Tom Greene More Lighting

Very original Murano glass wall lamp with a very elongated design of the glass leaf and a unique smoky color. The applique is composed of a gold-colored metal structure to which thr...

A pair of brutalist brass wall sconces (qty 2) by Tom Greene for Feldman Lighting, circa 1970. Torch cut patinated brass with a strong sculptural form and warm aged finish. Each sco...

Italy burnished brass wall sconce Mid-Century Modern style contemporary production This contemporary wall sconce in typical Mid-Century Mo...

A pair of Brutalist sconces in the style of Tom Greene. Great coloration to the brass which compliments the intricate design. Scale is great as well Electrical parts all new.   

Large scale wall sconces by Tom Greene for Feldman Lighting, circa 1965. Brutalist design fabricated in Los Angeles by cutting brass and applying patination with an oxyacetylene torch. Three long candelabra each takes up to 60 watt bulbs, so 180 watts per sconce. In addition, these sconces each have a downward directed patinated cone light concealed behind the sconce between the 6" round backplate which each take a single standard Edison screw bulb. Feldman label inside backplate as well as UL label. Thomas A. Greene started his career making dental prosthetics and jewelry and then moved onto larger sculptural pieces...

Unique, Brutalist mid century pendant chandelier designed by Tom Greene for Feldman Lighting Co. in the 1960s. Beautiful craftsmanship with a lovely patinated brass, this chandelier ...

A square brass pendant light fixture manufactured by Vereinigte Werkstätten Munich, Germany, in Mid-Century, circa 1970 (late 1960s or earl...

Modernist Brass and White Glass Chandelier, probably Italian, circa 1950's.The shades give off a warm glow when lit. The chandelier measures an impressive 32" diameter x 28" height f...

Rare Danish Mid-Century Modern Brutalist pendant by Holm Sørensen.

SATURDAY SALE Designed by Thomas A. Greene for T. A. Greene Company and retailed by Feldman Lighting of Los Angeles. Pendant itself is 24 inches high by 10 inches diameter. With existing chain the drop is 30 inches. If requested we can change the color of the candle sleeves to metallic gold instead of the original matte black. Thomas A. Greene was a pioneering and artistic African American designer and businessman. He started his career making dental prosthetics and jewelry and then moved onto larger sculptural pieces. He produced lighting for Feldman and Monteverdi & Young. Tom Greene's lighting and metal sculpture designs are found in many countries, as well as in the U.S. Here is just a small cross-section of his clients: Gruen Lighting, MGM Studios, 20th Century Fox Studios, EuroDisneyland-France, Monte Carlo Hotel-Las Vegas, Hyatt Regency, Trump Towers Casino, Luxor Hotel and Casino, Bellagio Hotel, Disney Tokyo, The Grove, Westin Hotel in Maui and in Kauai, Beverly Hills City Hall, Conrad Hilton...

This luminous modernist glass chandelier features numerous handblown Murano translucent glass polyhedral shades. Each glass polyhedral shade...

Danish designer Svend Aage Holm Sørensen (1913-2004) is known for his self-produced lighting designs dating from the 1950s, ‘60s and ‘70s. Despite the desirability of his designs on the vintage market, there is a lack of biographical information on the designer and his eponymous manufacturing company. The Danish designer Svend Aage Holm-Sørensen (1913-2004) possessed an artist eye and a very good understanding of the potential of materials, and he understood how to innovate with these. To this day, Holm-Sørensen's style as a designer addresses not only the Nordic market, but also the international interest in the designer's distinctive and experimental expression. Sven Aage was known for being able to draw sketches on almost everything: envelopes, theater programs, even tram tickets he used to sketch his vision. It is speculated that Holm Sørensen designed lights for well-known Danish lighting manufacturers Fog & Mørup and Lyfa in the 1950s, before establishing his own lighting company, Holm Sørensen A/S to produce and distribute his own designs. Holm Sørensen’s style varies greatly, with designs from the 1950s truly reflecting the mid-century modern lighting style, with clear influences from the De Stijl and Bauhaus movements. His attenuated floor and table lamps contain the classic tri-pod base that was popular at the time, referencing such designs as H. Th. J. A. Busquet’s Pinocchio Lamp (1954). From the 1960s onwards, Holm Sørensen’s style changed utterly. His designs diverged from colorful, geometric table lamps and floor lamps, to pendants with raw finished brass and copper surfaces. These pendant lamps showcase Holm Sørensen’s interpretation of the Brutalist style, which was popular from the 1950s to the mid-70s. Originally coined by the Swedish architect Hans Asplund...