Frank Hyde was born in Surrey in 1849 and spent a large amount of time in London during his youth. His father had been in the army but retired to live the life of a gentleman upon inheriting the family seat, Hyde End Manor in Berkshire. Hyde, however, would later inherit and sell the Manor. As a young man, Hyde trained as an artist at the Royal Academy, London and his subsequent career revealed striking artistic versatility. Hyde’s subjects varied from the portrayal of real, dramatic events to comic characters commissioned by the card manufacturer Raphael Tuck. Starting out as a 1st Lieutenant in the Royal Engineers, Hyde moved on to begin his career as a war artist during the Franco-Prussian war of 1870–71, producing drawings for The Graphic, an illustrated weekly publication. Hyde married Constance Mary Louise Felgate in 1876, but she died less than a year later. While he traveled extensively throughout his life after Constance's death, he purchased a villa in Capri where he met Rosina Ferrara, whom he used as a model and John Singer Sargent, with whom he shared a studio. Hyde is perhaps best known for his paintings of Capri (one of which we are going to have on display) and model Ferrara. Ferrara would become Sargent’s muse after Hyde introduced the two. Hyde married Florence Ellen Louise Rowley in 1881, with daughter, Mina, was born in 1882 and son, Francis, in 1884. Francis would later become a Captain during the First World War. Hyde and Florence divorced in 1887 and she died in 1890. Hyde never remarried and chose to live in Petts Wood Cottage, Stockbury, near Sittingbourne from 1913 until his death in 1937. Hyde painted three Maidstone/Queen’s Own Royal West Kent Regiment related pieces which form part of the museum collection, two of which will be on display for the Coming Home exhibition. The ‘Arrival of a Convey of Wounded Soldiers at Maidstone East Station, 1916’, upon which the exhibition is based, captured the imagination of Maidstone and was bought by public subscription in 1918. This fee was added to the £30 already raised by Frank Hyde from the exhibiting of another of his paintings to raise funds for those left disabled by the war. Hyde later painted and sold Trones Wood to help further this cause. The paintings by Hyde were also used to help raise funds for The British League of Help to assist the communities in northern France that had been devastated by the fighting.
19th century oil painting of a monk admiring a fish by Frank Hyde
By Frank Hyde
Located in York, GB
19th century oil on canvas painting of a monk admiring a fish in a glass display cabinet holding a book behind his back, Probably the bible. By the well known artist Frank Hyde . ...
Oil
19th century oil painting of a monk fishing by Frank Hyde
By Frank Hyde
Located in York, GB
19th century oil on canvas painting of a monk sitting on the river bank with a sandwich on his knee and a fishing rod to the side A very peaceful scene by the well known artist Frank...
Oil
Price Upon Request
A Conundrum in the Kitchen
By Frank Hyde
Located in Missouri, MO
Frank Hyde (British 1849-1937) "A Conundrum in the Kitchen" c. 1900 Oil on Canvas Signed Lower Left Image: 37.5 x 57.5 inches Framed: 44 x 64.5 inches From the Maidstone Museum, UK: Hyde was born in Surrey in 1849 and spent a large amount of time in London during his youth. His father had been in the army but retired to live the life of a gentleman upon inheriting the family seat, Hyde End Manor in Berkshire. Hyde, however, would later inherit and sell the Manor. As a young man, Hyde trained as an artist at the Royal Academy, London, and his subsequent career revealed striking artistic versatility. His subjects varied from the portrayal of real, dramatic events to comic characters commissioned by the card manufacturer Raphael Tuck. Starting out as a 1st Lieutenant in the Royal Engineers, Hyde moved on to begin his career as a war artist during the Franco-Prussian war of 1870-71, producing drawings for ‘The Graphic’, an illustrated weekly publication. Hyde married Constance Mary Louise Felgate in 1876, but she died less than a year later. While he travelled extensively throughout his life after Constance’s, death Hyde purchased a villa in Capri where he met Rosina Ferrara, whom he used as a model, and John Singer Sargent, with whom he shared a studio. Hyde is perhaps best known for his paintings of Capri...
Canvas, Oil
$10,411Sale Price|20% Off
H 33.86 in W 40.16 in
Pietà Cherubs Paint Oil on canvas Religious Rome 16/17th Century Michelangelo
Located in Riva del Garda, IT
Peintre actif à Rome au XVIe siècle - entourage de Scipione Pulzone (Gaeta 1550 - Rome 1598) La Pietà (Christ mort soutenu par la Madone) huile sur t...
Oil
$657
H 5.91 in W 5.91 in D 0.99 in
triptych of Pocket Speckled Green Pear, Bright Clementine, Crimson Strawberry 2c
By Dani Humberstone
Located in Deddington, GB
Pocket Bright Clementine is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque still life painting. The paintings are set in a black wood layered frame...
Canvas, Oil
$8,353Sale Price|20% Off
H 31.5 in W 25.2 in
Christ Angels Pietro Da Cortona Paint Oil on canvas Old master 17th Century Art
Located in Riva del Garda, IT
Christ surrounded by angels in the desert Circle of Pietro da Cortona, born as Pietro Berrettini (Cortona 1597 - Rome 1669) Oils on canvas (66 x 50 cm. - in frame 80 x 64 cm.) The ...
Oil
$3,950Sale Price|41% Off
H 38.59 in W 32.29 in
Flower Garland Virgin Paint Oil on canvas Old master 17th Century Italy
By Giovanni Stanchi
Located in Riva del Garda, IT
Giovanni Stanchi (Rome 1608 - 1675) or Niccolò Stanchi (Rome 1623 - 1690), workshop of GARLAND OF FLOWERS WITH PORTRAIT OF THE VIRGIN Rome, First half of the Seventeenth century o...
Oil
$7,990Sale Price|20% Off
H 42.13 in W 36.62 in
Holy Family Ramenghi Paint Oil on canvas Old master 17th Century Religious Art
Located in Riva del Garda, IT
Bolognese school of the seventeenth century Circle Giovanni Battista Ramenghi, known as Bagnacavallo (Bologna, 1521 - 1601) Oil painting on canvas (86 x 72 cm. - With antique frame ...
Oil
$6,500
H 21.88 in W 25.25 in D 1.5 in
17th Century Memento Mori Vanitas Skull Old Master Oil Ex-Christie’s
Located in Yardley, PA
This wonderful 17th-century French School vanitas painting is a meditation on mortality and the transience of earthly pleasures. The composition centers on a finely rendered human sk...
Canvas, Oil
$13,968
H 20.08 in W 29.93 in
"Moonlit River Scene", Early 20th Century Oil on Canvas by Luis Graner y Arrufi
By Luis Graner Y Arrufi
Located in Madrid, ES
LUIS GRANER Y ARRUFI Spanish, 1863 - 1929 MOONLIT RIVER SCENE signed and dated "L Graner 1925" (lower right) oil on canvas 20-1/8 x 30 inches (51 x 76 cm.) framed: 25-3/4 x 35-3/4 inches (65 x 90.5 cm.) PROVENANCE Private Collection, Barcelona, Spain Graner paints this work, Moonlit on the river, during his stay in the United States in the last stage of his artistic life, from 1910 to 1928, in full stage of maturity. This artwork reflects the constant search of the artist for the effects of light in his work. This persistent concern for light remains throughout his artistic life, which he learned in his Parisian stage under the influence of the painter Frances Platour. The silver light of the moon and the small lights at distance, which are tiny foci of artificial light, reflecting the river water, forming a chromatic range of greens, ocher and pearly that give a certain mystery to the composition, creating a modern approach to the landscape, by placing the two large trees at the edge of the river in the foreground Luís Graner y Arrufí, Spanish (1863–1929) was a Catalan painter in the Realistic style. He was born in Barcelona, and studied at the Escola de la Llotja from 1883, with Antoni Caba (color/composition) and Benet Mercadé (drawing). During his final year at school, he received a grant to study in Madrid, where he copied and learned from the Old Masters at the Museo del Prado. After that, supported by a fellowship, he moved to Paris and became a member of the Academie des Beaux-Arts. Later, he returned to Barcelona, but continued to travel to cities throughout Europe, including Berlin, Munich and Düsseldorf. Influenced by Richard Wagner's concept of "Gesamtkunstwerk" (Total Work of Art), he was motivated to create his own total art experience and organized the "Sala Mercè" (Mercy Hall) in Barcelona's Rambla District. The project involved contributors from every artistic discipline, including the new field of cinematography. The room was decorated by Antoni Gaudí. Other participants included Adrià Gual, Santiago Rusiñol, Ramon Casas...
Canvas, Oil
$14,981Sale Price|40% Off
H 26.38 in W 44.1 in
Pieter Casteels III 'Signed' Floral Still Life Old master Paint 18th Century Art
By Pieter Casteels III (Antwerp 1684 - 1749 Richmond)
Located in Riva del Garda, IT
Pieter Casteels III (Antwerp 1684 - 1749 Richmond) circle Floral still life Signed lower left, on the stone: P Casteels About 1730 Oil painting on...
Oil
$3,083
H 25 in W 29 in D 2.5 in
Oil Painting of Loch in the Scottish Highlands by 20th Century British Artist
By Wendy Reeves
Located in Preston, GB
Oil Painting of Loch in the Scottish Highlands by 20th Century British Artist Wendy Reeves. Art measures 20 x 16 inches Frame measures 29 x 25 inches (f...
Canvas, Oil
$5,447Sale Price|20% Off
H 11.03 in W 9.45 in
Saint Jerome Oil on copper 16th Century Paint Old master Italy Emilian school
By Giuseppe Mazzuoli known as Bastarolo (Ferrara 1536 - 1589)
Located in Riva del Garda, IT
Ferrara school of the late sixteenth century - circle of Giuseppe Mazzuoli known as Bastarolo (Ferrara 1536 - 1589) St. Jerome penitent in the cave ...
Oil
$12,393Sale Price|30% Off
H 51.97 in W 48.04 in
Portrait Mignard Paint Oil on canvsa Old master 17th Century French Lady Woman
Located in Riva del Garda, IT
Pierre Mignard, known as Le Romain (Troyes 1612 - Paris 1695), attributed Portrait of 'Louise Renée de Penancoët de Keroualle, Duchess of Portsmouth and Aubigny (Brest 1649 - Paris 1734) as MADDALENA Oil on canvas 97 x 88 cm In an important gilded frame 132 x 122 cm. Provenance: Private collection, Naples The young and attractive noblewoman portrayed in this painting is Louis Renée de Penancoet de Keroualle, Duchess of Portsmouth and Aubigny (Brest 1649 - Paris 1734), known to have been King Charles II's favourite mistress for over fifteen years, from whose relationship Charles Lennox, 1st Duke of Richmond, was born, but above all to have gone down in history as one of Louis XIV's French informants at the English court. The duchess was a very influential figure at court, promoting French interests and often acting as an intermediary between the king, his ministers and French ambassadors. After the death of Charles II this influence quickly came to an end, forcing her to hastily leave London and renounce all her possessions to return to her homeland, between Aubigny-sur-Nère and Paris, where she died in 1734, always remaining in the sovereign's good graces. The peculiarity of the portrait, probably executed after her return to her homeland, is that the noblewoman takes the form of a charming Mary Magdalene, depicted here following her renunciation of earthly possessions, her rich robes and jewellery, in order to aspire to heavenly riches; We see her immortalised with her long hair loose on one breast, her intriguing but serene gaze directed at the observer, as she rests her crossed hands, as if in prayer, on the ampulla of perfumed ointments and the open book, both iconographic symbols. The custom of being portrayed in the guise of Magdalene was in vogue for powerful women of the great European courts as early as the 16th century, as it represented the most appropriate image to justify the union of female power and virtue. It must be said that court culture exalted only the positive characteristics of her personality, glossing over or downplaying all references to her sinful past and dissolute life. The work, whose style fits perfectly into 17th century French portraiture, suggests the pertinent attribution to the Baroque painter Pierre Mignard (Troyes, 1612 - Paris, 1695), whose works were highly praised and earned him a great reputation as a portrait painter for the demanding Parisian aristocracy at the time of Louis XIV, and who portrayed the Duchess de Kérouaille on numerous occasions. His first important artistic training took place in Simon Vouet's studio, and he then moved to Italy for over twenty years before returning to Paris, blending his own with the influence of Roman classicism. The elegant looseness of touch and sensual refinement typical of Mignard, combined with a very accurate chiaroscuro rendering, inherited from his artistic training in Rome (which he looked up to the examples of Ferdinad Voet), and the exceptional sweetness of the drawing, the floridity of the complexion and the almost enamelled surfaces, and finally, the peculiar pose of the figure portrayed (the beauty of the two intertwined hands...
Oil
$71,427Sale Price|20% Off
H 63 in W 53.15 in
Neptune Poseidon Guercino Paint 17th Century Oil on canvas Old master Italy Art
Located in Riva del Garda, IT
Neptune on the Waves of the Ocean Workshop of Giovanni Francesco Barbieri, known as Il Guercino (Cento, 1591 – Bologna, 1666) Attributed to Ercole Gennari (Cento, 1597 – Bologna...
Oil