Japanese Shoji

Clearly, the maker was a fan of Shoji Hamada's work. Could be a Mashiko Ware pottery vase.

Mashiko is a type of Mingei (folk art) Japanese pottery traditionally made in Mashiko, Tochigi.

The work is very reminiscent of Japanese master potters Shoji Hamada and Toshiko Takaezu (the previous owner lived half of each year in Hawaii where Toshiko lived and collected both ...

Brand: Ingo Maurer Model: Yoruba Rose – Floor Designer: Ingo Maurer & Team Yoruba Rose Floor is born from the union of poetic light and refined engineering, combining the delicate e...

A quite beautiful and expertly crafted Japanese Mashiko Ware Mingei (folk craft/folk art) bamboo decorated pottery plate/low bowl quite similar to the works of master potter Shoji Ha...

A quite beautiful, expertly crafted, sumptuously glazed large Japanese Mashiko Ware Mingei (folk craft/folk art) pottery plate/ charger quite similar to the works of master potter Sh...

In the Balboa chair, this influence manifests in the squared rattan backs that recall Japanese shoji screens, balanced by the flowing arcs of the arms and tactile warmth of natural b...

During the Showa Era, famous Japanese potters such as Shoji Hamada and Tatsuzo Shimaoka had their kilns there.

Rare set of four Japanese Showa period door panels known as Fusuma in Japanese architecture.

Shimaoka, who started as an apprentice to famed Japanese potter Shoji Hamada in 1946 before opening his pottery studio, has exhibited worldwide including in North America, Asia, and ...

Shimaoka, who started as an apprentice to famed Japanese potter Shoji Hamada in 1946 before opening his own studio, has exhibited worldwide including North America, Asia, and Europe.

Shimaoka, who started as an apprentice to famed Japanese potter Shoji Hamada in 1946 before opening his own studio, has exhibited worldwide including in North America, Asia, and Euro...

Shimaoka, who started as an apprentice to famed Japanese potter Shoji Hamada in 1946 before opening his own studio, has exhibited worldwide including in North America, Asia, and Euro...

Shimaoka, who started as an apprentice to famed Japanese potter Shoji Hamada in 1946 before opening his own studio, has exhibited worldwide including in North America, Asia, and Euro...

Shimaoka, who started as an apprentice to famed Japanese potter Shoji Hamada in 1946 before opening his pottery studio, has exhibited worldwide including in North America, Asia, and ...

Shimaoka, who started as an apprentice to famed Japanese potter Shoji Hamada in 1946 before opening his own studio, has exhibited worldwide including North America, Asia, and Europe.

Shimaoka, who started as an apprentice to famed Japanese potter Shoji Hamada in 1946 before opening his own studio, has exhibited worldwide including North America, Asia, and Europe.

Shimaoka, who started as an apprentice to famed Japanese potter Shoji Hamada in 1946 before opening his own studio, has exhibited worldwide including North America, Asia, and Europe.

Janet Leach studied at Black Mountain College in North Carolina under Shoji Hamada (perhaps Japan's greatest potter), a visiting artisan/instructor.

The sliding doors od the the cabinet are reminiscent of minimalist shoji japanese doors, which would compliment designs made by George Nakashima.

The vase is decorated with a poured drip glaze similar to the technique of famed Japanese potter Shoji Hamada. This piece radiates gorgeously in the light.

Ives, England, together with Japanese potter Shōji Hamada. American ceramic artists were introduced to Tenmoku glaze through the University of Minnesota professor and artist Warren M...

Ives, England, together with Japanese potter Shōji Hamada. American ceramic artists were introduced to Tenmoku glaze through the University of Minnesota professor and artist Warren M...

He studied under Warren MacKenzie while pursuing his B.F.A. at the University of Minnesota, and would later credit not only MacKenzie's influence in his work, but also the influence ...

He studied under Warren MacKenzie while pursuing his B.F.A. at the University of Minnesota, and would later credit not only MacKenzie's influence in his work, but also the influence ...

He studied under Warren MacKenzie while pursuing his B.F.A. at the University of Minnesota, and would later credit not only MacKenzie's influence in his work, but also the influence ...

He studied under Warren MacKenzie while pursuing his B.F.A. at the University of Minnesota, and would later credit not only MacKenzie's influence in his work, but also the influence ...

He studied under Warren MacKenzie while pursuing his B.F.A. at the University of Minnesota, and would later credit not only MacKenzie's influence in his work, but also the influence ...

He studied under Warren MacKenzie while pursuing his B.F.A. at the University of Minnesota, and would later credit not only MacKenzie's influence in his work, but also the influence ...

He studied under Warren MacKenzie while pursuing his B.F.A. at the University of Minnesota, and would later credit not only MacKenzie's influence in his work, but also the influence ...

He studied under Warren MacKenzie while pursuing his B.F.A. at the University of Minnesota, and would later credit not only MacKenzie's influence in his work, but also the influence ...

He studied under Warren MacKenzie while pursuing his B.F.A. at the University of Minnesota, and would later credit not only MacKenzie's influence in his work, but also the influence ...

He studied under Warren MacKenzie while pursuing his B.F.A. at the University of Minnesota, and would later credit not only MacKenzie's influence in his work, but also the influence ...

He studied under Warren MacKenzie while pursuing his B.F.A. at the University of Minnesota, and would later credit not only MacKenzie's influence in his work, but also the influence ...

He studied under Warren MacKenzie while pursuing his B.F.A. at the University of Minnesota, and would later credit not only MacKenzie's influence in his work, but also the influence ...

He studied under Warren MacKenzie while pursuing his B.F.A. at the University of Minnesota, and would later credit not only MacKenzie's influence in his work, but also the influence ...

He studied under Warren MacKenzie while pursuing his B.F.A. at the University of Minnesota, and would later credit not only MacKenzie's influence in his work, but also the influence ...

He studied under Warren MacKenzie while pursuing his B.F.A. at the University of Minnesota, and would later credit not only MacKenzie's influence in his work, but also the influence ...

He studied under Warren MacKenzie while pursuing his B.F.A. at the University of Minnesota, and would later credit not only MacKenzie's influence in his work, but also the influence ...

He studied under Warren MacKenzie while pursuing his B.F.A. at the University of Minnesota, and would later credit not only MacKenzie's influence in his work, but also the influence ...

He studied under Warren MacKenzie while pursuing his B.F.A. at the University of Minnesota, and would later credit not only MacKenzie's influence in his work, but also the influence ...

Ives, England, together with Japanese potter Shōji Hamada. American ceramic artists were introduced to Tenmoku glaze through the University of Minnesota professor and artist Warren M...

Ives, England, together with Japanese potter Shōji Hamada. American ceramic artists were introduced to Tenmoku glaze through the University of Minnesota professor and artist Warren M...

Hisao Hanafusa (Japanese b. 1937) "Antiquity" Edition 11/15, Abstract Lithograph signed and numbered in pencil, 21 x 15, Mid-20th Century, 1959 Colors: Red, Black, Gray Early work ...

Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Exp...

Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Exp...

Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Exp...

Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Exp...

Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Exp...

Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Exp...

Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Exp...

Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Exp...

Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Exp...

Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Exp...

Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Exp...