The Disasters Of War

Francisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, and ...

Image size: 78 x 104 cm Paper size: 80 x 110 cm The "Disasters of War" by Francisco Goya is a collection of 83 etchings that depict the horrors lived and seen by the artist during th...

Always recurrent to their source of inspiration on the Spanish master Goya, they managed to but a complete and original set of the 83 etchings that form the “Disasters of War”, the l...

Image size: 14.4 x 19.7 cm Paper size: 18.3 x 24.2 cm Goya's "Disasters of War" is a chronological representation of the horrors lived in Spain in between 1810 and 1815.

The slogan at the bottom—“Les peuples du monde ne veulent pas que les désastres de la guerre se répètent” (“The peoples of the world do not want the disasters of war to be repeated”)...

Francisco Goya's "The Disasters of War" may have put him at odds with a governing orthodoxy.

Since Goya titled one of the etchings from the series The Disasters of War, “I saw it” (Yo lo ví), his claim to have seen it has made a lasting impression on Gisholt.

Since Goya titled one of the etchings from the series The Disasters of War, “I saw it” (Yo lo ví), his claim to have seen it has made a lasting impression on Gisholt.

Since Goya titled one of the etchings from the series The Disasters of War, “I saw it” (Yo lo ví), his claim to have seen it has made a lasting impression on Gisholt.

Since Goya titled one of the etchings from the series The Disasters of War, “I saw it” (Yo lo ví), his claim to have seen it has made a lasting impression on Gisholt.

Since Goya titled one of the etchings from the series The Disasters of War, “I saw it” (Yo lo ví), his claim to have seen it has made a lasting impression on Gisholt.

Since Goya titled one of the etchings from the series The Disasters of War, “I saw it” (Yo lo ví), his claim to have seen it has made a lasting impression on Gisholt.

Since Goya titled one of the etchings from the series The Disasters of War, “I saw it” (Yo lo ví), his claim to have seen it has made a lasting impression on Gisholt.

Since Goya titled one of the etchings from the series The Disasters of War, “I saw it” (Yo lo ví), his claim to have seen it has made a lasting impression on Gisholt.

Since Goya titled one of the etchings from the series The Disasters of War, “I saw it” (Yo lo ví), his claim to have seen it has made a lasting impression on Gisholt.

Since Goya titled one of the etchings from the series The Disasters of War, “I saw it” (Yo lo ví), his claim to have seen it has made a lasting impression on Gisholt.

Since Goya titled one of the etchings from the series The Disasters of War, “I saw it” (Yo lo ví), his claim to have seen it has made a lasting impression on Gisholt.

Since Goya titled one of the etchings from the series The Disasters of War, “I saw it” (Yo lo ví), his claim to have seen it has made a lasting impression on Gisholt.

Since Goya titled one of the etchings from the series The Disasters of War, “I saw it” (Yo lo ví), his claim to have seen it has made a lasting impression on Gisholt.

Since Goya titled one of the etchings from the series The Disasters of War, “I saw it” (Yo lo ví), his claim to have seen it has made a lasting impression on Gisholt.

Since Goya titled one of the etchings from the series The Disasters of War, “I saw it” (Yo lo ví), his claim to have seen it has made a lasting impression on Gisholt.

Since Goya titled one of the etchings from the series The Disasters of War, “I saw it” (Yo lo ví), his claim to have seen it has made a lasting impression on Gisholt.

Since Goya titled one of the etchings from the series The Disasters of War, “I saw it” (Yo lo ví), his claim to have seen it has made a lasting impression on Gisholt.

Since Goya titled one of the etchings from the series The Disasters of War, “I saw it” (Yo lo ví), his claim to have seen it has made a lasting impression on Gisholt.

Since Goya titled one of the etchings from the series The Disasters of War, “I saw it” (Yo lo ví), his claim to have seen it has made a lasting impression on Gisholt.

Since Goya titled one of the etchings from the series The Disasters of War, “I saw it” (Yo lo ví), his claim to have seen it has made a lasting impression on Gisholt.

Since Goya titled one of the etchings from the series The Disasters of War, “I saw it” (Yo lo ví), his claim to have seen it has made a lasting impression on Gisholt.

Since Goya titled one of the etchings from the series The Disasters of War, “I saw it” (Yo lo ví), his claim to have seen it has made a lasting impression on Gisholt.

In 1807, Napoleon led the Grand Army in the Peninsular War against Spain. During the conflict Goya remained in Madrid and, although he never expressed his thoughts in public, it seem...

Since Goya titled one of the etchings from the series The Disasters of War, “I saw it” (Yo lo ví), his claim to have seen it has made a lasting impression on Gisholt.

Since Goya titled one of the etchings from the series The Disasters of War, “I saw it” (Yo lo ví), his claim to have seen it has made a lasting impression on Gisholt.

according to the military chaplain, who blesses the disaster of war that has already happened; the well-fed manufacturers who gamble in the presence of the unemployed for the money t...

according to the military chaplain, who blesses the disaster of war that has already happened; the well-fed manufacturers who gamble in the presence of the unemployed for the money t...

Russell Cowles' Old World is a critically acclaimed and well exhibited painting which also serves as a poignant historical record of World War II. Cowles presents to disasters of th...

Also, what will be its consequences after the end of the war or natural disasters. Will there be a resource left for reflection, awareness and analysis of oneself, a state of calm, r...

Que Locura - Plate 68 from Los Desastres de la Guerra (The Disaster of the War) is an original black and white etching realized by Francisco Goya (1746-1828).

The print is taken from the daguerreotype of that period and shows the ruins caused by the disaster of the war in Rome. The artwork shows some of the most important buildings and mo...

The trauma of the terrible disasters of the two wars and the suffering that took hold of him inspired the artist to produce darker work.

The trauma of the terrible disasters of the two wars and the suffering that took hold of him inspired the artist to produce darker work.

The trauma of the terrible disasters of the two wars and the suffering that took hold of him inspired the artist to produce darker work.