Cavalier Ebanks Galleries Prints and Multiples

Kehinde Wiley Nine of Coins, 2010 Archival inkjet print Framed Dimensions: 20.19 x 16.25 x 1 inches (51.27 x 41.27 x 2.54 cm) Edition AP 2/3, apart from the edition of 7

Offset lithograph mimeograph on green apple paper Pencil signed and numbered 9/300 Provenance: Opus Art Limited This work has been elegantly floated and framed in a wood frame under ...

This offset lithograph in colors in three panels was created in 2002 and is from the unsigned edition of unknown size measuring
 
25 x 20 ½  in. (63.5 x 52 cm.) each and 25 x 62 in. ...

Christo Wrapped Paris Review (Deluxe hand signed edition), 1982 Lithograph and offset lithograph Hand signed and numbered 244/250 by Christo on the front in graphite pencil (there is...

Keith Haring 1989: Keith Haring illustrated announcement card, NY, 1989. Published on the occasion of a 1989 fundraiser to help the homeless. Off-set printed, 1989. Measures: 5 x 7...

Artist and designer Pedro Friedeberg is known for his surrealist paintings, prints, and sculptural furniture. He was the subject of a 2009 retrospective at the Museo del Palacio de B...

A sparrow perches at the center of a swath of pale pink, around which wraps hand-written lines from Ron Padgett’s poem “Ode to Clemens Laurrell”: “So I lean back against the willows ...

ENSÕ: EARTHLY DESIRES Date of creation: 2016 Medium: Offset lithograph with cold stamp and UV gloss varnishing on paper Edition: 300 Size: 68 x 68 cm Observations: Offset lithograph ...

This large Allen Jones lithograph is printed exuberantly in primary colors. A swath of bright red brushstrokes represents the side of a bus. In the upper left, small windows reveal the passengers: a woman’s face is cut off above her vampy red lips, and a blue-haired man’s face is hidden. Royal blue fills the upper right corner of the composition, giving the impression of looking up at a passing bus against the cloudless sky. One can imagine Jones was thinking of the iconic red double decker bus the AEC Routemaster, first introduced in London in 1954. In the 1960s buses were a living symbol of familiar and new technology coexisting: as David Bucken put it, “In and around London a midpoint change on a journey might involve alighting from an RT bus, of which production had started just prior to World War II, and getting on one of the sexy new Routemasters.” In the artist’s words: “The whole problem as a figurative artist was that it was going against the main march of modernism, which was towards abstraction. But here was a way of making the subject you were painting the same as the object you were painting on. By making the canvas a rhomboid, and putting little wheels on it, you have a schematic version of a vehicle, in this case a London bus.” Jones plays with the space between abstraction and figuration: windowed passengers, elaborated with just a few lines and placed adjacent to a weighty red ground of brushstrokes, easily convey the form of a bus, yet the print also conveys Jones’ visceral, painterly delight in color play. Four color lithograph on wove paper Paper 28.5 x 42.5 / 72.4 X 108 cm Wood frame 31 x 46 x 2 in. / 78.75 x 117 x 5 cm with 1 in. moulding Signed by the artist lower right in pencil, labeled Trial Proof lower left in pencil. Edition 20. Printed at Tamarind Los Angeles with Clifford Smith...

Beautiful Boy after John Lennon, British (1940–1980) Date: circa 1990 Lithograph, signed and numbered by Yoko Ono in pencil Edition: 96/300 Image Size: 1...

This cheeky, pastel pink print depicts a range of intimate styles, a tongue-in-cheek recollection of the gridded haircuts displayed outside barber shops. It is from the Oo La La portfolio of 15 lithographs printed offset from zinc plates, drawn by both artists. Produced in collaboration with Ron Padgett...

Series: Historical Fiction Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 24" x 30" 32" x 40" 48" x 60" 57" x 72" 67" x 84" Editions of 3 + 2 Artist...