French 19th Century Louis XVI St. Ormolu and Brèche Violette Marble Statue

French gilt metal sculpture on Neoclassical pedestal by Ernest Rancoulet French, early 20th century Measures: Height 165cm, width 34cm, depth 34cm This fine sculpture group is b...

A beautiful, small. French gilt bronze statue in the style of sculptor Hippolyte Francois Moreau, circa late-19th century, France. This gilt ...

19th Century, French Marble and Gilt Bronze Centerpiece This particular centerpiece was made, in white marble and finely chiseled gilded bronze, in France between the end of the eigh...

Italian plaster cherub with polished agate coral wings on an 18th century Italian gilded candlestick base with polished agate slices. The Italian 18th century gilded base is origina...

A beautiful gilt bronze figure of Apollo on an alabaster base. Dimensions: 17.32 inches high x 5.13 inches wide x 5.13 inches deep (width and depth measured at the base).

Italian plaster cherub with polished agate coral wings on an 18th century Italian gilded candlestick base with polished agate slices. The Italian 18th century gilded base is origina...

A late 19th-century French figural vase by Mathurin Moreau, titled: "LES ROSES", composed of patinated and gilt bronze, marble, and ormolu. The piece features a bronze female figure ...

An extraordinary example of Empire period craftsmanship, this grand French mantel clock was created circa 1815 by the esteemed sculptor and clockmaker Albert Ernest. It exemplifies t...

A Monumental and Exceptionally High Quality 19th Century French Ormolu Mounted and Rouge Marble Jardiniere, attributed to ROBERT FRÈRES. The urn is of baluster form with ormolu saty...

An Incredible and Large Gilt and Patinated Bronze Group of Gloria Victis, a Winged Figure of Victory with a Fallen Warrior. This incredible bronze piece was cast after a model by Maarius-Jean-Antonin Mercié, This model is signed 'F. BARBEDIENNE FONDEUR PARIS' demonstrating that it was cast by Ferdinand Barbedienne's foundry, the best bronzier of the 19th century. The base is further signed 'A. Mercie' and stamped 'Réduction Mécanique' with an inscription of '659'. The figure is mounted on a Belgian noir marble base with various stepped edges. Gloria Victis is one the most well-known and important bronze casts of the 19th Century. The quality of this particular model is absolutely incredible and all the marking indicate that this particular piece is one of the finest produced by the Foundry. A student of Jouffroy and de Falguière at the Ecole des Beaux-Arts, Marius-Jean-Antonin Mercié (1845-1916) won the Grand Prix de Rome at 23 years old with his work Thésée vainqueur du Minotaure. In 1872, he sent the plaster model of his work David vainqueur to the Salon, for which he won the first class medal. At the same time, he received La croix de la Légion d'honneur at the Villa Medici. His return to Paris, in 1874, issued in a long and brilliant career with numerous commissions, notably the monuments for Louis-Philippe and Queen Marie-Amélie for the Royal Chapel at Dreux (1886). By the age of 30 Mercié was already very well-known and his Gloria Victis received resounding success when it was exhibited at the Salon, in 1874 (in plaster) and in 1875 (in bronze). This work exalted the heroism and the patriotic sentiments aroused by the disasters of 1870. His predilection for patriotic subjects is shown in many of his works such as Quand même...