Miniforms Coffee and Cocktail Tables

Soda was born upside-down, with a puff of air. It weighs 20 kilos, and it is blown, drawn out and shaped by three master glassmakers. The result is a single volume of glass with thre...

Soda was born upside-down, with a puff of air. It weighs 20 kilos, and it is blown, drawn out and shaped by three master glassmakers. The result is a single volume of glass with thre...

The principle remains the same: a single volume, upside down, in beautifully blown glass. But this time there are four stems, and four curved corners to delineate the new top. It is ...

Soda was born upside-down, with a puff of air. It weighs 20 kilos, and it is blown, drawn out and shaped by three master glassmakers. The result is a single volume of glass with thre...

Soda was born upside-down, with a puff of air. It weighs 20 kilos, and it is blown, drawn out and shaped by three master glassmakers. The result is a single volume of glass with thre...

Give or take a stem or two: this time Soda has only two stems, and its top takes on an elongated shape. Smooth as a surfboard, it evokes the fluidity of 1950s French design, but with...

Soda was born upside-down, with a puff of air. It weighs 20 kilos, and it is blown, drawn out and shaped by three master glassmakers. The result is a single volume of glass with thre...

Soda was born upside-down, with a puff of air. It weighs 20 kilos, and it is blown, drawn out and shaped by three master glassmakers. The result is a single volume of glass with thre...

Soda was born upside-down, with a puff of air. It weighs 20 kilos, and it is blown, drawn out and shaped by three master glassmakers. The result is a single volume of glass with thre...

The principle remains the same: a single volume, upside down, in beautifully blown glass. But this time there are four stems, and four curved corners to delineate the new top. It is ...

Give or take a stem or two: this time Soda has only two stems, and its top takes on an elongated shape. Smooth as a surfboard, it evokes the fluidity of 1950s French design, but with...

Superpop likes to turn plastic into art using a combination of recycling and colour. It thus becomes supersustainable, superlight and supercool, in extremely versatile, compact desig...

Superpop likes to turn plastic into art using a combination of recycling and colour. It thus becomes supersustainable, superlight and supercool, in extremely versatile, compact desig...

The principle remains the same: a single volume, upside down, in beautifully blown glass. But this time there are four stems, and four curved corners to delineate the new top. It is ...

The principle remains the same: a single volume, upside down, in beautifully blown glass. But this time there are four stems, and four curved corners to delineate the new top. It is ...

Soda was born upside-down, with a puff of air. It weighs 20 kilos, and it is blown, drawn out and shaped by three master glassmakers. The result is a single volume of glass with thre...

Superpop likes to turn plastic into art using a combination of recycling and colour. It thus becomes supersustainable, superlight and supercool, in extremely versatile, compact desig...

Give or take a stem or two: this time Soda has only two stems, and its top takes on an elongated shape. Smooth as a surfboard, it evokes the fluidity of 1950s French design, but with...

Designed by Matteo Zorzenoni for Miniforms, the Striche coffee table draws its name from a Venetian saying referring both to lines and strokes and to the idea of “doing great”. This ...

Superpop likes to turn plastic into art using a combination of recycling and colour. It thus becomes supersustainable, superlight and supercool, in extremely versatile, compact desig...

The Striche coffee table, designed by Matteo Zorzenoni for Miniforms, takes its name from a Venetian expression meaning “line” or “stroke”; in local slang, “far striche” means to exc...

Chap is a primary object that finds expression through shape and colour. Organic and primitive in taste, this essential element sports the striking decorative texture of Palladio Moro...

The Striche coffee table, designed by Matteo Zorzenoni for Miniforms, takes its name from a Venetian expression meaning “line” or “stroke”; in local slang, “far striche” means to exc...

The Striche coffee table, designed by Matteo Zorzenoni for Miniforms, takes its name from a Venetian expression meaning “line” or “stroke”; in local slang, “far striche” means to exc...

Superpop likes to turn plastic into art using a combination of recycling and colour. It thus becomes supersustainable, superlight and supercool, in extremely versatile, compact desig...

Bonbon’s signature legs return in the Coffee version — same design, scaled down. This new take makes Bonbon perfect for smaller spaces, with a more playful appeal expressed through i...

Superpop likes to turn plastic into art using a combination of recycling and colour. It thus becomes supersustainable, superlight and supercool, in extremely versatile, compact desig...

Designed by Matteo Zorzenoni for Miniforms, the Striche coffee table draws its name from a Venetian saying referring both to lines and strokes and to the idea of “doing great”. This ...

Designed by Matteo Zorzenoni for Miniforms, the Striche coffee table draws its name from a Venetian saying referring both to lines and strokes and to the idea of “doing great”. This ...

Designed by Matteo Zorzenoni for Miniforms, the Striche coffee table draws its name from a Venetian saying referring both to lines and strokes and to the idea of “doing great”. This ...

This low coffee and side-table comes with a base and top in Canaletto walnut, natural ash, ash stained black, intense blue or anthracite. The structure's body is made out of blown Murano glass, available in amber, blue-grey or smoke grey. Here you are shown the Mastea coffee table in the Canaletto walnut base finish and in the low size. Matteo Zorzenoni started to experiment with Murano glass in the 1970s and, even if the generations have changed, the glass is blown as it once was: it needs a master glassblower and two strong lungs. Working with this material every day is like revisiting a traditional dish. The ingredients are the same but there is something new in the taste. Matteo Zorzenoni's research is mainly focused on materials and their limits, aimed at discovering their potential. His projects have been exhibited at: Maxxi Museum in Rome, the Biennale of Art and Design in St. Etienne, the London Design Festival, the Venice Biennale. Matteo Zorzenoni was a professor at the IUAV in Venice, collaborates with the IED in Madrid and hosted a laboratory for Domaine de Boisbuchet (Vitra Design Museum). After a collaboration with Fabrica, Benetton Communication Research Center, he started a new project with Jaime Hayon, which is still on going. His research in the craft sector continues with projects for customers, including Cappellini, Mercedes Benz, Replay, Alcantara, Bosa Ceramiche...

Chap is a primary object that finds expression through shape and colour. Organic and primitive in taste, this essential element sports the striking decorative texture of Palladio Mor...

Superpop likes to turn plastic into art using a combination of recycling and colour. It thus becomes supersustainable, superlight and supercool, in extremely versatile, compact desig...

Chap is a primary object that finds expression through shape and colour. Organic and primitive in taste, this essential element sports the striking decorative texture of Palladio Mor...

Superpop likes to turn plastic into art using a combination of recycling and colour. It thus becomes supersustainable, superlight and supercool, in extremely versatile, compact desig...

This high coffee and side-table comes with a base and top in Canaletto walnut, natural ash, ash stained black, intense blue or anthracite. The structure's body is made out of blown Murano glass, available in amber, blue-grey or smoke grey. Here you are shown the Mastea coffee table in the Canaletto walnut base finish and in the high size. If you are interested in the natural ash, ash stained black, anthracite ash or Intense blue base structures. Matteo Zorzenoni started to experiment with Murano glass in the 1970s and, even if the generations have changed, the glass is blown as it once was: it needs a master glassblower and two strong lungs. Working with this material every day is like revisiting a traditional dish. The ingredients are the same but there is something new in the taste. Matteo Zorzenoni's research is mainly focused on materials and their limits, aimed at discovering their potential. His projects have been exhibited at: Maxxi Museum in Rome, the Biennale of Art and Design in St. Etienne, the London Design Festival, the Venice Biennale. Matteo Zorzenoni was a professor at the IUAV in Venice, collaborates with the IED in Madrid and hosted a laboratory for Domaine de Boisbuchet (Vitra Design Museum). After a collaboration with Fabrica, Benetton Communication Research Center, he started a new project with Jaime Hayon, which is still ongoing. His research in the craft sector continues with projects for customers, including Cappellini, Mercedes Benz, Replay, Alcantara, Bosa Ceramiche...

Kolos was born from a plaster mold, in a pottery workshop, where the artisans put the glaze on it and then bake it. Even if shiny and smooth to the touch, the material makes itself f...

Bonbon’s signature legs return in the Coffee version — same design, scaled down. This new take makes Bonbon perfect for smaller spaces, with a more playful appeal expressed through i...

Bonbon’s signature legs return in the Coffee version — same design, scaled down. This new take makes Bonbon perfect for smaller spaces, with a more playful appeal expressed through i...

Chap is a primary object that finds expression through shape and colour. Organic and primitive in taste, this essential element sports the striking decorative texture of Palladio Moro...

The Striche coffee table, designed by Matteo Zorzenoni for Miniforms, takes its name from a Venetian expression meaning “line” or “stroke”; in local slang, “far striche” means to exc...

Kolos was born from a plaster mold, in a pottery workshop, where the artisans put the glaze on it and then bake it. Even if shiny and smooth to the touch, the material makes itself f...

In Pinto, fragments of marble and stone lie beneath a gentle, majestic surface, combining the gaiety of Venetian soirées with the mystery of primitive shapes. It is made using a full...

In Pinto, fragments of marble and stone lie beneath a gentle, majestic surface, combining the gaiety of Venetian soirées with the mystery of primitive shapes. It is made using a full...

Bonbon’s signature legs return in the Coffee version — same design, scaled down. This new take makes Bonbon perfect for smaller spaces, with a more playful appeal expressed through i...

The Toblo coffee table, designed for Miniforms by the E-ggs collective, originates from a simple gesture that finds strength in the material itself. Its cylindrical form, smooth and ...

The Mila coffee table, designed by Paolo Cappello for Miniforms, stands as a statement against conventional design codes. Its geometry avoids the rounded shapes usually associated wi...

The Nami coffee tables, designed by the E-ggs collective for Miniforms, express the idea of furniture as a balance between essential form and daily function. Their name recalls the f...

Kolos is formed in a plaster mould in a pottery where craftsmen apply the glaze and then fire the table. Although shiny and polished to the touch, the material it is made of is evide...

The Nami coffee tables, designed by the E-ggs collective for Miniforms, express the idea of furniture as a balance between essential form and daily function. Their name recalls the f...

The Milo coffee table, designed by Paolo Cappello for Miniforms, was conceived to break away from the conventions of terracotta design. Instead of rounded contours, it embraces a geo...