Balder Design Tables

Elegant 1940's set of nesting tables, refinished in dark brown expresso on mahogany. Larger table measures 21-15/15" W x 17.5/8" D x 23-3/8" H, lower table measures 17-5/8" W x 16" D...

Illum Wikkelsø coffee table veneered in rosewood. Two extension leafs. Made by Kofoed's møbelfabrik.

Primitive neoclassical table in Folk Art. The table is provincial and made from painted pine. It has one single large drawer and straight legs without decorations. The table is in un...

A wooden coffee or side table designed and produced in Sweden, 1940s.

Gorgeous coffee table with a side magazine rack made in dark teak wood, it was produced in Italy in the 60s in the style of Ico Parisi. The wood tone of the top is simply amazing ...

This is a beautiful design by the Norwegian designer Torbjørn Afdal in the 50s. This piece of furniture can be used as a serving trolley, or decorate it with a beautiful lamp, vase w...

Blue work table in Folk Art from northern Sweden. The table is made circa 1810-1820 in Swedish pine and is painted with the original paint. The blue or...

Vintage Danish teak side table, 1960s Elegant Danish Mid-century modern side or coffee table with underlying shelf. Table top with wrapped gri...

The coffee table, a Danish design from the 1960s, showcases the timeless elegance of teak wood. With its sleek lines and understated sophistication, it epitomizes the mid-century mod...

This delightful pine side table comes from the Swedish countryside and still maintains the original faux wood painted finish with contrasting brown top. The single drawer has the fai...

Midcentury Italian design coffee table, 1940s.

From the Annika series. 1950's. Stamped. Patinated wood. As the descendant of four generations of Swedish master cabinetmakers, Bruno Mathsson was born to design furniture. Mathsson was known as a methodical perfectionist who made usefulness the fundamental attribute of his works, yet he was also a ceaseless experimenter, who constantly searched for improvements in form, materials and methods of making. Like the Finnish designer Alvar Aalto, Mathsson was one of the first Scandinavians to embrace undulating, biomorphic forms in furniture. His early pieces such as the Eva and Pernilla series of chairs incorporate dramatically flowing bent beechwood frames, making them some of the most instantly recognizable works of 20th-century design. Mathsson was also a pioneer of ergonomics — he is said to have based the contours of his chairs on the impression his body made when he sat in a snow bank — and used supple, accommodating woven webbing for seats. His concern for practicality is shown by pieces such as the Maria table. An elegant design with gate legs and hinged leaves, the table measures more than nine feet long when fully extended, but folds down to just nine inches in thickness. From the mid-1940s through the 1950s, Mathsson focused on architecture, designing and building houses with insulated, triple-glazed window walls...