New York Etching

Two of his oil paintings are on loan from the Hudson River Museum and can be seen at Yonkers City Hall. The New York Historical Society has a large assortment of his etchings of New ...

Marin returned permanently to the USA in 1911, settling in New York and devoting his entire career to painting and etching cityscapes, landscapes, and seascapes.

Schutz was commissioned by The New York Times to make etchings of New York and other American cities.

He was Born in 1939 in Pittsburgh, Pennsylvania, but now lives and works in both Madrid and Sitges, Spain Conde is self-taught, with the exception of anatomy studies with Stephen Ro...

Schutz was commissioned by The New York Times to make etchings of New York and other American cities.

Schutz was commissioned by The New York Times to make etchings of New York and other American cities.

He was Born in 1939 in Pittsburgh, Pennsylvania, but now lives and works in both Madrid and Sitges, Spain Conde is self-taught, with the exception of anatomy studies with Stephen Ro...

Schutz was commissioned by The New York Times to make etchings of New York and other American cities.

Schutz was commissioned by The New York Times to make etchings of New York and other American cities.

Schutz was commissioned by The New York Times to make etchings of New York and other American cities.

Schutz was commissioned by The New York Times to make etchings of New York and other American cities.

A demonstration print executed in front of a live audience in New York City in 1933. Etching on cream laid paper, 6 7/8 x 4 7/8 inches (178 x 127 mm); sheet 11 7/8 x 8 3/16 inches (...

Schutz was commissioned by The New York Times to make etchings of New York and other American cities.

New York: 1947. Etching on white wove paper, 7 x 5 inches (752 x125 mm), full margins.

Schutz was commissioned by The New York Times to make etchings of New York and other American cities.

Lower Manhattan and the Seaport as the artist imagined it would have appeared before 1835. New York: 1907. Etching with drypoint on Japon paper, 13 7/8 x 9 3/4 inches (353 x 248 mm...

(New York: John Taylor Arms, 1930) Etching on antique cream laid paper with a fancy "G" watermark, 7 1/8 x 16 1/2 inches (182 x 442 mm), full margins.

An evening view of lower Manhattan rooftops, looking north towards Times Square and kleig lights in the distance. New York: 1974. Etching on white wove paper, 7 1/8 x 11 15/16 inche...

A lower Manhattan landscape as it existed in 1922, with Trinity Church and City Hall visible in the background. New York: c 1922 Etching with aquatint on heavy-weight cream wove pap...

Guardians of the Spire; Amiens Cathedral Number 2 New York: 1937. Etching and drypoint on watermarked F.J.

Louis, Missouri, USA Group Show - The Winter Tree Gallery, New York, N.Y., USA 1979-82 Exclusive representation by Bowles/Hopkins, San Francisco, California, USA 1981 Design Gates...

A bright and silvery impression with warm plate tone by a female icon of the Union Square group. New York: Associated American Artists, 1943. Etching on cream wove paper, 5 7/8 x 3 ...

New York, circa 1940 Etching with aquatint in colors on cream laid paper with a partial watermark and a deckle edge, 11 3/4 x 8 1/4 inches (297 x 208 mm), full margins.

Clemente divides his time between New York, Rome and India. He has exhibited at Blain Southern Gallery, London and Berlin; James Cohan Shanghai, Daniel Templon, Paris; and Mary Boone...

A delicate composition of an industrial Hudson River town, seen from lower Manhattan; a view of what is now Liberty State Park. New York: 1884. Etching with aquatint on cream laid p...

Louis, Missouri, USA Group Show - The Winter Tree Gallery, New York, N.Y., USA 1979-82 Exclusive representation by Bowles/Hopkins, San Francisco, California, USA 1981 Design Gates...

Louis, Missouri, USA Group Show - The Winter Tree Gallery, New York, N.Y., USA 1979-82 Exclusive representation by Bowles/Hopkins, San Francisco, California, USA 1981 Design Gates...

Beginning in the early 1920's he exhibited his marine paintings and watercolors at Grand Central Galleries in New York. He also started making etchings and won first prize at the Chi...

Beginning in the early 1920's he exhibited his marine paintings and watercolors at Grand Central Galleries in New York. He also started making etchings and won first prize at the Chi...

New York: Sidney Lucas & The Paris Etching Society, c1970.

Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933.

Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933.

Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933.

Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933.

Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933.

Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933.

Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933.

Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933.

Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933.

Provenance: A Eastchester, New York estate. Biography/Statement: Frederick Leo Hunter (1858-1943) Known for street scene paintings and etchings of New York City as well as coastal ...

Margulies would later teach at City College of New York. Margulies mastered lithography and etching and became a well-known portrait painter.

New York: Dodd, Mead, 1884. Etching with aquatint on cream laid paper, 7 3/4 x 10 3/4 inches (196 x 272 mm), full margins.

New York: Sylvan Cole, 1929. Etching on white wove Rives paper with an infinity watermark, 5 15/16 x 3 15/16 inches (151 x 100 mm); sheet 15 7/16 x 11 15/16 inches (392 x 303 mm), f...

Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933.

Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933.

Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933.

Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933.

In 1920, he exhibited more than thirty canvases expressing an Art Deco style at the Simonson Gallery in Paris, and then, in 1922, at the Belmaison Gallery in New York. Following this...

Following his service as a fighter pilot in World War I, he married artist Grace Parmelee and continued his career as a commercial illustrator in New York City. In the early 1920s, ...

Known for street scene paintings and etchings of New York City as well as coastal marine views on both sides of the Long Island Sound, Frederick Hunter lived at Ossining, Cold Spring...

His work sought to capture the rituals and traditions of everyday life around him, observed through his travels and living in such diverse places as New Mexico, New York, Israel, and...

Portrait of Picasso Roland Penrose 1957 Museum of Modern Art, New York Picasso in the Collection of the Museum of Modern Art William Rubin 1984 Museum of Modern Art, New York The S...

Her works were exhibited through out the U.S. and Mexico, including the El Paso Museum of Art, Galleria San Miguel de Allende, Mexico and National Society of Painters in Casein, New ...

Frederick Leo Hunter was born in New York City in 1858. He was known for street scene paintings and etchings of New York City as well as coastal marine views on both sides of the Lon...

Frederick Leo Hunter was born in New York City in 1858. He was known for street scene paintings and etchings of New York City as well as coastal marine views on both sides of the Lon...

Beginning in the early 1920's he exhibited his marine paintings and watercolors at Grand Central Galleries in New York. He also started making etchings and won first prize at the Chi...

The artist created numerous miniature-format etchings of New York City landmarks in the 1930s.