Jed Jackson Art

Senza Titolo 4 Oil Paint on Copper Portrait In Stock Giovanni Tommasi Ferroni (1967, Rome) descended from an artistic Tuscan family. His grandfather, ...

Kerry Smith Black Flag - Who’s Got The 10 1/2? Mixed Media on Crescent board Year: 2020 Size: 21x20in Signed, dated by hand COA provided Ref.: 924802-1638 *Black frame with a mirror...

From John Singer Sargent’s Gassed, 1919 When considering the factors that are required (or at least helpful) for a lie to succeed, I constantly look to the audience. I constantly tr...

Portrait of a Noble Lady French School, early 1700's period oil painting on copper, unframed copper: 5 x 3 inches condition: very good, minor paint fading and deteriation. provenanc...

Story illustration for “Julie” by Frederick Orin Bartlett for The Saturday Evening Post, published August 21, 1920, page 21. The full caption reads: “They were down there in the room with the silent...

Elegant and graphic study of a figure of undetermined gender. It's executed with quick and confident brush strokes in the artist's signature color scheme of black and red. It's a fla...

This charming German miniature painting, created of oil on copper, depicts a young woman wearing a large and lavish hat. With dark, braided hair and blue eyes, the sitter's cheerful ...

Lisa Fricker's "Sara's Morning" is an original, handmade oil painting that depicts a close up nude portrait of a woman in front of a earth toned , geometrical abstracted background. ...

Medium: Gouache watercolor painting on artist board Signature: Signed Lower Left Size: 18" x 14"

Dimension with frame: 35 x 29,7 x 3,3 cm. A finely executed miniature devotional painting depicting the Madonna tenderly embracing the Christ Child. Executed in oil on copper and dating from the late 18th to early 19th century, the composition displays the intimate scale and luminous surface characteristic of copper paintings. The Virgin is shown wearing a deep blue mantle highlighted with delicate gilded details and crowned by a circle of stars, while the Christ Child rests affectionately in her arms. The work reflects the enduring influence of Baroque religious imagery and evokes the devotional paintings produced throughout the Spanish world during the colonial period, while remaining firmly rooted in the broader Continental European tradition. Its small scale, refined execution, and warm devotional character make it an appealing collector's piece. The painting is presented in an impressive carved and ebonized wooden frame that beautifully complements the richness of the composition. A charming example of late 18th-century religious art, combining devotional intimacy, Baroque sensibility, and the luminous qualities unique to oil on copper. madonna and child, virgin mary, christ child, oil on copper, copper painting, religious painting, devotional painting, catholic art, christian art, sacred art, baroque religious art, baroque devotional painting, continental european school, spanish colonial taste, spanish colonial influence, antique religious artwork, ecclesiastical art, crowned madonna, star crown madonna, virgin and child, christian iconography, late 18th century painting, circa 1800, antique oil on copper, miniature painting, devotional icon, old master style, european religious art, framed religious painting...

Carrie Goller's (US based) "Guiness" (2024) is an original, mixed media painting using encaustic on wood panel which features a side portrait still-life of a sheep. Born and raised ...

The Flagellation of Christ Old Master Flemish School 17th century Medium: Oil on copper Dimensions: Image size 22 x 17 cm, frame size 39 x 31 cm