Busts Columns Pair of Composite Stone Brutus Laocoon

After the antique. This bust conveys the character of Brutus his courage, strength, power, nobility, honour and conviction. Measures: height 34cm., 13.5" diameter 20cm., 8" Fashioned after the c1539 statue of Brutus by Michelangelo, Bargello Museum in Florence. Marcus Junius Brutus Caepio (c.85-42): Roman politician, murderer of Gaius Julius Caesar and one of the last defenders of the republic. Marcus Junius Brutus is one of the great names of Roman history. Central to the notorious conspiracy that resulted in the assassination of the dictator Julius Caesar on the Ides of March 44 BC, Brutus gave brief hope to those who longed for the restoration of republican government. Yet by August of the same year he was on his way from Italy to the Greek east; a little over two years later he had committed suicide in the face of defeat at the hands of Mark Antony...

This sculpture has taken on a different character over time as it has weathered and the detailing has softened. Time has given it a pared down, minimalist quality juxtaposing the R...

- Classical 19th century, solid Mahogany Roman Tuscan classical column pedestal display stand - Unusual low height, 85 cm high, perfect for a lamp or displaying a scultpture or cera...

The Thinker Mid-Century Modern, sandstone sculpture depicting a seated man, artist unknown This Mid-Century Modern interpretation of The Thinker interprets the pain, release and liberation associated with free-thinking. The man conveys vulnerability, tenderness and acceptance, his body yielding into the support of the chair creating a sense of rest and peace. Provenance: Private Collection acquired from The Hidden Gallery, Scotland Measures: Height 50cm.,20" Length 33cm., 15" Depth 22cm., 81/2" The Thinker - Auguste Rodin (1840 -1917). Cast made by Fonderie Alexis Rudier in 1904. Transfered to the musée Rodin in 1922. When conceived in 1880 in its original size (approx. 70 cm) as the crowning element of The Gates of Hell, seated on the tympanum, The Thinker was entitled The Poet. He represented Dante, author of the Divine Comedy which had inspired The Gates, leaning forward to observe the circles of Hell, while meditating on his work. The Thinker was therefore initially both a being with a tortured body, almost a damned soul, and a free-thinking man, determined to transcend his suffering through poetry. The pose of this figure owes much to Carpeaux’s Ugolino (1861) and to the seated portrait of Lorenzo de’ Medici carved by Michelangelo (1526-31). While remaining in place on the monumental Gates...