Georgian Spode Soup Bowl or Plate in Japan Floral Pattern No. 2054, circa 1820

This is a very beautiful hand painted dinner plate, produced by the Spode factory in the late Georgian period, Circa 1820. This is pattern number 2283, the chinoiserie decoration ...

This is a beautiful plate in the Chinese inspired pattern number 4089, produced by the Copeland - Late Spode factory and made of earthenware pottery called Pearl-ware, in the mid 19th century, circa 1850. This plate is well potted with a recessed rim. The pattern is transfer printed under-glaze in cobalt blue, then carefully hand painted in bold coloured enamels over-glaze in Gilt Heightened, Rare Pattern Number '4089' which Depicts Oriental Flowers including Bamboo, Peonies and Prunus Blossom in a garden setting with insects. Similar plates of this period are shown in Steven Smith's book called Spode and Copeland, published by Schiffer. The plate is fully marked to the base, with a transfer printed Copeland Late Spode...

Made by Spode in England circa 1830, this oval ironstone bowl is decorated with flowers in a rich Imari palette of cobalt blue and iron red, with accents of green foliage. The floral...

A very nicely made piece of 18th century porcelain decorated with a beautiful scene. Underglaze blue and overglaze other enamels done later in Europe. We have also added a picture of how a similar original Blue and white dish would have looked like. This is an example of British overdecoration.Provenance:Provenance: Doyle Sep 27, 2024 11:00 Boston Collects, Lot 1083 Six Chinese Porcelain Table Items 18th and 19th centuries Estate / Collection: Property of a Jamestown, Rhode Island Collector Often seen as ugly and black sheep of the porcelain world. British 1810-1820 Clobbered wares deserve better as they are historically very interesting. So lets call them George the IV or Regency Taste redecorated porcelain. And leave the clobbered behind us as it does no justice to what they are at all. Its not that because we live in a time were these super funky colours are out of taste that we should hate on these pieces. A short history! During the early 19th century, the Prince Regent (later King George IV) played a key role in cultivating a taste for the exotic Orient among the British elite, influencing interior design during the Regency era. His lavish projects, such as the Royal Pavilion in Brighton, epitomized this fascination. The Pavilion, with its blend of Indian, Chinese, and Gothic elements, became a symbol of the Prince’s extravagant taste. The interiors featured Chinese wallpaper, Indian textiles, and oriental furniture, reflecting the era’s growing interest in Chinoiserie and other oriental-inspired designs. This trend extended to the decorative arts, where clobbered Chinese...