19th Century Prints

A Japanese Woodblock A Young Woman in a Ruined House, print by Utagawa Toyokuni III (1786~1964), 三代歌川豊国. Dated: Aratame seal, 1855 Publisher: Yamada-ya ABOUT THE ARTIST Utagawa Kuni...

Utagawa Hiroshige (1797–1858) Japanese color woodblock print. Kanbara: View of the Fuji River from Iwabuchi Hill, from the 53 stations of the Tokaido (vertical). Some toning. Severa...

A wonderful Japanese woodblock print by famed Japanese artist Utagawa Hiroshige (Ando Hiroshige) (1797-1858) tilted "Yoroi Ferry at Koami-cho (Yoroi no ...

Woodblock print, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi), signed Hiroshige ga, censor's seal kiwame, published by Takenouchi Magohachi (Ho...

Antique Japanese woodblock print by Utagawa Yoshitora 一猛齋芳虎 (1836~1880) depicting a night scene with a courtesan, Framed with glass. Dimensions: with...

An antique Japanese Shunga woodblock print in gilt frame depicting a man and a woman making love. Created in Japan, this woodblock print called...

Circa 1860 Japanese woodblock print by Utagawa Kunisada. Late Edo period. A Kabuki actor plays a Samurai role in a dynamic pose as if about to square off. Floating against acid free ...

Antique Japanese Woodblock Print by Keisai Eisen 渓斎 英泉 (1790~1848), original and framed. Dimension: with frame, 18.5" x 23.75" without frame, 10.5" x 14...

An antique Japanese Shunga woodblock print in gilt frame depicting a man and a woman making love. Created in Japan, this woodblock print called...

An antique Japanese Edo period diptych woodblock print from the early to mid 19th century, signed by Utagawa Kuniyoshi. Immerse yourself in the Japanese Edo period artistry with this antique 19th-century diptych woodblock print. Signed by the artist, this captivating piece is a striking depiction of a tranquil interior scene, rendered in a soothing color palette of blue, pink, and black tones. This print comprises two panels, assembled under glass in a custom frame to form a cohesive narrative. The scene captures a specific moment in time, presenting a man surrounded by four women and a child, beautifully adorned in traditional Japanese garments. The intricate details of their clothing are a testament to the artisan's skill, bringing an element of authenticity and depth to the scene. On the left, three women sit in a state of relaxed conversation, while another stands, graciously offering a tray. Adding intrigue, two additional women can be spotted peeking through a slightly open window, one cleverly concealing her face behind a fan. A child, smaller in stature, sits attentively in front of the man, further enhancing the scene's narrative quality. A signature from the artist adds an additional layer of authenticity, making this piece a must-have for collectors of antique Japanese art...

A Japanese Woodblock A Young Woman in a Ruined House, print by Utagawa Toyokuni III (1786~1964), 三代歌川豊国. ABOUT THE ARTIST Utagawa Kunisada (Japanese: 歌川 国貞; 1786 – 12 January 1865),...

Original Japanese Woodblock print by Hokusai Katsushika, ???? '1760-1849' Color woodblock print on paper by Katsushika Hokusai, 1760 to 1849, a Jap...

A captivating, intense gaze from the final days of feudal Japan. This is not merely a portrait; it is a time capsule, capturing a moment of profound cultural transformation. This au...

Dated 1864 Japanese woodblock print by Toyokuni III. Portrait of the Kabuki actor Ichikawa Kodanji IV as Gosho no Gorozo from the series "Heroic Commoners in Kabuki". Toyokuni III (a...

Utagawa Yoshiiku (1833-1904) ???? 20 woodblock prints in album "Tale of the Prince Genji". This is a rare woodblock print album in accordion format...

Early 19th century hand colored engraving of Chinese life. Original print from "The punishments of China" illustrated by twenty-two engravings by Mason, George Henry; Dadley, J. P. P...

A Japanese Woodblock A Young Woman in a Ruined House, print by Utagawa Toyokuni III (1786~1964), 三代歌川豊国. Dated: Aratame seal, 1855 Publisher: Koshimura-ya Heisuke ABOUT THE ARTIST U...

A wonderful, highly erotic Japanese Shunga woodblock print. This work is likely by the renowned Ukiyo-e artist Utagawa Kunisada 1786-1865 (also known as Utagawa Toyokuni III) and created during the Edo period (1603–1867). Shunga is a type of Japanese erotic art...

Original Japanese Woodblock print, chuban Size "Beauty in Shinto Costume" by Totoya Hokkei  (1780-1850) About the artist Totoya Hokkei (1780–1850) was a Japanese artist best known ...

Description: Utagawa Kuniyasu (1794-1832), Ukiyo-e Woodblock Print, "Authentic" Few details are known of Kuniyasu's life. He was born in 1794 and h...

Antique Chinese rice paper pith painting. It shows a group gathering of men and women. Pith paper is made from the inner pith of the plant Tetrapane...

An antique Japanese Shunga woodblock print in gilt frame depicting a man and a woman making love. Created in Japan, this woodblock print called...

Artist: Utagawa Hiroshige (1797 - 1858) Series: Pictures of Famous Places in the Sixty-odd Provinces Number: 44 Oki Province: Takuhi Shrine Medium: Woodblock Print Date: 1853 (Kaei 6), 12th month Number of Prints: 70/70 (inc. Title Page) Format: Vertical Oban Size (H x W): 14" x 9.25" print only. Publisher: Koshimuraya Heisuke (Koshihei) Blockcutter's mark: Hori Ko-Sen Signature: Hiroshige hitsu Additional marks: Censor's seals: aratame, Ox 12 Displayed with mat and gilt wood frame. Reference: For an identical print, see the collection of MIA (Minneapolis Institute of Art) Accession Number P.75.51.398; MFA...

Antique 19th century Framed Japanese Silk Fans comprising two attractively framed Japanese silk fans, one group with 3 Geishas, the other scenic with...

Japanese Woodblock Print by Utagawa Kunisada, 1859, entitled "Otokodate Harukoma no Yoshiro". Outstanding color.  It is part of a series by Utagawa (Japan, 1786-1864), or related to ...

Antique 19th Century Japanese Woodblock Print By Utagawa Kunisada C.1858 Edo period 1858 (Ansei 5), 3rd month Original Woodblock print of Snow (Yuki) actor Nakamura Fukusuke I as H...

Dimension: Frame: 57 x 45 Picture: 34.5 x 23.5 19th Century Japanese Woodblock Print, Meiji Period, After Utagawa Kuniyoshi A J...

Japanese Woodblock print by Sadanobu Hasegawa III,(1881~1963), unframed. About the artist Born in Osaka, Sadanobu Hasegawa III combines traditi...

Antique Botanical Print – Exotic Orchid Odontoglossum Wattianum, c.1888 Description: A richly colored and finely detailed botanical print of the orchid 'Odontoglossum wattianum', or...

A fine and bold Japanese hand-brushed, hand-painted silk scroll of two horses below plumb tree mountain- worthy of your favorite room Hand painting on silk in simple soft pleasing co...

Four Japanese Woodblock Prints (Double-Side) by Toyohara Kunichika (Diptych), and Shosai Ikkei - from Thirty-Six Comics of the Famous Places of Tokyo. Note: These are only two pieces of woodblock prints with 4 images. They are double-sided with two different prints on each side. - The video is the purpose for displaying the double-sided images in the acrylic frame, the actual images will be various. I listed many lots for the same artists, but the video images will apply to all the lots. Size: image: 9.5" x 13.5" with Frame: 12.75" x 15.75" New Modern Frame: Floating Frameless Picture Frame - The two thick and transparent acrylic panels of the floating frameless picture frame are smooth and flat, with rounded edges and no pointed burrs; The solid and quality screws and hardware can ensure it is more stable and firm. - Stylish Decor: these clear double-panel picture frames have a modern style and can well match most decors in your home or office; They are more elegant and tasteful, which will make your house warmer, and give you and your family a sense of comfort. About the Artists - Toyohara Kunichika (Japanese: ?? ?? 30 June 1835 – 1 July 1900) was a ukiyo-e Japanese woodblock print artist. Talented as a child, at about thirteen he became a student of Tokyo's then-leading printmaker, Utagawa Kunisada. His deep appreciation and knowledge of kabuki drama...

Original Japanese Woodblock print, chuban Size "Eggplants" by Totoya Hokkei  (1780-1850) About the artist Totoya Hokkei (1780–1850) was a Japanese artist best known for his prints ...

4 Japanese Woodblock Prints (Double-Side) by Toyohara Kunichika (Diptych), and Shosai Ikkei - from Thirty-Six Comics of the Famous Places of Tokyo. Note: These are only two pieces o...

Original woodblock work by " Three Geishas" Kikukawa Eizan (????) 1787-1867, depicting the traditional Japanese ladies with the traditional beautiful cu...

Antique 19th Century Japanese Framed Woodblock Print By Keisai Eisen 'A beauty Reading A Letter' Keisai Eisen (1790–1848) was a Japanese ukiyo-e artist who specialised in bijin-ga ...

Framed Japanese 19th Century Diptych Woodblock Print Toyokuni II Toyokuni II (1786-1864) "Courtesan Tamagiku and master of the Naka Manjiya House" Pu...

Japanese woodblock print by Utagawa Yoshiika 落合芳幾 (1833-1904), unframed. About the artist Yoshiiku was a popular ukiyo-e printmaker during the Meiji period. It is thought that he was the son of a tea house proprietor, hence his particular skill success in the portrayal of various beauties from teahouses and restaurants. Yet, he was an artist comfortable across subject matter and is recognized for his fierce portrayal of famous historical warriors. Yoshiiku was a student of Kuniyoshi and a contemporary rival of the famed Yoshitoshi. He signed his name Utagawa Yoshiiku...

Late 19th century Meiji period Japanese woodblock print. After a painting in the MET, NYC, by Katsushita Hokusai illustrating bijin-ga (beauties) carrying pots for the Tsukama Festiv...

4 Japanese Woodblock Prints (Double-Side) by Toyohara Kunichika (Diptych), and Shosai Ikkei - from Thirty-Six Comics of the Famous Places of Tokyo. Note: These are only two pieces of woodblock prints with 4 images. They are double-sided with two different prints on each side. - The video is the purpose for displaying the double-sided image in the acrylic frame, the actual images may be various. I listed many lots for the same artists, but the image will apply to all the lots. Size: image: 9.5" x 13.5" with Frame: 12.75" x 15.75" About the Artists - Toyohara Kunichika (Japanese: ?? ?? 30 June 1835 – 1 July 1900) was a ukiyo-e Japanese woodblock print artist. Talented as a child, at about thirteen he became a student of Tokyo's then-leading printmaker, Utagawa Kunisada. His deep appreciation and knowledge of kabuki drama...

Original Japanese Triptych Color Woodblock Print by Toyohara Chikanobu - Title: New Year's Dishes: Etiquette of a Lady - Publisher: Takekawa Unosuk...

Antique Botanical Print – Orchid Odontoglossum Hybridum Leroyanum, c.1888 A striking and rare botanical print of Odontoglossum (Hybridum) Leroyanum, featuring a vibrant red and whit...

Original Japanese woodblock print by Totoya Hokkei ????(1780-1850) About the artist Totoya Hokkei (?? ??, 1780–1850) was a Japanese artist best kno...

Utagawa Hiroshige (1797–1858) One Hundred Famous Views of Edo - Koume Embankment mounted on a cardboard Artist: Utagawa Hiroshige is recognized as a master of the ukiyo-e woodblock ...

The image portrays a detailed antique Chinese rice paper pith painting, a unique art form popular in the 19th century, especially for export to the ...

An antique Japanese Shunga woodblock print in gilt frame depicting two women making love. Created in Japan, this woodblock print called a Shung...

Japanese Woodblock Shotei Takahashi (1871-1945) Hiroaki "The Moon and Ishiyama" About the artist Born in Tokyo as Katsutaro Takahashi, Shotei (aka Hiroaki/ Komei) was in his mid-teens when he began to work in the design department of the Imperial Household Agency. He studied Nihonga, or Japanese-style painting, under his uncle Fuko Matsumoto, but also worked as an illustrator for periodicals and textbooks. Beginning in the early Taisho period, Shotei regularly collaborated with the prominent Shin Hanga publisher Shozaburo Watanabe. Shotei used a variety of signatures. Many of his large landscape prints...

Utagawa Ando Hiroshige, Japanese, 1797 to 1858, woodblock prints on paper, Flowers and Bird signed and inscribed in Hieroglyphs and red ink stam...

Mid-19th century woodblock print of Onoe Kikugoro V signed Kagawa Toyoshige Kitsu. The famed Kabuki actor is playing the role of Banzuinin Chobei (or similar), a legendary street her...

Utagawa Hiroshige II (1826-1869), Japan, originally 1864, publisher Hiranoya Shinzo, from the series Thirty-six Views of the Pride of Edo, framed and glazed, oban tate-e. Dimensions...

Chinese ink rubbing printing depicting Panthaka Arhat, no.4 of the 16 arhat images immortalized in stone at the former stupa at Shengyin Temple. Depicted here sitting on a rock with a book in his left hand and snapping his fingers in his right hand, symbolic of the speed at which he obtained enlightenment, accompanied by a beggar’s bowl and an incense burner, complete with colophons and silk scroll mounting. The Emperor Qianlong ordered the stone stele to be carved in 1764 after the arhat designs painted by the famed artist Guanxiu (832-912). Even though the temple was destroyed in the Taiping rebellion, the steles remain and have been reinstalled at the Hangzhou Stele Forest. Condition: Creases from rolling, otherwise fine condition. Mounting: 58” x 22”. 19th Century. Provenance: Frank “Till” & Peggy Durdin, San Diego, CA L'Asie Exotique, Palm Springs, CA For other rubbings of this stele see: Penn Museum, object number 2010-26-4 The Metropolitan Museum of Art AN#: 59.195.15 Fine Arts Library of Harvard University, record id: W280021_urn-3:FHCL:478850 For another example of this image rendered in jade and lacquer see: “Screen Paintings of Guanxiu’s Sixteen Arhats in the Collection of the Palace Museum” Luo Wehhua translated by Bruce Doar, Orientations, September 2010, p. 104. In this article the image is identified as the sixteenth arhat Abheda, It is explained in this article that Qianlong re-identified the arhats, thus the 16th Arhat attribution for this image. Also in this article the identical colophon by Qianlong above the image is translated as: “These accurate portraits of the Sixteen Arhats were created by the Tang Dynasty painter Guanxiu, as recorded in Xuanhe Huapu (Record of paintings in the Xuanhe Reign), and during the millennium from the Guangming reign period to the present day, the original works were to be found in Zhejiang, where they were housed in the collection of Shengyin Temple in Qiantang (Huangzhou). In spring of the dingchou year (1757) of his reign, the Qianlong emperor undertook a southern tour of inspection and stayed at an imperial lodge on the West Lake. He went to the temple to pay his respects and there he saw the arhats on display and wrote a description of these marvels. The sequence of the arhats and their names had been passed down since ancient times, but they did not correspond to their Sanskrit titles; the sequence of the arhat names conformed instead to the interpretation of the Sanskrit classics by the Zhangjia State Preceptor. The emperor penned the original names and positions in the sequence below each of the figures in accordance with the readings supplied in Tongwen Yuntong (Unified Rhymes), and below each he penned an encomium, which he signed. Then the images were returned to the collection, to be passed down as a perpetual treasure. Now, the fourth great arhat had long gone missing and we did not know where his painting was. But it was merely a trifling matter of matching the images with the names, and now surely we have found him! This I, the emperor, believe.” All 16 of these rubbings can be found in the Rubel Chinese Rubbings Collection at the Fine Arts Library of Harvard University with the following descriptive historical note: “Rubbing from stele depicting No. 4 of 16 arhats (Lohans, Buddhist saints) -- Nan ti mi duo luo qing you, Panthaka Arhat. Original painting attributed to Guanxiu, 832-912. Inscriptions written by Hongli, Emperor Qianlong (Gaozong, 1711-1799) of Qing Dynasty. 7 seals of Qianlong follow the inscriptions. Script style: in xing shu. Shi liu zun zhe -- "The 16 noble ones" are 16 lohans. Lohans are also called "a-lo-han" based on the transliteration of the Sanskrit term "arhat." (Japanese: Rakan; Chinese: Lohan; Tibetan: Gnas-brtan). Arhats or Arahants are saints or sages said to have renounced nirvana (freedom from the cycle of suffering and rebirth), vowed to remain in the world to protect the Dharma and propagate the Law of the Buddha in order to devote themselves more effectively to the relief of human misery, like the Bodhisattvas. These 16 Arhats, personal disciples distinguished by the Buddha, formed part of the 500 claimed by tradition to have attended the First Council in Rajagrha. The names and abodes of these 16 arhats are given in a work entitled "Record on the Duration of the Law, spoken by the Great arhat Nadimitra," which was translated into Chinese by the famous pilgrim Xuanzang (596-664) in 654. 16 lohans are quite often represented, especially in China and Japan, in sculpture and painting, in poses and with attributes. Every lohan can be easily with special icongraphic characteristics. Guanxiu (Jiang Deyin or Deyuan, a Buddhist monk also named Master Chan Yue, 832-912) -- painter during late Tang to Five Dynasties, specialized in painting lohan figures. Legend has it that the first portraits of the 18 Lohans...

Mid-19th century Japanese woodblock print by Utagawa Kunisada. Also known as Toyokuni III (1786-1865). A Kabuki actor as a Samurai warrior in dramatic scene. Likely the central image...

Original Japanese Woodblock print, chuban Size "Bird" by Totoya Hokkei  (1780-1850) About the artist Totoya Hokkei (1780–1850) was a Japanese artist best known for his prints in th...

Antique Japanese Wood Block Print “Woman Doing Her Hair” Signed By Katsushika Hokusai 19thC Measures - 12 3/4" x 10 5/8" x 3/4" This Japanese woodb...

Pair of large Meiji Era Japanese woodblock prints Japanese, Late 19th Century Frames: height 42.5cm, width 78.5cm, depth 2cm Prints: height 35cm, width 78.5cm These excellent w...

The painter is unknown to me so far Condition Perfect Size: 26.5 x12.5 cm Period 19th century

Japanese Woodblock Print by Keisai Eisen ?? ?? (1790~1848), original and unframed. ABOUT THE ARTIST Keisai Eisen (?? ??, 1790–1848) was a Japanese u...

Ando (Utagawa) Hiroshige was the master of the landscape. He thrived in the early part of the 19th century. His works of art are highly sought out. This is a very good addition to co...

Collection of 3 Vanity Fair Sport Themed “Spy” Prints A rare collection of original coloured lithograph prints the earliest dating from 1896 to 1904, mounted and glazed in Black fra...

Mandarin Taoist Chinese ceremonial scroll portrait painting in custom plexiglass frame. Exuding an air of spiritual significance and artistic mastery, this Mandarin Taoist Chinese ce...

Print Toyohara Chikanobu Japan Woodcut 1880