Eduardo Chillida Posters

- rare - marked - original - can be framed and glazed.

German graphic designer Otl Aicher lead the design team of the 1972 Munich Olympic Games, including designing this gorgeous poster featuring the O...

Celebrated British artist David Hockney was one of 29 artists commissioned to produce posters for the 1972 Munich Olympic Games. In the run-up to ...

Original exhibition poster produced for Marc Chagall’s Lithographies originales récentes exhibition at Galerie Maeght, Paris, held from 20 May to 10 July 1981. Published by Galerie M...

- rare - marked - original - can be framed and glazed.

Along with Jakub Erol's stylized design for the Polish release, celebrated Czech artist Milan Pecák's imposing illustration of Arnold Schwarzenegger as 'The Terminator' is one of the...

Original vintage poster, Boris Bucan 'DILEMA', 1972 Artist: Boris Bucan Year: 1972 Dimensions: 88 × 48 cm Condition: Excellent condition Format: Unlinen backed...

Important early original poster by Picasso, printed by his lithographer, Mourlot. Paris, for an exhibition of paintings at Galerie Louise Leiris, 1957. Literature: Bloch, 1275; Mo...

- rare - marked - original - can be framed and glazed.

Original vintage advertising poster for an exhibition of work by the French artist Georges Braque (1882-1963) at Galerie Maeght featuring an abstract design titled Profil a la Palett...

Eduardo Chillida Lithograph on cardboard Number T 169/1000 The work is signed by the artist and individually numbered (pencil) Work dimensions 47/34 The work is framed Eduardo Chillida(1924 - 2002). He was a Spanish artist. He began his career in 1943, studying architecture at the University of Madrid, but in 1947 he took up drawing and sculpture. In 1948 he moved to Paris, then the world capital of art. Although he dropped out of college, his work betrays his architectural training, revealing an underlying sense of structural organization as well as material discipline, planning spatial relationships, and scaling elements. For years, the artist used materials that were the basis for his research on conceptual and metaphysical issues. Chillida's early efforts in stone and plaster oscillated between humans and the natural world. His return to the Spanish Basque country in 1951 initiated a change of vision, focusing more on the metamorphosis of space and the definition of spatial volume through form. Chillida soon abandoned the plaster he had used in his Paris works in favor of iron, then wood and steel. These materials represent Basque traditions in industry, architecture and agriculture, and recall the landscape and black light of the region. Chillida began using alabaster for its illuminated but veiled appearance, he used it in the sculpture How Deep is the Air (1996). Despite his use of a variety of media, Chillida's intentions for simplicity and balance never allowed the material to take on a form alien to its nature. He was consistently guided by the quality of space, density and rhythm. Major retrospectives of Chillida's graphic and sculptural works have been exhibited by the Museum of Fine Arts, Houston (1966), the Carnegie Institute, Pittsburgh (1979), the National Gallery of Art, Washington, D.C. (1979), the Guggenheim Museum (1980), the Palacio de Miramar, San Sebastián (1992), and Museo nacional centro de arte Reina Sofía, Madrid (1999). Chillida's monumental sculptures designed for urban and more remote spaces are permanently installed internationally and constitute a central aspect of his artistic production. Chillida has received numerous awards, including the Grand International Sculpture Prize at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...

Artist: Anonymous Year: 1973 Dimensions: 92 x 64cm Condition: Excellent condition Format: Linen backed.