Picasso Non Vouloir

One of the most prolific and revolutionary artists the world has ever seen, Pablo Picasso had a tremendous impact on the development of 20th-century modern art. Although he is best known for his association with the Cubist movement, which he founded with Georges Braque, Picasso’s influence extends to Surrealism, neoclassicism and Expressionism.

“Every act of creation is, first of all, an act of destruction,” the Spanish artist proclaimed. In Picasso's Cubist paintings, he emphasizes the two-dimensionality of the canvas, breaking with conventions regarding perspective, foreshortening and proportion. Picasso was inspired by Iberian and African tribal art. One of his most famous pre-Cubist works is Les Demoiselles d’Avignon (1907), a painting considered immoral and shocking at the time for its depiction of nude women whose faces resemble Iberian tribal masks.

Picasso made many portraits in this style, most often of the women in his life, their expressively colored faces composed of geometric shards of surface planes. In Woman in a Hat (Olga), 1935, he painted his first wife as an assemblage of abstract forms, leaving the viewer to decipher the subject through the contrasting colors and shapes. Picasso was a tireless artist, creating more than 20,000 paintings, drawings, prints, ceramics and sculptures. Tracing his life’s work reveals the progression of modern art, on which he had an unparalleled influence.

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Inspired by the nontraditional ways Postimpressionists like Paul Cézanne and Georges Seurat depicted the world, Pablo Picasso and Georges Braque pioneered an even more abstract style in which reality was fragmented into flat, geometric forms. Cubism majorly influenced 20th-century Western art as it radically broke with the adherence to composition and linear perspectives that dated back to the Renaissance. Its watershed moments are considered Picasso’s 1907 Les Demoiselles d’Avignon, in which nude figures are fractured into angular shapes, and Georges Braque’s 1908 painting show, which prompted a critic to describe his visual reductions as “cubes.”

Although Cubism was a revolutionary art movement for European culture, it was informed by African masks and other tribal art. Its artists, which included Fernand Léger, Alexander Archipenko, Marcel Duchamp, Juan Gris and Jean Metzinger, experimented with compressing space and playing with the tension between solid and void forms in their work. While their subjects were often conventional, such as still lifes, nudes and landscapes, they were distorted without any illusion of realism.

Cubist art evolved through different distinct phases. In Analytic Cubism, from 1908 to 1912, figures or objects were “analyzed” into pieces that were reassembled in paintings and sculptures, as if presenting the same subject matter from many perspectives at once. The palette was usually monochromatic and muted, giving attention to the overlapping planes. Synthetic Cubism, dating from 1912 to 1914, moved to brighter colors and a further flattening of images. This unmooring from formal ideas of art would shape numerous styles that followed, from Dada to Surrealism.

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Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

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