A Famille Rose 'hunt scene' Punch Bowl Qianlong Period

A finely hand-thrown footed bowl attributed to Alfredo Santarelli, a key figure in the 19th-century revival of Renaissance Italian maiolica. Executed in the Urbino tradition, this pi...

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An exquisite Chinese porcelain joss stick holder dating to the early 19th century, crafted in the renowned famille rose palette. This piece is beautifully shaped in the form of a cap...

This remarkable punch bowl is an exquisite example of Chinese export porcelain from the 18th century, made circa 1736 during the Qing Dynasty. Crafted for the European market, it exemplifies the refined artistry and technical mastery that made Chinese porcelain highly prized across the globe. The bowl is decorated in the Famille Rose palette, a style introduced in the early 18th century and characterized by its delicate pastel shades of pink, green, yellow, and blue. The exterior features carefully painted shaped panels, each illustrating detailed figural scenes rendered with great precision. These narrative vignettes depict figures in period attire engaged in daily and ceremonial activities, providing a rare glimpse into 18th century Chinese life as interpreted for European collectors. The decorative scenes are further elevated by raised gilt gold accents, applied with skill to highlight borders and motifs, enhancing both texture and visual depth. The punch bowl itself is expertly formed with a gently rounded body and slightly flared rim, creating an elegant silhouette that balances both form and function. Its surface is smooth and well-preserved, reflecting the high-quality porcelain and meticulous craftsmanship characteristic of mid-18th century Chinese export ware. The piece also retains its original antique tag...

A beautiful bowl, with fine detailed decorations.

A fine Chinese Export porcelain punch bowl, Yongzheng–early Qianlong period, circa 1735–1740, painted in the famille rose palette with a distinctive version of the "Hundred Antiques" theme, unusual for its focus on furniture and precious objects rather than figures. Around the exterior are ranged a canopied couch and red-lacquer scholar's stands set with vases, flowering branches, and jardinières of peonies, together with tables bearing brush pots, censers, and boxes — a catalogue of the furnishings and treasures of the cultivated Chinese interior, giving the bowl an almost interior-portrait quality. The interior is centered with a beribboned vase of flowers within a cell-diaper and floral-panel border. The famille rose palette — named for the opaque rose-pink enamel derived from colloidal gold, introduced in the 1720s — transformed export porcelain in the second quarter of the 18th century. Bowls of the 1730s such as this, painted at the transition from the Yongzheng to the Qianlong reign, are among the most delicately enamelled of all export wares. The "Hundred Antiques" was a favored auspicious theme, a gathering of objects emblematic of scholarship and good fortune; the present bowl's emphasis on domestic...

A large Chinese export punch bowl decorated in the rose medallion pattern, featuring vivid cobalt blue borders, delicate pink rose motifs and subtle gilt highlights. Rose Medallion is a popular, brightly colored Chinese export porcelain pattern...