State Plates

The Portrait is an original xilography print on paper realized by an anonymous artist of the early 20th Century. Monogrammed on the plate The state of preservation of the artwork i...

L'enfant prodigue: en pays etranger (The Prodigal Son: In Foreign Climes) Etching, 1881 Unsigned (as usual for this state) From: L'enfant prodigue, (The Prodigal Son, five plates) Ed...

Titled on the lower right on the plate The state of preservation of the artwork is very good.

Titled on the lower right on the plate The state of preservation of the artwork is very good.

In 1907-1908. another famous jeweler, Christofle, has silver-plated Odiot state-donated bronzes. In 1827, Jean-Baptiste-Claude retired (he died in 1850), handing over the business t...

Titled at the bottom and dated on plate. The state of preservation of the artwork is excellent.

Strand was even more pleased with this version, stating "Delong has made these plates sing." The images are a celebration of the subjects' pride, dignity and endurance.

L'enfant prodigue: en pays etranger (The Prodigal Son: In Foreign Climes) Etching, 1881 Unsigned (as usual for this state) From: L'enfant prodigue, (The Prodigal Son, five plates) Ed...

This is one of the two proofs of the second state. After this state the plate was reduced in a third state (from 183 to 174 mm), and then steel faced for the edition.

The prints are the sixth and final state Posthumous Impression. Printing plates were made in 1650, this collection was printed in 1998.

Two of the pieces have inscriptions indicating the plates used in the print ("State 3 - Black" and "State 3 - Black Cyan Yellow Plates").

A stamp in the lower left corner of the plate The state of preservation is very good.

Mary Cassatt 1844 - 1926 "By the Pond" (Breeskin 161; Matthews & Shapiro 21) Drypoint and aquatint printed in colors, circa 1896, on laid paper, framed Fourth state of four. Plate:...

Image dimensions: 58x41 cm Monogram on plate - final state on 5. Edition of 450 prints, belonging to the suite “Miserere”, considered as the most important religious graphic work of...

Signed and dated on plate. An early state on the 5 issued, with very fresh impression and marked contrasts, Includes passepartout (cm. 53x37).

In detail: Prospectuum Aedium Viarumque Insignorum Ubis Venetiarum is one of the finest of Venetian topographical print suites, equal in relevance to the publications of Carlevarijs,...

L’Angelus (The Bell Tower) etching & drypoint, c. 1876 Signed in the plate with the artist's initials (see photo) Condition: Excellent Image/Plate size: 5 7/8 x 4 1/4 inches Sheet s...

The first state for each plate is extremely rare (Lieure RRRR).

Titled, signed and dated on plate on the lower margin, below the image. The second state of two (the first state is avan lettre).

Pencil markings on the deck fittings and guard rail state ‘Ab-Bass’. The name plate reads ‘Ab-Bass, Designed by G.L.

Reference: Beraldi 65 Wentworth 74, published state Tissot 76 Condition: Excellent Plate/Image size: 14 1/4 x 11 inches Sheet size: 19 1/2 x ...

Banchetto d’Amore is an original etching and aquatint, realized by Alberto Martini in 1917, signed in the plate, 2nd state on 3, edition 25 copies in 1945 .

Victorian walnut stationery cabinet A late 19th century Victorian carved walnut stationery box. The box has a brass plate stating Philip. Son & Nephew. Liverpool" and the lock ...

This impression may be a second state, after burnishing of the plate. Burnishing marks are evident especially in the lower section, the lower left corner, the area surrounding the he...

The Hanged Man is an original etching realized by Félicien Rops in 1868, – 3rd state on 4, plate from “Uylenspiegel”, title "Le pendu, ou la mère grand et le fils Charles".

The warm, uniform patina highlights the authenticity of the piece and its excellent state of preservation. The mirror plate is original and shows light age-related oxidation.

Daumier Register 670, third state (of 3), sur blanc, plate 47 from the series Moeurs Conjugales, published in the album of that title and then in the journal Le Charivari.

Reference: Genestet and Pouillon 45, only state. [Also signed in the plate “G Duchamp”, fully titled, dated “Juin 1900”, and with the name Madeleine added on the box cover (?)