Dessin Fournir Furniture

French sideboard of the 20th century. Furniture pleasantly adorned with geometric inlay on the front and sides in walnut, palisander, maple, beech and fruitwood. Moved and rounded fu...

Fabulous collection of hardwood bankers chairs often found in offices, jury rooms, conference centers etc. Created from oak maple and walnut these chairs are heavy duty quality seating, great for a dining area. 3 chairs available and have some variations to them, 3 are more square in the back. Different makers, some are gunlocke chair co...

Custom Epoxy Resin Dining Table This table is made of 500 years old Walnut Wood. The grains and texture of the wood describe what a natural walnut woods looks like. It can be used ...

The Hug contemporary counter stool with backrest is designed and conceived with a light aesthetic, the slight oscillation of the steel rod of 12 mm is complemented by the flexibility...

The Wanderlust contemporary counter stool belongs to a collection of minimalist and serene pieces where exclusivity and precision are shown in small details such as the hand-turned m...

Counter stool in black smoke polished steel and black saddle leather. The phrases "Less is more" and "God is in the detail" from the German-American architect and industrial designe...

Studio BBPR for Olivetti, 'Spazio' dining tables, coated steel, plastic, vinyl, Italy, design 1959/60, production 1960s In 1954, Olivetti, the Italian office equipment manufacturer...

Gilbert Rohde designed this chest for Herman Miller as part of his 1941 Paldao Line of streamline modernist and modular furniture in exotic veneer. This is model no. 4103, two-door cabinet with distinctively incised large round pulls, interior fitted with two adjustable shelves behind the left door and five pull-out drawers behind the right door, fronts finished in black enamel. The case top and sides are Paldao wood; the doors are in highly figured burl Acacia. The finish is called "Beaver" which is natural color, no stain, satin varnish. The back is numbered "4130." All of Rohde's designs for Herman Miller are marked with a 4-digit number; the first two numbers indicate the year, and the second two numbers indicate the individual piece. Newly refinished and ready to place in your home. The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until Pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D.J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944. Work by the pioneering American industrial and furniture designer, Gilbert Rohde, is notable for its thoroughly modern, informal, and multifunctional qualities. Rohde’s ability to create appealing modernist furnishings for middle-class homes, while also devising merchandising strategies to sell these goods, places him within a unique framework in American design history. Born and raised in New York, Rohde was the son of a cabinetmaker. He attended New York City public schools and his post-high school education included courses at the Art Students League and the Grand Central School of Art. Rohde’s visit to Europe in the spring and summer of 1927 (with later trips in 1931 and 1937) to see the Bauhaus in Dessau and the French modernist design that debuted in the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, profoundly inspired his concept of design and the role it should play in daily life. The French Art Deco and German rationalist styles he saw in Europe influenced the furniture he designed from the late 1920s into the 1940s, pieces he created to suit a rapidly changing American lifestyle. In addition to his work for Herman Miller Inc., Rohde also designed for several other furniture firms, including Thonet, Troy Sunshade, and Heywood-Wakefield. What set Rohde apart from his contemporaries was his all-encompassing understanding of the furniture industry, from design and production to marketing and showroom display.[1] During his time with Herman Miller Inc. (1932-1944), Rohde set the standard for collaborative efforts between designers and furniture firms, with George Nelson and Charles and Ray Eames later...

A 18th Century, antique French armoire, wardrobe made of hand crafted painted Pinewood with two doors, very typical Louis XV, in good condition. Two-door paneling is partially with d...

Antique French 18th C Louis XV Fruitwood Linen Press Armoire.

Timeless and elegant, our signature dining table was designed with connection in mind. The clean natural lines of the Oslo Dining table are a perfect...

This honey-colored pine armoire or linen press is in two sections -- upper and lower cabinet, four doors with recessed panels. The armoire was later made into an entertainment unit / cabinet. Upper cabinet features a swivel TV shelf...