Los Castillo Vases and Vessels

Circa 1960. We offer this Mid-Century Modern Mexican Petite Pitcher sporting an amazing handle in a bird motif by Los Castillo Taxco México. The pitcher Marked Los Castillo Taxco Mex...

A rare pair of Los Castillo candle sconces in copper with swirling inlaid brass design, Taxco, Mexico. Signed.

Silver-plated spherical lidded sugar with mosaic Azurite and Malachite handle. Azurite is a soft, deep blue copper mineral produced by weathering of copper ore...

Scroll down and click "view all from Seller" to see more than 400 other unique products. (2) In Stock in Los Angeles A poetic ode to traditional craftsmanship and modern sensibility...

Large Chinese Lacquer Vase From the 1960s-1970s With Mother-Of-Pearl Inlays A large Chinese lacquer vase on a five-legged base, decorated with...

Circa 1960. We offer this Mexican metal and malachite pitcher sporting an amazing handle in a parrot motif by Los Castillo Taxco México. This is an exquisite and monumental pitcher s...

Gunnar Ander Water Pitcher by Ystad Metall, Sweden 1960's.

Wonderful silverplated Los Castillos bowl with an inlayed malachite and turquoise edge. This wonderful bowl dates from the 1950's and was made in Taxco...

A stunning and rare pair of sterling silver Los Castillo cream and sugar. The Mexican Silver is made in Taxco Mexico by the iconic Los Cas...

Elegant and refined sterling silver vase. Entirely handcrafted and embossed with a torchon motif, the vase has been finely hammered all over the body. The mouth of the vase is shap...

A impressively large and unusual stoneware vase in an urn shape from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. This vase is dated to the end of Makuzu's life circa 1910-1916 based on similar work created around that time. After achieving domestic and international fame, Makuzu retired and handed the business to his son Hanzan in 1912. He dedicated his time to other selected projects that were more in tune with Japanese sensibility than export aesthetic. He made a group of stoneware pottery pieces inspired by Edo master like Ninsei and Kenzan as well as his own poetic creation. This piece is attributed to that period. Standing of an impressive size, this vase is more like an urn, made with stoneware instead of porcelain. It was coated with a brown iron glaze with a slight translucent quality. Underglaze whit slips were used to draw low relief decoration of bamboo leaves that sparsely scatter on the surface. Slightly more elaborate scrolling vines and autumn flowers circles under the mouth rim. Same white slip inlay was used to sign the vase under the base. The whole effect of the piece is unusual. With its dark glaze in contrast with the sparse white decoration that is more abstract and geometric than realistic, it appears almost modern with an Art Deco flavor. For stoneware urn and vase in the similar genre by Makuzu Kozan: see figure 113 on page 182 of "Sekai ni Aisa Reta ya Kimono" MIYAGAWA KOZAN MAKUZU...

Circa 1960. We offer this handmade mixed metals copper brass stone inlay wall-mounted sculpture in the style of Los Castillo Taxco Mexico.