Rembrandt Plate

. Some have compared the free depiction captured in the plate to Rembrandt's reed-pen drawings. Of this

etching on rib paper 6.44 x 3.81in 164 x 96 mm Signed an dated in the plate lower left

from Paris. He was a writer and collected art. He is known owning and refreshing copper plates by

Biomorphic sculptural table lamp.

Rembrandt van Rijn 1606-1669 Dutch The Blindness of Tobit: The Larger Plate Etching on paper The

1940s Hollywood Regency Rembrandt Lamp Company brushed nickel and black enameled floor lamp, urn

from having them tip over and breaking a shade. The bases a re both signed "Rembrandt", a known maker

-etching needle. Around the time of the creation of this etching plate (ca. 1650), Rembrandt’s financial

Rembrandt van Rijn 1606-1669 Dutch The Virgin and Child with the Cat and the Snake Etching laid

A pair of nickle plated lamps by Rembrandt. Beautiful subject depicting a most elegant parrot

Sketch of Rembrandt's Face I is an engraving on ivory-colored paper realized by Charles Amand

major part of his life to recreating in exact detail the engraved plates of Rembrandt & other old

major part of his life to recreating in exact detail the engraved plates of Rembrandt & other old

A religious etching with tiny margin on paper titled “The Crucifixion: The Small Plate” (B. 80, H

Self-portrait is an engraving on ivory-colored paper realized after an etching by Rembrandt dated

) after an etching by Rembrandt. This wonderful piece of art belongs to a late edition of the 19th century

etching by Rembrandt dated 1658. This wonderful piece of art belongs to an edition of the late 19th

plates of Rembrandt & other old Masters. His work was recognized as innovative and of high quality not

plates of Rembrandt & other old Masters. His work was recognized as innovative and of high quality not

Rembrandt Harmensz, van Rijn Negress reclining Signed within the plate 'Rembrandt' (lower left

Pair of 19th century French antique brass plates plaques Depicting rubens and rembrandt, these

most of his works between 1894 and 1911. Did a survey of the original Rembrandt copper-plates formerly

etchings by Rembrandt and etched 21 plates of his own. From 1910 onwards he travelled widely, visiting

Pablo PICASSO (1881-1973) The 156, Four Women and Rembrandt (plate 42), 1978 Original etching

Millennium edition, printed from the original plate engraved by Rembrandt in 1631. Catalogue raisonnee

posthumous impression from the Millennium edition, printed from the original plate engraved by Rembrandt in

Millennium edition, printed from the original plate engraved by Rembrandt in 1654. Catalogue raisonnee

the original plate engraved by Rembrandt in 1641. Catalogue raisonnee Bartsch plate #136. Please note

impression from the Millennium edition, printed from the original plate engraved by Rembrandt in 1634

Pair of Rembrandt Lamp Company off white enamel and brass lamps with white milk glass shades

"Antique Framed drypoint etching by Rembrandt signed in plate and dated 1639, “A Peasant in a High

Archival Pigment Print on Glass Plate Backed with 24kt Gold Leaf, Framed by the Artist GOLDEN

This midcentury large Delft Rembrandt Van Rijn self portrait plate or platter was painted from the

Rembrandt by René Hoppenbrouwers. New York: Arch Cape Press, 1990. Hardcover with dust jacket. 99

19th century. Signed on the plate and dated. Good conditions. Rembrandt known simply as Rembrandt

, Durand dedicated a major part of his life to recreating in exact detail the engraved plates of Rembrandt

in exact detail the engraved plates of Rembrandt & other old Masters. His work was recognized as

plates of Rembrandt & other old Masters. His work was recognized as innovative and of high quality not

spent the major part of his life exactly duplicating Rembrandt's images onto copper plates. 390mm by

reproduce paintings, Rembrandt treated the copper plate like a drawing pad, pioneering unprecedented levels

in exact detail the engraved plates of Rembrandt & other old Masters. His work was recognized as

Rembrandt" Published by Gary Schwartz, New York, plate B.233. framed in a black and silver decorated frame

posthumous impression from the Millennium edition, printed from the original plate engraved by Rembrandt in

from the original plate engraved by Rembrandt in 1641. Catalogue raisonne: Bartsch #136

Thought to be a slightly posthumous impression, with alterations in the plate not by Rembrandt. Reference

Rembrandt Van Rijn, 1606-1669, plate engraved By French renown engraver Charles Armand Durand, 1831-1905

. All structure and hardware are made of silver plated brass or hand painted in a dark leather texture

printed a new ‘Rembrandt’ plate which was sold to Hudson through a dealer, before later being exposed with

, and in Dunthorne's Rembrandt Gallery in 1905. The plate destroyed after 1909.

at Gray's School of Art and taught himself how to create etchings on zinc plates. He printed the

A Rare Pair of Rembrandt designed Nickel Plated Table Lamps USA 1960s

Elegant brass and brass finished bridge floor lamp by Rembrandt lamp co

Elegant twotone, recently nickel and brass plated lamps by Rembrandt.

Anonymous 15th Century Italian, Probably Milan area The Nativity of Christ Pigments, ink and gold leaf on vellum Unsigned as is always the case with illuminated manuscripts The Virgi...

This piece is an original linoleum cut in color by Pablo Picasso, 1962. It is hand signed and numbered 40/50 from the edition of 50; there were also 35 artist's proofs. This piece is...

This is a rare statement piece that commands that eye. It is of museum quality will be the centerpiece of any space. Masterfully crafted details of the human form are finely rendered...

This previously unpublished painting was first securely attributed to Govert Dircksz Camphuysen in 1944, following an examination at the Nationalmuseum in Stockholm during which the ...

Sir Anthony Van Dyck (1599-1641, Flemish) Study of a Head of Man Circa 1627-32, Van Dyck’s second Antwerp period Oil on paper, laid down on canvas Dimensions 15 x 14 inches (38.1 x 3...

ANCIENT ROMAN MARBLE RELIEF FRAGMENT Rome, 1st Century b.C. marble 23 x 15 x 5 cm without base 9 x 6 x 2 in

Beautiful chandelier by Diego Mardegan for Glustin Luminaires, this other version of the spider chandelier has longer arms on the sides giving the oval shape. The metal arms paint...

Stunning and iconic portrait of Picasso's wife, Jacqueline Roque, signed in pencil by Picasso and numbered in pencil from the limited edition of 50.

This remarkable piece is a one-off desk/wardrobe/bar/bookcase/storage cabinet custom-designed by George Nelson in 1949 to match his Basic Cabinet Series (BCS) for Herman Miller. The ...

Pair of 1950's Italian interlocking jigsaw puzzle form cocktail tables in organic asymmetric mahogany tops raised on three distinctively structured flat bar solid brass legs joined b...

Signed "James Mont Design" 1950's 'Chinese Modern' pagoda-form band rubbed black lacquered cocktail bar cabinet with mirror and red lacquer interior and 'speakeasy' discrete swivel c...

Signed, dated and numbered “Picasso / 3.2.67 / II” (upper right) Crayon on paper Hailed among the fathers of modern art, Pablo Picasso possessed a seemingly endless supply of creati...