured by leaves. This piece was created using cyanotype, an early photographic process whi...

Marie Craig's "Newnes Oven 3" is an original deep blue photograph of an old coal oven obscured by leaves. This piece was created using cyanotype, an early photographic process which ...

By toning cyanotypes, using chemicals that turn the deep blue images to yellow, Craig's photographs fade and begin to disappear.

By toning cyanotypes, using chemicals that turn the deep blue images to yellow, Craig's photographs fade and begin to disappear.

Marie Craig's ‘Harbor Bridge 3’ is an original photograph of the underside of the Sydney (Australia) Harbor Bridge, partially obscured with vines and branches.

Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant o...

Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant o...

Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant o...

Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant o...

Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant o...

Marie Craig's "Forest for the Trees 1" is an original dark green photograph of a skyscraper imposed into a silhouette of a leaf.

Marie Craig's "Forest for the Trees 3" is an original dark green photograph of a rustic cabin imposed into a silhouette of a leaf.

Marie Craig's 'Abbey Ruin 7’ is an original deep blue photograph of the architectural ruins of an Abbey partially obscured with vines and branches.

This is a hand-printed photograph using the 170-year-old cyanotype process.

This is a hand-printed photograph using the 170-year-old cyanotype process.

A smaller square cropped version of the larger 24 x 18" photograph by the same name. This is a hand-printed contact photo, which means that the giant negative was the same size as t...

This is a hand-printed contact photograph using the 19th century alternative photographic cyanotype process and very big negatives which are the same size as the final print.

These are the foggy woods in the hills of Oakland, across the bay from San Francisco. This is a photograph printed by hand using the antique cyanotype process from the 1850s.

Larger size hand-printed photograph than the other two listings of the same name. These iconic Monterey pines can be found all up and down the coast of northern California from San F...

Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant o...

Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant o...