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Roberto Matta Etching

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Untitled (from "Così fan tutte" portfolio)
Untitled (from "Così fan tutte" portfolio)

Untitled (from "Così fan tutte" portfolio)

By Roberto Matta

Located in New York, NY

Image: 21 x 17 in. Frame (suede): 31 x 26 in. Signed and numbered in pencil

Category

20th Century Prints and Multiples

Materials

Etching, Aquatint

Untitled (from "Così fan tutte" portfolio)
Untitled (from "Così fan tutte" portfolio)

Untitled (from "Così fan tutte" portfolio)

By Roberto Matta

Located in New York, NY

Image: 21 x 17 in. Frame (suede): 31 x 26 in. Signed and numbered in pencil

Category

20th Century Prints and Multiples

Materials

Etching, Aquatint

Untitled (from "Così fan tutte" portfolio)
Untitled (from "Così fan tutte" portfolio)

Untitled (from "Così fan tutte" portfolio)

By Roberto Matta

Located in New York, NY

Image: 21 x 17 in. Frame (suede): 31 x 26 in. Signed and numbered in pencil

Category

20th Century Prints and Multiples

Materials

Etching, Aquatint

Untitled (from "Così fan tutte" portfolio)
Untitled (from "Così fan tutte" portfolio)

Untitled (from "Così fan tutte" portfolio)

By Roberto Matta

Located in New York, NY

Image: 21 x 17 in. Frame (suede): 31 x 26 in. Signed and numbered in pencil

Category

20th Century Prints and Multiples

Materials

Etching, Aquatint

Personnages III

Personnages III

By Roberto Matta

Located in London, GB

Signed in pencil, numbered from the edition of 95. Printed on Arches wove paper by Atelier Georges Visat, Paris. Published by Editions L'Oeuvre Gravée, Bern. Plate: 55 x 41.6 cm. ...

Category

1960s Surrealist Figurative Prints

Materials

Etching, Aquatint

Figure I

Roberto MattaFigure I, 1968

Price Upon Request

Figure I

By Roberto Matta

Located in London, GB

Signed in pencil, an artist's proof aside from the numbered edition of 95. Printed on Arches wove paper by Atelier Georges Visat, Paris. Published by Editions L'Oeuvre Gravée, Bern...

Category

1960s Surrealist Figurative Prints

Materials

Etching, Aquatint

Judgements: Blitz

Judgements: Blitz

By Roberto Matta

Located in London, GB

Plate 1 from 'Judgements'. Signed in pencil, from the edition of 100. Printed on Arches wove paper by Atelier Georges Visat, Paris. Published by Blue Moon Gallery, New York. Plat...

Category

1960s Surrealist Abstract Prints

Materials

Etching, Aquatint

Aimera bien qui aimera le dernier

Aimera bien qui aimera le dernier

By Roberto Matta

Located in London, GB

Signed in pencil, from the edition of 85. Printed on Lana wove paper and published by Georges Visat, Paris. Plate: 42 x 32.7 cm. (Sabatier 194).

Category

1960s Surrealist Abstract Prints

Materials

Etching, Aquatint

L'Helicoptère

L'Helicoptère

By Roberto Matta

Located in London, GB

Plate 1 from 'Scènes familières'. Signed in pencil, from the edition of 50. Printed on Arches wove paper by Atelier Georges Visat, Paris. Published by Editions Galerie Le Point Ca...

Category

1960s Surrealist Prints and Multiples

Materials

Etching, Aquatint

Viens Voir

Viens Voir

By Roberto Matta

Located in London, GB

Signed in pencil, from the edition of 99. Printed on Arches wove paper by Atelier Georges Visat, Paris. Published by Editions L'Oeuvre Gravée, Bern in 1970. Plate: 41.1 x 54.6 cm....

Category

1960s Surrealist Figurative Prints

Materials

Etching, Aquatint

Castronautes

Castronautes

By Roberto Matta

Located in London, GB

Signed in pencil, from the edition of 100. Printed on Arches wove paper by Atelier Georges Visat, Paris. Published by Editions L'Oeuvre Gravée, Bern. Plate: 23.5 x 31 cm. (Sabati...

Category

1960s Surrealist Figurative Prints

Materials

Etching, Aquatint

FMR: Plate 7

FMR: Plate 7

By Roberto Matta

Located in London, GB

Signed in pencil, from the edition of 85. Printed on Arches wove paper and published by Georges Visat, Paris. Plate: 23.8 x 17.7 cm. (Sabatier 266).

Category

1970s Surrealist Figurative Prints

Materials

Etching, Aquatint

Droites Libérées: Plate 9

Droites Libérées: Plate 9

By Roberto Matta

Located in London, GB

From 'Droites Libérées', a series which illustrated a poem by Henri Michaux. Signed in pencil, numbered in Roman numerals from XXV. From the suite on Japon nacré paper (the total e...

Category

1970s Surrealist Abstract Prints

Materials

Etching, Aquatint

Blue Nudes Etching, Surrealist, Signed, Late 20th Century, Framed
Blue Nudes Etching, Surrealist, Signed, Late 20th Century, Framed

Blue Nudes Etching, Surrealist, Signed, Late 20th Century, Framed

By Bernard Childs 1, Rufino Tamayo, Roberto Matta, Seff Weidl, (after) Paul Klee

Located in Round Top, TX

Beautifully rendered pair of nudes presented in a blonde hardwood frame under glass. This colored etching, signed in pencil to lower right by the artist feels ethereal, with an under...

Category

Late 20th Century American Bohemian Contemporary Art

Materials

Glass, Wood, Paper

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Roberto Matta Etching For Sale on 1stDibs

On 1stDibs, you can find the most appropriate roberto matta etching for your needs in our varied inventory. There are many Surrealist, Abstract and Modern versions of these works for sale. Making the right choice when shopping for a roberto matta etching may mean carefully reviewing examples of this item dating from different eras — you can find an early iteration of this piece from the 20th Century and a newer version made as recently as the 21st Century. When looking for the right roberto matta etching for your space, you can search on 1stDibs by color — popular works were created in bold and neutral palettes with elements of gray, beige, brown and blue. Artworks like these — often created in etching, aquatint and paper — can elevate any room of your home.

How Much is a Roberto Matta Etching?

The average selling price for a roberto matta etching we offer is $2,500, while they’re typically $512 on the low end and $25,000 for the highest priced.

Roberto Matta for sale on 1stDibs

“The function of art,” the Surrealist Roberto Matta once stated, “is to unveil the enormous economic, cultural and emotional forces that materially interact in our lives and that constitute the real space in which we live.” In his paintings, Matta sought to expose those forces through the Surrealist practice of automatism, creating work in a free-associative state intended to conjure the unconscious.

After studying architecture in his native Chile, Matta, then 22, chose to pursue the field in Paris, where he mingled with stars of the avant-garde like Gertrude Stein, Salvador Dalí and Walter Gropius. In the late 1930s, he abandoned Paris, together with his job at Le Corbusier’s studio and (for a time) his career, for modern art’s new epicenter, New York City. There, he became a colleague of art legends like Marcel Duchamp and Arshile Gorky.

Although celebrated primarily for his work as a painter, Matta was an equally talented furniture designer. His furniture pieces, like his artworks, are the stuff of dreams. The back of his totem chair, for example, is composed of smiling, cartoonish creatures stacked on top of each other. In his MAgriTTA armchair, the top half of a plush green apple sticks out of large black bowler in homage to its namesake, the Belgian Surrealist René Magritte.

But perhaps the piece that most truly embodies his artistic philosophy is his 1966 Mallite modular system: a collection of spongy, undulating sofas and lounges that can be fitted together to form a puzzle-like room divider. The work, an original edition of which is in MoMA’s permanent collection, has in recent decades been a hard-to-find collectors’ item — until 2019, when Italian design brand Paradisoterrestre issued a reedition, available through Duplex.

Browse Roberto Matta's paintings and furniture designs on 1stDibs.

Finding the Right Prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.