Painting 19th Century Sailing Ship

One of the most exciting races between American clipper ships took place between October, 1852 and January, 1853. The vessels involved were the crack clippers FLYING FISH, JOHN GILPI...

The painting is presented and supplied in a 19th century decorative frame.

Executed on imported European paper—a hallmark of superior export works from this period—the painting depicts a two-masted sailing ship, likely a large sampan or river junk, navigati...

Camillo de Vito (Italian, active 1794-1845) Veduta del Molo di Napoli (view from the Naples pier), circa 1820s. A gouache on paper depicting a sailing ship with men battling turbul...

Exceptional Oil on canvas depicting the English vessel commanded by George Hay, 1877, under full sail off the white cliffs of Dover. The work was painted by the British marine artist...

Tea clipper ‘Taeping’ closing on ‘Ariel’ by Henry Scott FRSA, oil on canvas showing the two clippers racing home with their cargoes in the Great Tea Race of 1866, Ariel in the lead s...

United by a radical and shared desire to break with the Romanticism that dominated Dutch painting in the first half of the 19th century, they laid the foundations for Dutch Impressio...

An oil on canvas of William Paget, Marquess of Anglesey’s yacht Pearl by Nicolas Condy, the reverse with a paper trade label for ‘Akermann & Co, prepared millboards, pastels, canvass...

He is also recognised for his paintings of the Thames with its sailing vessels and old buildings.

Oil on canvas, signed lower right and inscribed and signed on the reverse. Dimensions listed include the frame. Brereton was born in Derby in 1954. He received his basic art trainin...

Oil on canvas, signed lower right. Dimensions listed include the frame. Featuring sailboats off the coast on a beautiful day for a sail. Brereton was born in Derby in 1954. He rece...

Period yacht racing is a rare and desirable subject for marine paintings, and a 19th century work from Australia of this prime subject is among the rarest finds we may offer.

Historical Context: Maritime Nostalgia and Clipper Ships These plaques appeal directly to the romance of the great sailing era, which peaked in the mid-19th century

It would work especially well in a study, hallway or living room. Period: 19th century, dated 1900 Material: etching Frame: gilded wooden frame, circa 1900s Colours: black, grey, wh...

This watercolour on paper is framed under glass and signed in the left corner. It shows the East Indiaman sailing downwind under full canvas. The reverse has a paper trade label fr...

He worked in the French seaport of Marseilles during the second and third quarters of the 19th century. His work is characteristic of the Marseilles School, usually featuring the sea...

Oil on canvas, signed lower right and inscribed and signed on the reverse. Brereton was born in Derby in 1954. He received his basic art training at the Derby Joseph Wright Art Schoo...

A delightful rustic scene dating to circa 1800 with the sailor returning to his thankful wife and the domestic idyll of his country cottage. The harbour with sailing ships ferrying c...

A leading American marine painter of the late 19th and early 20th centuries, Chapman often depicted naval and harbor life with both accuracy and lyricism, and this work exemplifies h...

Replica Matthew, 1997 – Built in Bristol to commemorate the 500th anniversary of Cabot’s voyage, the replica ship completed the same transatlantic crossing. This piece depicts the re...

Original pastel, watercolor and graphite mixed media drawing by William Steeple Davis. The artwork depicts several fishing boats moored in the harbor of St. Ives, Cornwall, with the ...

An unusual pencil drawing of “Canton“ a three masted whaling ship by Harold Wyllie. New Bedford was a major whaling centre in the 19th century.

The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are conside...

An early 19th century French transfer printed creamware plate, with polychrome hand painting, showing the mark for the Creil factory.

From his studio there he painted well into the 20th century earning acclaim for his excellent style reminiscent of traditional 19th century marine painting.

Shaped snuffbox in 925/1000 sterling silver gold plated with fired enamel inserted in a fine hand engraving and with round miniature diameter cm. 3.3 hand painted always with fire en...