John Flatz Art

Black and white, fashion, model, street, mercer st, NYC, New York, New York City Photography, woman, model, fashion photography, B&W, black and white photography, Todd Burris, Listing is for UNFRAMED print. Inquire within for framing. Edition of 2 of 25 If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph This exhibition is a visual dance of contradictions. Whimsical and sophisticated. Stylistic and simple. Studied and carefree. That’s what emerges when you take a photojournalist by study, fashion photographer by trade and fine artist by instinct and leave him alone with his camera and a muse. Burris’ work is influenced by his early career spent working with fashion photographer Bill King and inspired by the decisive moment made known by the Henri Cartier Bresson. He defies the confines of either discipline. It is not fashion photography, which is by nature produced, but rather purely spontaneous. Todd left the world of fashion photography after building his own career in Milan and New York to go to LA and find his niche. He embraced his fascination with flea markets and penchant for discarded items that wouldn’t ever be chosen because they were trendy but because they were interesting. Burris packed his 1979 white Pontiac station wagon with his finds. When he came upon a stage that fit the props, he called on his muses and created a visual story on the spur of a moment. The collection of black and white images conveys a sense of effervescence and Élan. It includes photographs from Burris' time in Los Angeles as well as earlier experimental work in Milan and New York City. Anything but superficial, the invitational image, "Paget #1" challenges the traditional symmetry of beauty. We see a dramatic close up of a woman’s face, her intense eyes framed by the stark contrast between her porcelain skin and jet black hair. The lighting is such that her face is divided by shadow, one half dark and mysterious, the other half light and classically beautiful. The effect is deeply engaging. The viewer doesn’t know when the photo was taken but you want to know more. In “Mercer Street...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In this dream-based series, water becomes a metaphor for sky. The invitational image, Bourrée, depicts a woman suspended in soft hues of blue, floating upward as if ascending into the heavens. In Arabesque, the model seems to tumble gracefully through clouds, arms outstretched. Olson’s color images are surreal and mysterious. In most of the images there are refractions of light and bits of clouds that blend together, leaving us feeling as if we are looking at watercolor paintings. Olson describes Rapture as, “a biography of my dreams.” This series represents, for her, the world that lies just beyond consciousness—where “time shifts, gravity loosens and we slip into another realm.” Through the images she conveys the dreams she’s had since childhood of floating weightless in the sky. In reality, Olson photographed them from above in swimming pools in Seattle, Washington combining images with clouds photographed mostly in North Dakota, where she grew up and visits each summer. The effect is ethereal. Her models could be construed as angels. Olson’s entrancement with the medium spans over 30 years, starting in 1980 when she did a series of swimmer images while in graduate school at the University of Oregon. In the Rapture series, despite each image’s balanced composition, Olson claims the process of photographing women...

"Two Palms" Nude Photography 45" x 30" in Edition 1/7 by Larsen Sotelo Not framed. Ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish Signe...

Gerald Berghammer - Black and white minimalist landscape photography. Harness racing on a deserted sand beach near the ocean on a rainy day. Archival pigment ink print, edition of 9...

"Julia Naked" Photography 20 x 16 in Edition of 100 by Kate Garner Hahnemuhle fine art archival paper Signed & numbered by the artist Comes with COA issued by the artist Kate G...

"Two Palms" Black & White Photography 27" x 18" in Edition 1/24 by Larsen Sotelo Not framed. Ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin...

"Lovesick" Black & White Photography 45" x 30" in Edition 1/7 by Larsen Sotelo Not framed. Ships in a tube Signed and numbered by the artist. Comes with COA issued by the artis...

"Twisted Words" Nude Photography 42" x 30" in Edition 1/7 by Larsen Sotelo Not framed. Ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish S...

"Not from Hollywood" Photography 60" x 40" in Edition 1/3 by Larsen Sotelo Not framed. Ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish S...

"Dive In" Black and White Photography 40" x 56" in Edition 1/3 by Larsen Sotelo Not framed. Ships in a tube Signed and numbered by the artist. Comes with COA issued by the artist. ...

"Kate Moss & Friend" Photography 20 x 24 in Edition of 100 by Kate Garner Hahnemuhle fine art archival paper Signed & numbered by the artist Come with COA issued by the arti...

"Free Fallin" Black & White Photography 30" x 45" in Ed. 2/7 by Larsen Sotelo Not framed. Ships in a tube Signed and numbered by the artist. Comes with COA issued by the artist....