Items Similar to Pair of Busts "Pythagoras & Epicurus" attributed to Giacomo & Giancarlo Zoffol

Pino Signoretto Bust of Hippocrates, Murano Glass, Venetian, Italian Art Glass

TERRACOTTA HEAD OF ULYSSES - ODYSSEUS FROM THE POLYPHEMUS GROUP, Italy 20th Cent

Italian Specimen Marble Busts of Roman Emperors, A Pair

Antique Italian Bronze Busts of Homer, Handcrafted, Circa 1860-1880

Pair of Italian Decorative Male Busts, 1.5 Ft

Antique Pair Marble Busts of Emperors Lucius Verus & Antoninus Pius 20th Century

Want more images or videos?

Request additional images or videos from the seller

1 of 21

Pair of Busts "Pythagoras & Epicurus" attributed to Giacomo & Giancarlo Zoffol

$59,000per set

£44,593.68per set

€52,160.95per set

CA$83,775.13per set

A$85,228.30per set

CHF 48,973.40per set

MX$1,024,877.01per set

NOK 571,756.04per set

SEK 575,178.84per set

DKK 389,930.29per set

About the Item

IMPORTANT PAIR OF BUSTS OF PYTHAGORAS AND EPICURUS Circa late 18th century Attributed to the workshop of Giacomo and Giancarlo Zoffoli Unsigned, black and green patina with gilt bronze rim 18 3/8" H x 9" D x 9 1/2" W [Pythagoras] 18 7/8" H x 9" D x 9 3/8" W [Epicurus] Provenance: With Daniel Katz Ltd., London, reportedly acquired there in 1993 The Bill Blass Collection Sotheby's, New York, Sale n07928, October 21-23, 2003, lot 6, achieved $ 33,000 USD Private Collection An inordinately fine pair of Italian bronze busts of philosophers Pythagoras and Epicurus attributed to the workshop of the Zoffoli brothers, each features a translucent silky surface over rich green patina overlaid with dark brown, black and reddish hues. The philosophers each are captured in slightly less than life-sized with truncated torso that allows for a squared plinth, this finished in a gilt-bronze rim. The passion for portraits of antiquity during the late 18th century set a long runway for firms like Zoffoli and Rhigetti to produce some of the finest examples of Italian bronze work for the clientele that demanded the absolute best. There are no markings on the present busts to firmly place them with the Zoffoli foundry; they are are attributed to the firm due to the construction method and surface qualities. Zoffoli mastered the replication of the same greenish hue of copper sulfate deposits found on sculpture of antiquity and used this to create surfaces that were uniquely compelling. Much of their work can be found with the same complex patination as found in the present pair. The breast of each philosopher is engraved with their respective names. The bust of Epicurus was likely modeled after the bust found in the Villa dei Papiri, Herculaneum in 1752, now in the permanent collection of the Naples Archeological Museum (acc. no. 11017) while the bust of Pythagoras appears to be largely interpreted from the bust discovered in the Villa in 1753 and also in the same museum collection (acc. no. 5607). Some artistic license was without doubt taken to remove the traditional head covering on the mathematician and make the pair more harmonious in presentation together. Pythagoras (c. 570–495 BCE) Pythagoras is remembered today primarily as a mathematician, but in his own time he was regarded as a semi-mystical figure whose teachings blended mathematics, music, cosmology and ethics into a unified worldview. At the heart of Pythagorean philosophy was the belief that numbers lie at the heart of all things: that beneath the apparent chaos of the world lies a hidden structure governed by harmony, proportion, and ratio. He taught that the soul is immortal and that it passes through cycles of reincarnation. He believed that a life of disciplined purity incorporating practices of silence, music, vegetarianism, and self-control were keys to living a good life. To Pythagoras, mathematics was not just an abstract tool but a sacred language through which the divine order of the cosmos could be revealed. Epicurus (341–270 BCE) In contrast to Pythagoras, Epicurus approached life as a materialist. He believed that the universe is composed entirely of atoms and void, and that the gods, if they exist, do not intervene in human affairs. From this foundation, he constructed a moral philosophy centered on the pursuit of pleasure, which he defined not as indulgence, but as the absence of pain, fear, and anxiety. Epicurus taught that the greatest sources of human suffering come not from physical discomfort, but from false beliefs. These false beliefs were especially harmful if they manifest fear of death and divine punishment. He proposed a lifestyle of simplicity, friendship and contemplation rooted in having only modest desires, a formula for life he reasoned was most likely to lead to true happiness. His garden school in Athens became a haven for men and women seeking tranquility through rational thought and honest fellowship. Zoffoli Foundry: Giacomo Zoffoli (1731–1785) and his younger brother Giovanni Zoffoli (1745–1805) operated one of the most important bronze foundries in eighteenth-century Rome. Established around 1760, their workshop quickly gained recognition for producing finely cast and patinated reductions of classical sculptures. These works, often modeled after celebrated Greco-Roman antiquities such as the Apollo Belvedere, the Laocoön, the Borghese and Medici vases, and the Capitoline Flora, were aimed at meeting the growing demand for collectible souvenirs among Grand Tour travelers. The Zoffoli bronzes were known for their high-quality metalwork and careful attention to surface finish, emulating Renaissance bronze techniques. Their workshop issued catalogues listing available models and prices, reflecting both the technical ambition and commercial savvy of their operation. Many of their casts were acquired by European aristocracy, including King Gustavus III of Sweden and the Prince Regent of Britain, and their works entered numerous prominent private and royal collections. The Zoffoli legacy influenced subsequent Roman founders, including the Righetti family, and helped establish the bronze reduction as a core component of Neoclassical taste during the latter half of the eighteenth century. Condition: Overall remaining in a very fine state of preservation. Rubbing has relieved the darkest layers of patination, this having developed into brighter reds and oranges in areas of relief. Abrasions around the edges of the rim. Numerous areas of patina wear in the flat sides of the torso on both figures, though mostly Epicurus. Several replaced screws in the rim. ref. 504QPK23V About silla antiques & art Established in 2009, we have available in our 9000 square foot brick-and-mortar gallery an ever-changing selection of carefully curated and catalogued furniture, decorative arts, paintings, sculpture and estate jewelry. Our company has long specialized in sculpture circa 1860 through 1930 and as such the gallery always has a very large collection of exceptional European and American sculpture available on display. The gallery is located at 117 W Burd Street in Shippensburg, Pennsylvania and is open by appointment only. We welcome your visit and would love to meet with you at the shop. For clients located outside of the area, we are always available to discuss items by video conferencing or by phone.

Dimensions:
Height: 18.88 in (47.96 cm)Width: 9.38 in (23.83 cm)Depth: 9 in (22.86 cm)
Sold As:
Set of 2
Materials and Techniques:
Bronze,Gilt
Place of Origin:
Europe
Period:
18th Century
Date of Manufacture:
Unknown
Condition:
Seller Location:
Shippensburg, PA
Reference Number:
Seller: 504QPK23V1stDibs: LU1059046957522

More From This Seller

View All

Pair of Carved Polychromed Wood Reliquary Busts of Saints, 17th/18th Century

Located in Shippensburg, PA

PAIR OF EARLY POLYCHROMED CARVED WOOD ECCLESIASTICAL RELIQUARY BUSTS OF SAINTS Probably Italian, circa late 17th/early 18th century, raised on modern ebonized plinths Marked on the r...

Category

Antique 18th Century Italian Baroque Busts

Materials

Wood

Pair of French Bronze Sculptures Busts “Comedy & Tragedy” by Eugene Laurent

By Emmanuel Marcel Laurent

Located in Shippensburg, PA

A rare and exceptional pair of bronze busts by Eugene Laurent, both are unsigned but the pair are catalogued with signatures in Berman's reference work. The casting quality is above ...

Category

Antique 19th Century French Romantic Busts

Materials

Marble, Bronze

19th Century Antique Italian Grand Tour Marble Bust of Socrates ca. 1860-80

Located in Shippensburg, PA

GRAND TOUR Italy, 19th century "Bust: Portrait of Socrates" Carved from a single solid block of white marble Unsigned Circa 1860-80 18 1/2" H x 10" W x 7 1/2" D Carved from a sin...

Category

Antique 19th Century Italian Grand Tour Busts

Materials

Marble

French Grand Tour Bronze Sculpture “Two Fates” after Jean-Baptiste Clesinger

By F. Barbedienne Foundry, Jean-Baptiste Auguste Clesinger

Located in West Palm Beach, FL

A handsome pair of Italian 18th century marble busts of Democritus and Heraclitus. The busts are in white Carrara marble and raised by rectang...

Category

Antique 19th Century Italian Busts

Materials

Marble

Pair of Busts "Pythagoras & Epicurus" attributed to Giacomo & Giancarlo Zoffol

About the Item

More From This Seller

Antique 18th Century Italian Baroque Busts

Antique 19th Century French Romantic Busts

Antique 19th Century Italian Grand Tour Busts

Antique 19th Century French Romantic Figurative Sculptures

20th Century French Louis XV Busts

Antique 19th Century French Vases

You May Also Like

Antique Late 19th Century Italian Busts

Antique Late 19th Century Italian Busts

Antique 19th Century Italian Busts

21st Century and Contemporary Italian Modern Busts

Mid-20th Century Italian Busts

Antique 19th Century Italian Busts