Antique Austrian Bisque Statue, Early 1900s

This charming pair of French terracotta statues depicts a male and female musician and was made during the latter half of the 1800s. Both statues have been stamped “GOSSIN PARIS” on the back sides. The Gossin factory in Paris was led by two brothers, Etienne (died in 1900) and Louis (1846-1928). The brothers regularly showed their wares at the official art exhibition of the Académie des Beaux-Arts, the Salon de Paris, where they would often bring home medals for outstanding quality works. They were very well known for their ornamental terra cotta fabrications which were exhibited all-over the country, where they also took home various medals. Both of these statues represent musicians siting upon rocky bases decorated with flowers, and our male musician has been depicted holding a “musette de cour”, which is a relative of the bagpipe. The female musician can be seen with a “vielle à roue” in her lap. A vielle à roue is a string instrument that produces sound when a crank is turned. The crank rotates a wheel that rubs against the strings. The sound can be compared to that of a violin. Place this elegant pair of 19th century terracotta musician statues...

Cast during the early 1900s in France, this captivating bronze statue boasts a rich patina with a mesmerizing blend of turquoise, gold, and gray patina, giving it a unique and timele...

This small French statue from the 1600s depicts a person in a two- piece robe with the bottom right hand portion of the robe attached above the knee. He is standing on a small carved...

Found in a chateau in Loriol du Comtat, in the Provence region of France, this large-scale plaster sculpture is signed and dated by the artist, making it a rare find. Originally part of a boiserie containing a fireplace, the sculpture decorated the main hall of the chateau. The artist, Marius Sain, created the piece for the owners of the chateau in 1914. The lovely depiction of a shepherdess and her flock is a fitting subject for an area of France in which shepherding is such an important part of the culture. The preserved heritage of transhumance in Provence goes back at least 800 years, as evidenced by collections of ancient songs, stories, and art. Life-size in scale, the lovely sculpture features a mix of high-, mid-, and low-relief embellishments. A hooded shepherdess tends to her flock of sheep with a crook in hand. A dog sits calmly at her feet as the flock gathers in front of them. Both the shepherdess and the dog are in high relief, as is the lead sheep. The lamb seen suckling from the front sheep was crafted in mid relief, as is the visible head on the far right of the sculpture. There are a few sheep behind them in low relief. Large trees can be seen on either side of the group, while off in the background (faintly visible) are a castle with four fastigiate Mediterranean cypress trees (known as Stricta) and a spired church. The attention to detail is magnificent, with textured surfaces including the animals’ fur and the uneven ground. Block print on the plaster can be seen at the base. The letters read Le Soir, which is French for “The Night”. The right side of the sculpture has been signed “M Sain 1914”. Marius Joseph Sain was born in 1877 in Avignon, France. In 1902, Sain moved to Paris to study at the Ecole des Beaux-Arts. Through introductions by his older brother and painter, Paul...