Guido Andloviz Decorative Objects

Laveno Guido Andlovitz 1930 cachepot, Italy.

Lavenia Angelo Biancini Maiolica vase, 1930, Italy.

'Rimini blu' glazed ceramic vase designed by Aldo Londi for by Bitossi. Italy, 1960s. This eye-catching vase is made of blue glazed ceramic with engraved patterns surrounding the cen...

Italian multicolored ceramic umbrella stand or vase with elliptical base, 1960s. Umbrella stand with an elliptical base, with a structure entirely of multicolored ceramic with an ora...

Guido Gambone Italian Mid-Century Ceramic Vase Excellent condition. Age appropriate wear. This item is in our NYC private showroom and can be viewed by appointment.

Vase "Aras" made in teal green glass with white patina by René Lalique in 1924. Molded signature. Perfect condition. Extraordinary and extremely rare color. height: 23 cm Félix Ma...

Beauty at its best This stunning peacock vase is crafted in Italy by local artisans.

Purple ceramic cachepot Perfect condiction.

Italian Ceramic Vase, White, Stripes, Orange, Yellow, Blue, Teal Green, Signed. Small scale chunky footed cylinder vase - hand decorated with “fasce colorate” or colored bands of tea...

Giovanni Gariboldi Bold Art Deco Ceramic Umbrella Stand in "Sangue di Bue" Red, Italy 1940s

Italian midcentury modern design stoneware vase with abstract decoration, designed and produced by italian artist Guido Gambone with mark under the base, Italy 1950s

Guido Gambone green snake vase, 1950s, Mid-Century Modern ceramic vessel, Italy. Guido Gambone (Italian, 1909 - 1969) Green and white snake design ceramic vase. Signed (Signature and donkey) on bottom. Stunning piece with gorgeous, rare green glaze and elegant lines that are elegantly accentuated by the snake that curls around the waist and body of the vessel. Museum-worth masterpiece by one of the most influential ceramicists of the 20th century. Dimensions: 12" H; Provenance: Collection of John 'Parker' Prindle, Jr., Boston, MA. Gambone's unique style is a combination of ancestral ceramic techniques and Etruscan or abstract decorations composed of primary and secondary colors. Ne fused traditional ceramic methods with amorphous forms that echoed equally the art of the past and of his modern day. His dynamic objects, in which he often experimented with glazes and patterns, garnered great popularity and today are treasured holdings in important private and museums collections around the globe. The year 1950 also marked the showcase of one of Gambone’s collaborative works at a group exhibition at the Brooklyn Museum in New York, and the following year Gambone enjoyed his first solo showing at the Galleria Il Milione in Milan. By the end of the decade, Gambone had achieved international acclaim for his pieces. He upheld his dedication to his work until 1967, when the La Tirrena...