Iron and glass prism candelabra by Erik Höglund , Boda Smide, 1950s

Candelabra designed by Erik Höglund. Made by hand in iron at Boda smide and clear glass prisms from Boda glass. Three arms and six glass shards. Very good vintage condition with ligh...

Candelabra designed and produced by Olov Barve. Barve was a trained smith and silver smith with his own workshop in Gotland, Sweden. Hand made from brass. All three candelabra signed...

Pair of candelabras designed by Hans-Agne Jakobsson. Produced by his own company in Markaryd, Sweden during the 1950s. Made from black lacquered steel and leather. Very good conditio...

Pair of candelabra model 14 by Guldsmedsaktiebolaget, GAB. Produced in Stockholm, sweden during the 1930s. Made from solid heavy bronze with green and brown shifting patina. Strong a...

Beautiful candelabra by Erik Höglund, made from wrought iron and glass. The rustic iron stem is adorned with four pear shaped glass medallions that bring rain drops on a bare tree to mind. Fits regular candles. Erik Höglund was one of Sweden’s foremost glass artists, whose innovative designs and glass making techniques revolutionized the scene of both art glass and serve ware in the 1950s. His bold and personal designs gave him and the glassworks Boda worldwide acclaim. Erik Höglund is considered the most influential Swedish glass artist of the 1950s and 1960s, alongside Ingeborg Lundin. Höglund was admitted to the prestigious school Konstfack at the age of 16, first studying to become an art teacher, but later changing to the sculptor’s line. He rebelled against many of what he considered to be conventional ideas at the school, and was almost expelled. His nonconformism would follow him through his career, aiding him in following his own path and repeatedly breaking new ground. Erik Höglund started working at Boda glassworks in 1953. At the time, Boda focused on producing high-quality serve ware in ethereal, cut-glass designs under the direction of Fritz Kallenberg. Höglund brought new perspectives and ideas, experimenting with the glass mass to give it a bubbly look and introducing colored glass and irregular finishes. These ideas were in direct opposition to the traditional ideas of what quality glass is, and Höglund was initially met with skepticism. He created rustic designs that allowed for everyday, multiple uses of glass, allowing it to be both functional and aesthetic. This down-to-earth IDEA appealed to both critics and collectors, although it took some years into the 1950s to win over the general public. In 1955, Erik Höglund’s glass was presented at the H55 Exhibition and one of his vases, whilst considered scandalous due to its suggestive decor, was purchased by the Swedish king. In 1957 he was awarded the Lunning Prize, its until then youngest awardee. Following that, his glass was exhibited in the Georg Jensen store on 5th Avenue in New York, making Erik Höglund and Boda world renowned. Erik Höglund was a master of all artistic trades. His glass murals...

Erik Höglund for Kosta Boda Four-armed iron candelabra with hanging glass prisms, blown in amber and clear glass with a face motif. Designer: Erik Höglund Manufacturer: Kosta Boda, ...

A four-armed floor candelabra, designed by Erik Höglund for Kosta Boda. Made in iron, blue glass and glass with motifs. 1960s-1970s.

This rare hanging candelabra, designed by Erik Höglund and produced by Boda Glasbruk in Sweden, is a powerful expression of mid-century Scandinavian craftsmanship—an artful synthesis...